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Margaret LaurenceA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Margaret Laurence’s A Bird in the House is set in Manitoba during the mid-20th century, a period in which significant historical and cultural shifts shaped the Canadian identity. Global events like the Great Depression and World Wars I and II not only disrupted the global economy, but also greatly impacted individual lives and local communities. The Great Depression, triggered by the 1929 stock market crash in the United States, caused economic hardships in Canada, forcing many families into poverty and altering societal structures. During World War II, the demand for military supplies and personnel transformed the Canadian economy and society, accelerating urbanization and changing gender roles as women increasingly joined the workforce.
The novel touches on the unique identity and challenges faced by the Métis community in Manitoba within the context of their cultural background. The Métis is a group with mixed Indigenous and European ancestry, predominantly made up of French fur traders and Indigenous peoples such as the Cree and Ojibwe. They have a rich cultural heritage that reflects both Indigenous and European influences. However, the 1885 Northwest Resistance, the Battle of Batoche, and the failure of the scrip system—which was intended to provide land to the Métis—resulted in loss and disenfranchisement. These events led to the dispersion and marginalization of the Métis, impacting their social and economic status and contributing to a complex interplay of identity and survival that resonates within the narrative of the novel.
Margaret Laurence’s Manawaka series is a collection of novels that includes The Stone Angel (1964), A Jest of God (1966), and The Fire-Dwellers (1969). Laurence is known for her skillful storytelling, which is deeply rooted in the Canadian landscape and yet resonates with universal themes of human experience.
The Manawaka series explores various aspects of the feminine psyche through the characters’ personal struggles and significant self-realizations. For instance, in The Stone Angel, Hagar Shipley confronts her past mistakes as she grapples with aging and loss of independence. Similarly, A Jest of God depicts Rachel Cameron’s inner turmoil and desire for personal freedom. The Fire-Dwellers focuses on Stacey Cameron MacAindra’s challenges in balancing family life and personal identity.
Laurence’s work is notable for its thematic cohesion and depth of characterization, which enables her to address broader, universally relatable issues such as identity and autonomy. Her work is significant within and beyond Canadian literary borders.
Margaret Laurence, born Jean Margaret Wemyss on July 18, 1926, in Neepawa, Manitoba, faced significant personal losses early in life. Her mother died when Laurence was just four years old, a memory that she described as her first conscious one. After her mother’s death, her aunt Margaret Campbell Simpson took over the household and later married Margaret’s father. However, tragedy struck again when her father passed away in 1935, leading Laurence, her aunt/stepmother, and her younger brother to live with her maternal grandfather—a strict and imposing figure with whom she had a difficult relationship. These early experiences of loss and familial complexity deeply influenced her storytelling.
Margaret Laurence emerged as one of Canada’s most respected and cherished authors, celebrated for her profound connection to Canadian literature and her depiction of strong female characters. Her upbringing in Manitoba greatly influenced her works, which often explore themes of death and the transition into adulthood. Despite leaving her hometown as soon as possible, Laurence always credited Neepawa as a significant influence on her writing.
By Margaret Laurence