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61 pages 2 hours read

Margaret Laurence

A Bird in the House

Fiction | Short Story Collection | Adult | Published in 1974

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“The Half-Husky”Chapter Summaries & Analyses

“The Half-Husky” Summary

At 15, Vanessa observes Peter Chorniuk delivering birch firewood. Vanessa talks with Mr. Chorniuk, who mentions that his dog, Natasha, has had puppies with a husky. He offers one to Vanessa, who is thrilled but anticipates resistance from her grandfather rather than her mother.

Grandfather Connor, in his late eighties and still formidable, initially refuses the puppy, mirroring his earlier contentious negotiation over the price of the birch with Mr. Chorniuk. However, he relents when Beth indicates it’s okay but insists the dog must stay in the basement. Vanessa and her younger brother Roddie play with the puppy, whom she names Nanuk, an Inuit name.

The local paperboy, 16-year-old Harvey Shinwell, who is known for his pale and spotty appearance, mistreats Nanuk by jabbing him in the face with a stick. He claims the dog is dangerous as he grins at Vanessa. Despite her anger and concern, Vanessa doesn’t mention the incident to her mother, wary of the additional strain the dog might already be placing on the household.

Months later, Vanessa catches Harvey luring Nanuk with a donut, only to harm him by throwing pepper into his eyes. Witnessing repeated cruelty, she harbors dark thoughts of retribution against Harvey. Nanuk—now eight months old and robust with a thick black coat, husky ears, and a wolf-like jaw—reacts aggressively toward Harvey. During a confrontation, Harvey uses a slingshot to hit Nanuk in the neck, which enrages Nanuk to the point of violently lunging at the fence, trying to reach Harvey as he flees. Vanessa is left shaken, fearing that if Nanuk had escaped, he might have killed Harvey.

After discovering that Harvey has further harmed Nanuk—this time with matches—Vanessa feels a surge of anger and decides she wants to hurt Harvey. When Roddie witnesses Harvey stealing his telescope, Vanessa shares this with her mother. Grandfather Connor overhears and insists that Vanessa come with him to confront Harvey.

They travel to the impoverished North End where Harvey lives with his aunt, who has cared for him since his mother’s death. Grandfather Connor speaks firmly with her, demanding the return of the telescope. Inside their dilapidated one-room house, Harvey’s aunt confronts him. She strikes Harvey with a wooden spoon when he fails to respond, but he remains stoically unresponsive. She warns him of harsher consequences if he doesn’t comply. Harvey eventually returns the telescope, and his aunt pleads with Grandfather Connor not to involve the police, describing Harvey as a constant source of trouble. When witnessing this family dynamic, Vanessa asks her grandfather if he knows Harvey’s aunt, to which he responds indifferently.

Following this incident, Harvey stops bothering Nanuk and eventually drops out of school and his paper route, taking up work with Yang Min, an elderly Chinese man in the North End. However, the damage to Nanuk’s trust has been done, leading to such heightened suspicion toward people that Beth decides Nanuk should be rehomed on a farm. Vanessa, unable to face saying goodbye, mourns Nanuk’s departure in silence.

A year later, Yang Min’s café is robbed, and Yang Min is assaulted. Harvey is quickly arrested and convicted of the crime, receiving a six-year sentence. Vanessa inquires about Nanuk’s fate, pushing past her mother’s reluctance to reveal that the vet had euthanized him. After learning this, Vanessa sees Harvey’s aunt on the street, and Vanessa ignores her, conflicted by the unfairness of it all.

“The Half-Husky” Analysis

In “The Half-Husky”, the theme of The Role of Trauma in Behavior and Relationships is illustrated through the intergenerational trauma that characters and animals endure. The mood and tone of the story convey a melancholy and helplessness, mirroring the inevitability and persistence of trauma. Laurence’s choice of a stark, unyielding narrative voice adds a layer of somberness to the storytelling, drawing the reader’s attention to the gravity of the book’s themes.

Nanuk, the half-husky dog, is a symbol of how trauma can alter behavior and perception. Described as becoming violent and suspicious due to mistreatment, Nanuk’s transformation reflects the psychological impact of sustained abuse. This depiction aligns with the notion that traumatic experiences can lead to profound behavioral changes, akin to the shift seen in Nanuk’s demeanor from a loving pet to a fearful, aggressive animal. Laurence uses this transformation to highlight the physical and emotional scars left by trauma in humans.

The treatment of race and inherent qualities is subtly critiqued through the characterization of Nanuk. He is named after the Inuit term for a polar bear. In Inuit culture, polar bears are revered and believed to embody spiritual qualities, and so they are deserving of respect; this contrasts with the dog’s reality, where he faces abuse rather than respect, highlighting the misuse and misunderstanding of Indigenous symbols in non-Indigenous contexts. The dialogue, “This time she got herself mixed up with a husky” (155), and Grandfather Connor’s dismissive attribution of Nanuk’s aggressive tendencies to his husky nature exemplifies a deterministic view of behavior based on inherent qualities, which is also a reflection of racial prejudices. This viewpoint is challenged by the narrative, which instead emphasizes the environmental and social factors contributing to Nanuk’s behavior, supporting nurture over nature.

Harvey symbolizes the perpetuation of inherited trauma. During Vanessa’s visit to Harvey’s home, she witnesses his aunt’s abusive behavior; this shifts her perception of him, as she realizes the depth of his circumstances. Although Harvey’s actions contribute to Nanuk’s death, Vanessa’s understanding of the broader context of abuse challenges her initial blame. This realization is captured when she reflects on seeing Harvey’s aunt after his arrest: “Once she said hello to me. I did not reply, although I knew that this was probably not fair, either” (172). This underscores the complexity of trauma’s cyclical nature and Vanessa’s growing maturity.

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