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Naomi NovikA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Our protagonist is El, a student who is definitely not viewed as heroic by the rest of the student body. Her foil is Orion, an enclave student whose affinity makes it not only possible but also beneficial for him to play the role of hero. Orion and El are seen as opposite—the self-sacrificial golden boy and the probably-a-maleficer girl with the bad vibes—but they are similar in many ways. Close attention to El’s characterization reveals her heroic impulses come at a far greater personal cost than Orion’s do. Orion has the unique ability to pull mana from mals, and he is innately repellent to the creatures as well; throughout the novel, Orion opens doors and chests without checking to be sure they’re clear. He sticks his head into holes in the wall with no caution. Early in their relationship, Orion tells El, “They don’t come my way! They never have!” (28). During the graduation hall repair mission, El observes that the mals back off after a while: “The others just held their positions for a good minute before one of them finally tried again, and even then, it didn’t go for him, it tried to go round him and went for us” (284). Orion’s heroics, as public and spectacular as they are, cost him very little—he has no fear of the mals, is able to kill them with his bare hands in the way others cannot, and receives massive amounts of power from doing so.
El, on the other hand, engages in quiet, private daily heroics. It would be as easy for El to be “bad” as it is for Orion to be “good,” but she puts a great deal of effort into avoiding the things that come easily to her or may benefit her in the ways Orion is benefited. The novel shows us other students using dark methods to get what they want: one example is Jack, who kills Luisa; another example is Todd, who pushes another student into the void so he can steal a better dorm room. Most students have no problem cheating a little. As El explains, “If you’re less of a stickler, as most people are, you can make yourself a three-tier cake out of dirt and ants every day of your life, and still live to 150 and die peacefully in your bed, assuming you don’t die of cholesterol poisoning first” (7). El refuses to use even small amounts of malia because she knows her affinity will source it from the students around her. The labor we see her undergo to build mana to do the smallest of spells is as much an act of protection as Orion’s dramatic slayings. When El does perform heroism in a spectacular way, it remains private; she single-handedly kills the maw-mouth before it can hurt any of the other students, but she does so without a grateful audience. Afterward, she is painfully aware of the reality of the situation: despite her having selflessly stepped into what she expected to be a suicide mission, the other students would simply perceive her as more dangerous for having had the power to accomplish the feat. Though Orion’s and El’s forms of heroism are very different, the novel’s quiet focus on El’s sacrifices suggests that these seemingly smaller and undervalued actions are equally as vital as what Orion provides.
The novel makes a distinction between the production of mana by the independent students and the vast reservoirs of power stored and shared by the enclave students. Throughout the novel, El has to perform tedious and time-consuming physical labor to build mana to make even the simplest of spells work. One of the first examples of this is when El is working to repair her door after Orion saves her from the soul-sucker. El describes the process of repairing the door:
I laboriously drilled holes in one piece of scrap and wired it in place over the hole he had left in the door, securing it thoroughly. I then sat there and wove some of the thinner wire around four thick strands to make a wider band, and I used it to wire the dented remains of my doorknob and lock roughly back in place. Then I pulled the door shut and did the same on the inside with a second piece of scrap (34).
Orion, an enclave kid, watches this with some confusion: ‘“Why don’t you just use the mending charm?’ Orion ventured tentatively, about halfway through the agonizingly boring process, after he looked round to see what was taking me so long.” Later that evening, El spends a half-hour doing sit-ups to generate enough mana to cast a shielding spell around her bed so she can sleep through the night. She notes she “can’t afford to do it every night” (40).
Orion is astounded that El does not simply pull small amounts of mana from the inanimate objects around her, as he’s accustomed to a plentiful supply and easy access to power whenever he needs it. El does not have this reservoir, so she must carefully build and ration her mana. She is fortunate to have her mother’s crystals as a power storage device, but the process of filling them still requires physical and mental effort. This parallels the inequality between lower socio-economic groups and those who benefit from generational wealth. Orion is able to pull mana from mals, which is a unique talent, but his access to the power-sharing network is limited due to his lack of control. Chloe provides a better contrast to El in this sense, as she routinely uses the power-sharer. El notes: “Of course they did power-sharing, and of course they had their own power sink to boot, like my crystals, except some enormous one that every student from New York had been feeding into for the last century” (57). El gets a better understanding of this wealth of mana when she is given a power-sharer for the graduation hall repairs. She describes “a line of mana that felt roughly like a hose being fed by the Atlantic,” and notes, “I’d already known that the enclaves had access to gobs of mana, loads more than the rest of us, but I hadn’t realized how much more. I could’ve razed a city or two without even making a dent” (454).
The use of power-sharers, the cost of mana, and the realities of how it is produced and distributed add dimension to the social critique of the novel. El explicitly discusses the ways in which the enclave kids experience—and take for granted—the privilege and resources they are given both within and outside the school. Power-sharers and the reservoir of mana upon which the enclave students can draw function as a symbol and critique of generational wealth in contemporary society. Though El critiques the system itself, she is mostly exasperated with the enclave students who benefit from it without stopping to think about how it works.
Character “foils” are pairs of characters whose differences highlight each other’s qualities. These characters are often positioned as opposites—one may be brave while the other is cowardly; one may be reckless while the other is cautious—and they are often at odds with each other, for example a hero and a villain. In A Deadly Education, Novik sets Orion and El up as character foils but undermines the device by highlighting their similarities as well as their differences. Both characters are courageous, self-sacrificing, and loyal, for example. Both are willing to endanger themselves to save the lives of others. Both are unusual in their affinities—Orion’s to the slaying of mals and the collection of mana from them; El’s to death and destruction and the ease with which she can pull and control malia.
In the perspective of the other students in the school, El would represent “bad” and Orion would represent “good.” Many students assume El is a maleficer while they see Orion as a golden hero. Ironically, Aadhya suggests El might “cheat a little too much,” and notes that “it can mess up your vibe” (114). El, however, never cheats; she is “strict mana” (35, 37, 203, 204). Orion, who is perceived as noble and good, “[stared] like [El was] an exotic zoological specimen” when he finds this out (34).
When Novik rests the wider understanding of El and Orion as foils on this misunderstanding of their characters, she critiques stereotypes and superficial readings of those around us. In her construction of Orion and El as true foils, she focuses on Orion’s reckless, thoughtless leaps to action and El’s more strategic, careful approach. Throughout the novel, Orion charges blindly into potentially dangerous situations, expecting he’ll be able to adapt and survive. El, on the other hand, carefully surveys the terrain before she enters, anticipates possible danger, and formulates a plan. El is quick-thinking while Orion is quick-acting. El is defiant while Orion is biddable. El is strategic, balancing magical power with careful planning, while Orion is bold and single-minded. The characters are different in many complementary ways but not in the simplistic, stereotypical ways their peers perceive them to be.
By Naomi Novik
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