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63 pages 2 hours read

Reyna Grande

A Dream Called Home

Nonfiction | Autobiography / Memoir | Adult | Published in 2018

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Themes

The Difference Between a House and a Home

The difference between house and home plays a key role in Reyna’s memoir. As the book’s title suggests, Reyna dreams of having a home, and this dream drives her to work hard during and after college. The desire stems from not having a stable home as a child. Reyna grew up in a shack and spent years of her life parentless and in the care of her abusive grandmother. Reyna’s father left his wife and children in search of work in the US. His primary reason for leaving was to save enough money to build his family a dream house. He eventually built a modest, cinderblocks structure. By that point, however, his family had already fallen apart. One of his sisters now occupies the house, which stands as a sad reminder of what happened to the Grandes. When Reyna’s father builds a pergola over her patio, she realizes that although he built her two houses, only she can build herself a home.

Reyna purchases a house in South Central through a program offering favorable prices to teachers. The house is run-down and located in a crime-ridden neighborhood, yet Reyna turns it into a loving home for her and Nathan. She welcomes loved ones into her home, including her father after he sells his house and Mago after she leaves her common-law husband. Cory is also a regular visitor to Reyna’s home, which is where their relationship blossoms. The South Central house, however, is not the first Reyna tried to turn into a home. In college, she moves Betty into the campus apartment she shares with roommates to provide her sister with a stable home. After administrators threaten to evict them, Reyna moves Betty to the Westcliff Apartments, where she again tries to create a home.

Reyna struggles to belong throughout her formative years. She feels neither at home in the US, nor in Mexico. It is not until she meets Marta and Erica that she begins to embrace her dual identity and to feel at home in both places. After college, she decides not to move in with Gabe because the house he built in the woods was his dream house, not hers. She knows she must build her own home using her skills: “I would build my home out of the only things I had–words and dreams” (106). In Chapter 12, she compares her first novel, Across a Hundred Mountains, to a house’s structure: “And as I held my book in my hands, feeling its comforting weight, its thick cover as sturdy as concrete walls, the words on the page lined up like rows and rows of bricks, [...] I had finally built a home that I could carry” (316).

Holding onto one’s Mexican Immigrant Identity in America

Reyna’s identity as an immigrant is central to her memoir. She immigrates to the US at the age of nine after two failed attempts to cross the border. From the time she arrives, she struggles to fit into her new culture. In the fifth grade, for example, Reyna’s grasp of English is so poor she writes a Spanish-language story for a school contest, only for it to be rejected and unread. She continues to feel like an outsider on UCSC’s predominantly white campus, as evidenced by her discomfort at the campus co-op and local grocery store, which sell unfamiliar food. Although Mexico is her country of birth, Reyna does not belong there in the eyes of her relatives, who treat her like an Americanized foreigner. In short, Reyna feels marginalized no matter where she goes: “For years, I had struggled to fit in, to learn the language and culture, to find my way. But no matter how hard I tried, I still felt like a foreigner” (36).

Reyna begins to see her dual identity as an asset at UCSC. Marta plays a critical role in this regard. She explains to Reyna that people treat her differently because she is, in fact, different. Unlike her Mexican relatives—and most Americans—Reyna is bilingual, bicultural, and binational. In addition to making her stand out wherever she goes, her differences make her more, not less than others. Erica also helps Reyna grow more comfortable with her dual identity. With her confidence bolstered, Reyna continues to write about her reality as an immigrant, even when others critique this choice. Meeting other Latino students, joining a campus folklórico group, studying Spanish for Spanish speakers, and taking a Chicano literature course foster a sense of belonging without forcing Reyna to sacrifice her cultural heritage. Reyna embraces her immigrant identity further with the help of Micah and María. The former supervises her senior project, which later becomes her first novel, Across a Hundred Mountains, while the latter encourages her to find her voice and apply to the Emerging Voices program. The key to Reyna’s success as a writer is her ability to hold onto her heritage, while deftly navigating American culture. 

How Children Cope with Parental Abandonment

Immigration tore the Grande family apart. Natalio’s immigration, combined with Juana’s decision to follow him two years later, leaves Reyna and her siblings to navigate the world without parents. Abuela Evila is their primary caretaker during this period. In addition to being physically and emotionally abusive, she keeps the children hungry, dirty, and in rags. Reyna describes her years in Abuela Evila’s care in vivid terms: “We had to watch [Juana] walk away from us, wondering if we would ever see her again. Then we went inside Abuela Evila’s house to endure two-and-a-half years of hell” (45).

Being abandoned a second time by her mother compounds Reyna’s trauma. Reyna is initially overjoyed when her mother returns to Iguala, describing it as “one of the happiest days of my life” (45). Her happiness ends abruptly, however, when her mother runs off to Acapulco with a man. Not even Abuelita Chinta can ease the pain of being abandoned a second time: “My maternal grandmother did her best to make up for the pain of my mother’s absence. But no matter how much Abuelita Chinta loved us–it wasn’t enough” (45).

Reyna’s abandonment as a child causes deep emotional wounds that last well into adulthood. Almost every man she dates before Cory is a surrogate for her father. At PCC, she becomes infatuated with a maintenance worker because his uniform, dark skin, and bulging veins remind her of her father. Gabe’s sunburned face and soiled garments also make Reyna think of her father, as do Arturo and Francisco’s skin tones, calloused hands, and broken English. Not coincidentally, these men are significantly older than Reyna. Betty seeks the affection of older men for similar reasons. As Reyna notes, “Since our parents rarely showed any tenderness toward us, we had to look outside of home to find it” (53). Reyna and her siblings become good, present parents, in large part because they knew how it feels to be abandoned. 

Tenacity and the American Dream

The American dream a leitmotif of Reyna’s memoir. Her father teaches her early on that hard work and education are the key to a better life. A university education opens professional doors and provides graduates with confidence and social capital. Reyna takes her father’s lessons to heart, even after he stops believing in her. Through tenacity and hard work, and without parental support, she graduates from high school, attends PCC for a year, and transfers to UCSC. She commits to finishing her degree, despite feeling like an outsider at her predominantly white university. She also continues to write about the immigrant experience, even after a professor criticizes her work and calls it melodramatic. Reyna’s steadfast commitment to writing about her reality pays off: She signs with a literary agent who supports her vision and publishes her first novel with Atria Press. Reyna’s book receives positive reviews from various sources, including Publishers Weekly, People, and the El Paso Times. The novel also receives an American Book Award.

Having a home is equally important to Reyna as her dream of becoming a professional writer. She achieves this goal by capitalizing on a program offering foreclosed properties to teachers at half the market price. Reyna’s South Central home is no dream house: It is run-down and located on a busy street, along a flight path to LAX. Gun shots and break-ins are the norm in the area. Worse, she has to call the police to evict squatters three weeks before moving in. Despite the house’s shortcomings, being a homeowner fills Reyna with a sense of accomplishment:

I thought it was hilarious—one of life’s jokes—to send me the opposite of the dream house I had fantasized about. But with immense pride I stood in the backyard, my hand gliding over my humongous belly, unable to believe that I was twenty-six and now a homeowner! (191).

Homeownership is an essential part of the American dream, one that confers many economic benefits including, notably, the ability to accumulate wealth. Five years after buying her house, Reyna sells it for five times what she paid. Her economic and professional achievements are due in large part to her belief in her dreams and to her unwavering capacity for hard work. Reyna is well aware of these aspects of her personality, which she discusses at the start of her memoir: “My biggest virtue and my biggest flaw was the tenacity with which I clung to my dreams, no matter how futile they might seem to others” (5).

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