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28 pages 56 minutes read

MacKinlay Kantor

A Man Who Had No Eyes

Fiction | Short Story | Adult | Published in 1931

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Themes

Human Agency and Disability

The diverse and divergent approaches to adversity and disability form the core preoccupation of the story. The theme is explored through the contrasting characters of Mr. Parsons and Markwardt. Both were laborers who lost their eyesight in a factory chemical explosion. The story commences 14 years after the incident, and Mr. Parsons is now a well-off insurance salesperson. He is “successful, respected, admired” (Paragraph 3) and has a positive outlook on the world. The narrative hints at Parsons’s perseverance over personal obstacles when he reminiscences with pride on his journey from being “little more than a skilled laborer” (Paragraph 3) to a well-established businessperson.

On the other hand, Markwardt uses his disability to capture the sympathy of  passersby in the hopes of selling petty objects. His major hubris lies in his stubborn refusal to take responsibility for his circumstances and distorted worldview. He blames his destitution on the factory owners for not providing the workers with insurance. According to him, it would have been more beneficial to be injured during warfare, since veterans receive state support. His obsession with his past tragedy is reflected in his “insane sort of pride” (Paragraph 11) in having been a victim of a well-known accident of catastrophic proportions. He constantly relives the tragedy; even after more than a decade, the memory is still very fresh, and he remembers the exact statistics of how many people were injured or killed in the explosion.

Markwardt also resorts to practiced, vivid narrations of the accident and enthusiastically describes the “C shop going up in one grand smudge, and gas pouring in all of the busted windows” (Paragraph 13). Markwardt’s entire consciousness is rooted in that moment of explosion, which is not uncommon for people who have experienced extreme trauma. However, the narrative does not frame Markwardt as a sympathetic character. Instead, Mr. Parsons, who chooses not to dwell on the tragedy and seeks hope in the future, is positioned as the more morally-applaudable character.

The coincidental yet crucial meeting of the two characters, where neither is initially aware of the other man’s identity, highlights the divergent paths their lives have taken after the tragedy. Mr. Parsons’s identity does not hinge on his disability, so Markwardt interprets the stranger as a person without disabilities, and therefore one likely sympathetic of Markwardt’s circumstances. Markwardt’s ennui and choice to not exercise his human agency are complemented by his moral dubiousness and deceitful nature. Kantor uses the men’s shared experiences to highlight that character, not circumstance, dictates the outcome of one’s life.

Appearance Versus Reality

The tension between appearance and reality is the cornerstone of the story, and this dichotomy is both thematically and structurally significant. Both the characters “misperceive” each other before realization or revelation dawns on them. Through carefully-curated details and the characters’ interrupted exchanges, Kantor precipitates the climactic plot twist, wherein the reality or truth is revealed.

Markwardt’s characterization hinges on shifting perceptions. In the opening sentence, he is referred to as a “beggar,” and then he becomes the “blind beggar.” However, this perception is quickly proven to be false when Markwardt clarifies to Mr. Parsons that he “ain’t no beggar” (Paragraph 7) but a man with blindness. Soon after, he offers to sell a cigarette lighter, giving the impression that he is a “peddler” of cigarette lighters. Eventually, this understanding gives way to a sense that Markwardt is actually peddling his tragic story. He is eager to narrate his tale, with an eye on the money he may receive if Mr. Parsons takes pity on him.

Markwardt goes on to tell his listener that his disability has resulted from a treacherous coworker who cruelly prevented his escape. This fabrication has a greater implication. Not only does Markwardt distort the events, but he also positions himself as a victim and not the perpetrator. Similarly, Markwardt assumes Mr. Parsons is different from him and has no experience with disabilities. Even when he mentions the Westbury accident, there is nothing in Mr. Parsons’s words that hint at his intimate involvement in the accident. The reality of his disability is revealed only after Markwardt concludes his story and waits expectantly for Mr. Parsons’s expressions of sympathy.

Markwardt adamantly clings to his falsehoods, or constructed reality, even when Mr. Parsons confronts him with the truth. Instead of acknowledging his culpability, Markwardt projects his deceitful actions onto Parsons. Markwardt assumes that Parsons “GOT AWAY” unscathed and hysterically accuses Parsons of leading him on and taking advantage of his disability: “YOU’VE BEEN STANDING HERE LETTING ME SPOUT TO YOU, AND LAUGHING AT ME EVERY MINUTE! I’M BLIND” (Paragraph 24). To Markwardt, it is impossible for a man with a disability and of humble circumstances to prosper. He finds it difficult to accept that Mr. Parsons, a refined man of means, also has a disability. More so, Markwardt refuses to accept the reality of his circumstances. With unwavering composure, Mr. Parsons disproves Markwardt’s false perceptions with three simple words: “So was I” (27).

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By MacKinlay Kantor