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83 pages 2 hours read

Ursula K. Le Guin

A Wizard of Earthsea

Fiction | Novel | YA | Published in 1968

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Themes

The Limits and Responsibilities of Power

Throughout A Wizard of Earthsea, Ged is shown to be an extremely powerful wizard. It is precisely this power, however, that puts him in peril time and time again until he manages to learn that there are limits to power in terms of both safety and ethics and that power outside of wizardry is just as valid.

Ged overspends his magical power and wounds himself this way multiple times. After saving the village with the illusion of thick fog, Ged falls insensate and must be revived by Ogion (15). After he unleashes the shadow, he must recover for several months (76). Finally, When Ged turns into a falcon to flee the Court of the Terrenon, he remains in that shape for too long and must be once again called back by Ogion (147). Further, as seen in the shadow Ged inadvertently releases, the misuse of spells can be dangerous in and of itself.

Beyond immediate concerns of safety, the misuse of magical power also has ethical ramifications. Much of this stems from the attempt to control others; Ged’s aunt (5) and Serret (141) both attempt to bind Ged to them so they can use his power as their own. Stripping someone of their agency is unethical, regardless of the means by which it happens. The misuse of power for ethical reasons can also be related to the intent and motivation behind a spell. One of Ged’s teachers tells Ged as much after Ged unleashes the shadow; he tells Ged that “[y]ou have great power inborn in you, and you used that power wrongly, to work a spell over which you had no control […] and you were moved to do this by pride and by hate. Is it any wonder the result was ruin?” (78). Here, Ged’s teacher imparts a powerful lesson: All aspects of a spell and the spellcaster must be in alignment with the higher good of the world.

Ged seems to finally recognize the responsibility and limits that come with his power when he begins to understand how many types of power there are in the world. He is exposed to many different kinds of magic: the dragon of Pendor (104), the Terrenon (136), and the ocean outside the realms of men (187). However, Ged also comes to learn there are nonmagical forms of power that are just as valid, important, and effective as his own magical powers. He comes to admire the simple shipbuilders of the islands he visits, and in his otak’s concerned licking when he falls unconscious, “Ged saw something akin to his own power, something that went as deep as wizardry” (98).

Once Ged realizes the results of magic can be disastrous and even nonmagical beings possess their own innate powers, he becomes unwilling to recklessly use magic for his own gain. Ged learns the limits of his own power and comes closer to answering the question he asked of Ogion at the beginning of his teachings; “[W]hat was the good of having power if you were too wise to use it” (21).

The Importance and Power of Agency

Ged is both afforded and denied agency by different forces throughout A Wizard of Earthsea. The lack of agency becomes tied to evil intentions and the exercise of agency becomes the way in which Ged fights evil. In this way, Le Guin argues that using one’s agency is crucial in living a genuine life without succumbing to evil or worldly concerns.

Ged must defeat the shadow before it defeats him because if he doesn’t the shadow will possess him and turn him into a “gebbeth, a puppet doing the will of that evil shadow which [he] raised up into the sunlight” (77). It is both the loss of agency and the use of his form for evil that frighten Ged. Later, at the Court of the Terrenon, Serret and the stone also seek to strip Ged of his agency (140). Though he escapes their grasp, this outcome is hinted at from the very first moment Ged arrives on Osskil and feels that “he had not chosen to come here” (123).

Conversely, Ged is only able to stand against evil when he exercises his agency and consent. He does not agree to touch the Terrenon, and therefore it was not able to exert its control over him (141). Later, when he turns to chase the shadow, he realizes that “Ogion had been right: the shadow could not draw on his power, so long as he was turned against it” (170). Here, Ged’s agency is the very thing that keeps him protected from the worst of the shadow’s evil influences.

The conclusion of the novel only serves to strengthen Le Guin’s assertions about the importance and power of exercising one’s agency. By willingly facing the shadow and acknowledging the dark parts of himself, Ged becomes a man and a wizard immune to evil influences (214). 

The Uncanny Double

The shadow Ged releases is a terrifying, uncanny force of evil that soon becomes Ged’s double. In the climax of the novel, Ged “defeats” his dark double not by fighting it but by accepting it.

The shadow is deeply uncanny, in the literary and Freudian sense, from the very beginning. It is described as “darkness itself […] the unnamed thing, the being that did not belong in the world” (98). Shadows and men are both familiar things, and though the shadow bears a resemblance to both, it is neither; it has a “faceless vagueness of [a] head, yet it [is] shaped like a man, only deformed and changing, like a man’s shadow” (161). The fact that this shadow is so similar and yet so different to commonplace things is precisely what makes it so terrifying.

After Ged has encountered the shadow multiple times, it begins to take the form of his double. In this way, it is both serving to highlight Ged’s own character and serving to threaten his very existence and selfhood. On the small island of Vemish, a man tells Ged that “a person was seen crossing our humble isle afoot […] and no boat was seen to come with him aboard nor no boat was seen to leave with him aboard it, and it did not seem that he cast any shadow. Those who saw this person tell me that he bore some likeness to yourself” (179). Later, on Iffish, Vetch tells Ged that he “saw a presentiment of [him], or an imitation of [him], or simply a man who looks like [him]” (183). The shadow has drawn enough of Ged’s power to take his shape, which is a terrifying foreshadowing of what would come to be if Ged did not defeat it.

Ged does not properly defeat the shadow through magic or bodily strength. Instead, he takes the shadow into himself. By doing so, he acknowledges his mistakes and the parts of him that allowed those misguided deeds to happen. By accepting the dark parts of himself, symbolized by the literal shadow that he has been pursuing over the course of many years, Ged becomes even stronger than he already is. He ends the novel as a self-assured young man who is unable to be manipulated by these dark parts of himself or manipulated with appeals to these “shadows” of his psyche. Ged therefore finds wholeness in the contrast between these different parts of himself. 

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