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Cormac McCarthyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Traditional ideas of masculinity and femininity are interrogated throughout the novel, and this motif relates heavily to the relationship between John Grady and Alejandra. Dueña Alfonsa urges John Grady to respect Alejandra’s honor, with the implication that if is she is not perceived as a dignified, respectable woman then she will have no power in Mexican society. It’s telling that Dueña Alfonsa shrugs off John Grady’s protests that the patriarchal system that Alejandra lives under is unfair: Dueña Alfonsa sees the system as immutable, so trying to reject its dictates is an invitation to disaster. This ties into the idea of Belief in Virtue in a Compromised World: Despite experiencing her own tragedy of love and thinking the world is unfair to women, Dueña Alfonsa accepts the world as it is.
Don Héctor is another figure who puts pressure on Alejandra to conform to gendered expectations, and her affair with John Grady is a direct flouting of his ideology. For Don Héctor, how a woman should behave is so ingrained that Alejandra’s actions put an enormous strain on their relationship and lead him to nearly murder John Grady, whom he had previously treated as a protégé.
While John Grady suffers for misunderstanding the gravity of his actions, Alejandra is utterly defeated by the realization that she is boxed in by a patriarchy that disempowers her and makes her father’s love conditional on her ability to conform to social convention. The world McCarthy creates is dominated by powerful men, and the only way women can avoid their cruelty is through playing their role. In order to survive, Alejandra chooses to become a pragmatist like Dueña Alfonsa, showing the pernicious effects and enormous pressures of gender norms.
The racehorse that Don Héctor purchases to stud is a focal point of his relationship with John Grady, and the freedom that Don Héctor grants his employee with the horse represents their growing respect and trust for each other. It’s also symbolic of Don Héctor’s desire to be a powerful man: It is a muscular, expensive animal that will be used to grow his empire through siring the next generation of horses that will work his land. The horse represents a complicated psychology of sexual and economic power for Don Héctor as a patriarch and rancher. Antonio’s name for the animal—caballo padre (horse father)—makes this connection explicit. Though Don Héctor undermines the influence of fathers while lamenting Alejandra’s desire to study in Europe, his wealth and power are rooted in patriarchal conventions—even literally in the form of breeding horses.
John Grady’s permission to ride the racehorse bears all of this symbolic weight, and as he rides the stallion, it represents his own desire for the kind of power Don Héctor has. It’s also a clear transgression of the boundaries of their relationship. When John Grady allows Alejandra to ride the horse, it is a fundamental betrayal of Don Héctor’s wishes. In that moment, Alejandra flirtatiously says “You are in trouble” (131), as she knows that she is engaging in an act of rebellion against her father and making John Grady an accomplice. Ultimately, the horse comes to represent the trust that John Grady is violating, even as he believes that pursuing love is a justified reason.
Blevins’s horse begins as a symbol for Blevins himself: It’s the kind of powerful, beautiful animal he believes he deserves, and it’s an indicator that he’s someone who desires respect, even if he hasn’t earned it. The fact that it’s likely stolen is a further indication that Blevins is a flashy troublemaker, and it takes after him in its wild skittishness.
The end of the novel makes the horse’s symbolic nature more complex. When John Grady first rescues the horse, it challenges him in the same way Blevins did—it’s difficult to control, gets him into trouble, and needs his constant attention during the chase. After he’s back in Texas, John Grady sees it as a millstone around his neck and reminder of his guilt; he travels the countryside looking for its original owner as a means to absolve himself of not interfering in Blevins’s execution. If he can restore the horse to its rightful owner, then his journey—which he views as a tragedy—has led to some good. Even after the judge grants him legal right to the horse, John Grady still takes on the responsibility for bringing justice to the world, though the world does not offer him a solution. Instead, his journey leads him to false claimants, religious charlatans, and ultimately no resolution. The horse becomes a living testament to the emotional burden he now carries with him.
By Cormac McCarthy
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