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49 pages 1 hour read

Olivie Blake

Alone with You in the Ether: A Love Story

Fiction | Novel | Adult | Published in 2018

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Part 6Chapter Summaries & Analyses

Part 6: “Turns”

Part 6, Chapter 8, 279-288 Summary

Aldo and Regan’s relationship experiences a temporary fracture, and they each sit alone, reflecting on the evening when the argument took place and what led to their breakup. Aldo can’t pinpoint the moment when everything started to go wrong but knows that it happened the night he and Regan went to her father’s birthday party. Her parents were still put off by him and had also invited Marc, who told Aldo that Regan was caught in a pattern that he was just a part of and would eventually grow tired of him and find something else, just as she had with Marc. Doubts swirled through Aldo’s mind as he wondered whether he and Regan loved each other or just depended on each other. He kicked himself for not recognizing the pattern in her and his place in it. Aldo concludes that the moment when he asked Regan, “You really haven’t changed, have you?” (282) was when things fell apart. Regan had no longer been sleeping and disappeared, sometimes all day, never saying where she was. She became unpredictable, rather than predictably unpredictable, and Aldo could no longer keep up. He started to see his need to be with her as a compulsion or an addiction rather than love.

Part 6, Chapter 8, 288-291 Summary

Madeline had called Aldo and asked him to convince Regan to come to their father’s birthday party. Regan agreed readily, and leading up to her father’s birthday she seemed oddly calm about the whole matter. Aldo questioned her about why she was taking him at all, thinking back to the previous time. He began to actively ignore seeing signs of a pattern in Regan.

Part 6, Chapter 8, 291-295 Summary

For Regan, memories of the fracture unfold differently. She focuses on the moment when Aldo figured out that the painting in her father’s office was a forgery and accused her of being the same person she was when she first made that mistake. Aldo felt like Regan no longer wanted him, that she only needed him, and he broke up with her in that moment. Regan felt shocked, then angry and even violent, and then numb as Aldo walked out the door.

Part 6, Chapter 8, 295-298 Summary

Looking back at the breakup, Regan realizes that she didn’t fight or protest and wonders if that was a mistake. In the days leading up to it, Regan saw her doctor, who plied her with questions about her sleep and her relationship. Regan was more eager to talk about her art showcase that was going to feature her original art and that she achieved all on her own. She finally started to feel like an artist, and like she was beginning to break out of the pattern that had held her for her entire life, and Regan wasn’t sure how to navigate those changes.

Part 6, Chapter 8, 298-301 Summary

Regan’s mother invited Marc to the party, likely intending to disrupt Regan and Aldo’s relationship. Regan regrets inviting Aldo to the party, knowing that he dislikes parties, and regrets letting Marc near him. Looking back, she realizes that she wasn’t attentive to Aldo’s needs or his way of being, ignoring that he wasn’t always as interested in sex as she was. Regan found Aldo alone in her father’s office, staring at the forged painting.

Part 6, Chapter 8, 301-303 Summary

Regan considers whether her relationship with Aldo is over and whether she has the power to change that outcome. She knows that even if they never speak again, she changed him forever, and she likes the idea that she could haunt him in this way. In the end, she concludes that she should let Aldo have time and see what unfolds from there.

Part 6, Chapter 8, 303-308 Summary

At the art museum, Aldo finds Regan’s painting. Titled Alone with You in the Ether (306), it’s a three-panel painting of a blurred landscape, composed of tiny golden hexagons. He stares at it for a long time, thinking back to when he and Regan talked about what it means to be human and how she described art as a form of expression that makes people feel more human. When a woman walking by calls it “pretty,” Aldo feels offended; he thinks Regan explained the entirety of the universe and the human condition of loneliness in a single piece of art. Later, he calls his father and tells him that Regan isn’t like his mother and that she’s his source of hope. He decides that if she wants him back, he’ll be there.

Part 6, Chapter 8, 308-317 Summary

While Aldo is in the art museum, Regan watches him, imagining herself going up to him and different scenarios unfolding. After a few minutes, she grows irritated when he continues to stand there but soon only misses him and silently thanks him for helping her see that she’s an artist. She imagines their future, their wedding, and the prospect of their having children together. She knows she loves him and wants nothing else. She calls him to tell him that their love is a perfect circle and that if they’re traveling through time in a hexagonal pattern, then every corner they turn is an opportunity for change. Eventually, they’ll find their way back to each other, regardless of how many turns it takes. Aldo agrees with Regan’s proposition, and they agree to meet each other at home. The novel ends with a narrator explaining that while Aldo and Regan’s problems didn’t vanish, they were able to find their own version of healthy together.

Part 6 Analysis

The story’s tone dramatically shifts in the final part of its six-part structure (which reflects the hexagonal structure of Aldo’s preoccupations), from optimism and sensuousness to doubt, confusion, and a temporary fracture in the relationship. After living with Regan for several months, Aldo feels lost, confused, and scared that he’ll never find the person he was before Regan. He questions everything and finds that “to love [is] to exist in a constant, paralyzing threat” (285). He forces himself to ignore the signs that she’s doing to him what she did to Marc, but when he sees the forged painting, he can no longer deny it. Her inner reaction to his decision to leave her is frantic and disturbing: “From the vessels of his lovely wounds—she would paint a sky mixed with gold, dotted with constellations” (295). In reality, Regan does this, but in a more positive sense: She instead creates the painting as an act of love and a testament to the person she feels most connected to. The narrative shifts from his experiences of the breakup to hers, revealing pieces of the puzzle to show how things fell apart. Ironically, Aldo sees a pattern at the same time that Regan finally breaks out of it and decides to become a more honest version of herself, starting to paint again and making a conscious effort not to lie. She realizes that she has the power to let him go or to give him the patience he needs to possibly return to her. He does return, but their problems remain unresolved and the question of whether their relationship is healthy or not remains unanswered.

The moment that brings them together completes a full circle (or hexagon) because it occurs in the same place they met. This time, instead of Regan explaining the artwork of others, Aldo stands and gazes at her creation, which symbolizes both their love and the theme of The Passage and Consequences of Time. Regan finally discovers that art is an outlet she can use to unravel her own depths, and Aldo is deeply moved and inspired by her emergence: “This is an opus!, this is a triumph!, this is the meaning of life” (307). Regan watches Aldo from afar, without his knowing, and experiences a series of emotions in the span of a few minutes. Her phone call to Aldo, in which she explains their love as a perfect circle, convinces Aldo that no matter what troubles they may encounter or what waits around the next corner, they’ll always come back to each other.

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