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49 pages 1 hour read

Olivie Blake

Alone with You in the Ether: A Love Story

Fiction | Novel | Adult | Published in 2018

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Prologue-Part 1Chapter Summaries & Analyses

Part 1: “Befores”

Prologue Summary: “A Hypothesis”

Content Warning: This section of the guide describes and discusses the source text’s treatment of mental health conditions, substance addiction, and suicidal ideation.

Regan often wonders what exact moment set off the chain of events that led to her falling in love with Aldo and whether it happened long before they met. Regan goes to the art museum often to analyze the art and how it has evolved over time, and she thinks about how the act of devotion seems never to change, although the gods themselves do. During one such visit, she thinks about Aldo and how they were both compelled to go to the armory on the same day, where they met. Regan wonders whether it was fate or some inner need that led them both there. She believes that her decision to go to the armory on the same day that Aldo happened to be there must be significant somehow. Seeing the entire story, Regan realizes, isn’t necessarily as beautiful as seeing the parts of it. Aldo influenced Regan to start thinking of everything in terms of time.

Part 1, Chapter 1 Summary

The day before Aldo and Regan meet, Aldo sits and considers the problem of time travel while keeping his hands busy with an unlit joint. The narrative breaks occasionally to describe the wind blowing in the trees ahead or to allow for the interjection from one of the story’s many narrators. Aldo thinks about hexagons and how they’re so commonly found in nature, and he wonders if time may be shaped in a similar pattern. He bases his theory on the work of Kurt Gödel, a logician who proposed that time travel was theoretically possible because time was shaped by a series of “light cones” (11) perpetually moving toward the future. Aldo enjoys having a problem that may never be solved, and he has endless patience to consider it. His father, Masso, calls him to ask how his day is going and check in during his busy shift as a chef. Aldo’s mother left shortly after he was born. Masso helps Aldo cope by fantasizing with him about places they can travel together, and while Aldo appreciates the effort, he constantly tells his dad he doesn’t need to keep doing this.

Regan wakes up in her disorganized bedroom at 2:30 pm and is nearly late for work. Her boyfriend, Marc, stirs beside her. She volunteers as a docent at the Chicago Art Institute and lives off a trust fund. Her mother is critical of her choice to get an art degree, and Regan has tried to become an artist but can never create anything worthwhile. She looks at Marc and marvels that she goes home with him at all. He does cocaine and spends most of his time partying, but Regan craves any stimulus that masks the boredom in her life. When she suggests breaking up, Marc dismisses it, knowing she isn’t serious, and reminds her to take her medication. Before leaving, Regan quickly goes into the bathroom and masturbates, and then takes her pills and rushes out the door. At the museum, Regan gives a tour to an elderly couple and notices the man staring at her. She thinks about what it might be like to have sex with him but finds it too easy to be of interest. She points to an abstract work called Greyed Rainbow by Jackson Pollock and notes the many layers that used to create it.

Aldo is a teacher at the university, where he’s earning a PhD in theoretical mathematics. Although people are impressed by this, they don’t really understand what it means, and Aldo’s students dislike him, finding him far too complicated and lacking sympathy. He dislikes having discussions or being asked questions, preferring to simply lecture and leave. At home, Aldo lives a simple and predictable life of routine and has few possessions. One night, he goes to the roof and smokes a joint while considering the “industriousness and organization” (29) of bees, the hexagonal patterns they create, and how fast their wings beat.

Regan goes to see her court-appointed psychiatrist, who diagnosed her as having a mood disorder, and while Regan doesn’t mind her, she also doesn’t give her much information. When the psychiatrist asks about Marc, a narrator cuts in to explain that Marc and Regan met in a bar over a year ago, and their encounter quickly turned sexual. She says a few words to the psychiatrist, but thinks in detail about how Marc is a good fit for her because he always seems to match her moods and needs, and he doesn’t seem to mind her questionable past. When the psychiatrist asks about Regan’s family, Regan tells her they’re doing well, but thinks about how her sister recently invited her to their parents’ anniversary. Regan didn’t answer the phone. Her older sister, Madeline, receives all the praise and is a pediatric surgeon, so Regan is accustomed to living in her shadow. Regan thinks about how she wishes she could paint something and mentions out loud that she wants to attend art school, but the doctor doesn’t seem as interested in that. Regan feels like she’s living in a loop and is unaware that her life is about to change. Both Aldo and Regan often reflect on how moments in time relate to and cause each other, but while Regan finds the lack of answers unsettling, Aldo is comfortable with pondering and never knowing, until he meets her.

Part 1, Chapter 2 Summary

Regan and Aldo meet when Regan finds him sitting on the floor in the armory section of the museum. He’s vigorously sketching hexagons and appears lost in thought. Regan tries to tell him he can’t sit on the floor, but he disregards her warning, instead just looking at her and commenting that she doesn’t seem like a Charlotte. He tells her he’s trying to solve time travel, adding, “bees. Hexagons. Time” (43). Regan isn’t sure what Aldo is talking about but is intrigued by his overgrown, messy hair, his talent, and the fact that he appears to be a genius. Aldo explains that he’s interested in time travel because it’s a problem that takes a long time to solve, and matter-of-factly tells Regan she seems too young to be working as a docent. Regan looks at Aldo and thinks about what it might be like to paint him. He decides to leave after she mentions that it’s been three years since she was arrested for counterfeit and theft. Saying little more, he departs, and Regan feels like something has changed.

Part 1, Chapter 3 Summary

When his father calls again, Aldo is thinking about Regan and what timeline might have caused their lives to intersect. He felt that Regan had a certain elegance about her and that she seemed to reflect the world’s beauty. He thinks about what might have happened had he asked Regan out for coffee. Later that night, while Marc is doing cocaine in the bathroom, Regan looks online to see what she can find out about Aldo. She doesn’t find him on social media, but he has a listing on a professor rating site, where he has a 1.4/5 rating; his students seem to consider him strict and hard to follow. Regan finds it intriguing that Aldo is apparently so awful at his job. While reflecting on her curiosity about him, Regan realizes that she doesn’t want to leave Marc for another man, because her life with Marc is safe and free of responsibility, but she can’t stop herself from admitting that if Aldo spoke to her again, she wouldn’t resist his attention.

Prologue-Part 1 Analysis

The Prologue and first part of the novel lay the foundation for what draws Regan and Aldo together and introduce the analysis of one of the novel’s central themes: The Passage and Consequences of Time. This theme accompanies the love story that unfolds. The text introduces the flaws that define Regan’s character and reveals that her life is unsatisfying, verging on meaningless. Her boyfriend doesn’t seem particularly interested in who she is, and Regan is seeing a court-appointed psychiatrist for a crime she committed in the past. She’s distant from her family, masturbates even when her boyfriend is nearby and willing, and wakes up late for work. In addition, Regan takes medication (which the psychiatrist prescribed) that gives her undesired symptoms and makes her feel distant from herself. All this suggests that Regan isn’t satisfied with her life, her relationship, or herself and that she has mental-emotional difficulties that impede her ability to function the way society expects her to. She lacks an outlet for expressing herself, though she hopes to be an artist, and the way she talks about art, breaking it down into pieces much like she does her own past, reveals some aspects of her personality: “Things in their entirety were less fragile and therefore less beautiful than the pieces within the frame” (5). To Regan, every moment and every small portion of the whole has meaning and a purpose, and one cannot properly appreciate art, a relationship, or a life story without looking at individual moments within it.

Aldo is Regan’s opposite in almost every way, but underneath they share a common understanding and need that brings them together, introducing another of the novel’s main themes: Love as a Composite of Contradictions and Opposites. Aldo’s strict routines and logical thought processes directly challenge Regan’s more whimsical and philosophical thinking. When they meet, an immediate sense of this clash between them is evident, as Regan struggles to figure out Aldo’s motive or why he’s drawing hexagons. Like Regan, Aldo is lonely, but he doesn’t have the same conscious sense of that absence in his life. His desire to solve complex problems is what draws him to Regan, whom he initially views as a complex problem. He appreciates bees not only because they can create hexagonal patterns but also because of their industrious, single-minded nature. In addition, Aldo ponders theories of time and the shape that it takes as it progresses, but he views this shape as a trap rather than a comfort. As the novel progresses, Regan helps him see that he need not fear this form of constriction.

In the novel’s Prologue, Regan considers religious artwork throughout history, observing that “deities themselves had changed over time, but the act of devotion had not” (4). This universality of the human condition is what Regan constantly observes and later expresses in her artwork. The concept of devotion has a second meaning, foreshadowing how Regan and Aldo eventually devote their entire selves to one another. Despite having contradicting views and ways of living, or perhaps because of it, they find that they each fill the empty space in the other’s life. Regan’s initial feelings toward Aldo upon seeing him hint at a future attraction, as she observes that he has the potential to be handsome and finds his imperfections endearing. She becomes curious about Aldo in an entirely new way because he’s unlike anyone she has met before, and Aldo finds that he already can think of nothing but Regan. These are the first of many changes that each character experiences as their relationship progresses. As if to distinguish Part 1 from the rest of the story, a narrator interjects intermittently to provide necessary background information on the two protagonists. This conveys context in a more immediate manner than simply filling in background through the course of the novel’s events and the characters’ conversations, while adding a note of humor.

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