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40 pages 1 hour read

David Diop, Transl. Anna Moschovakis

At Night All Blood Is Black: A Novel

Fiction | Novel | Adult | Published in 2018

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Chapters 14-20Chapter Summaries & Analyses

Chapter 14 Summary

Content Warning: The source material contains graphic depictions of rape and violence, including murder and torture.

Alfa makes it to the Rear with his severed hands by hiding them inside his trunk and guarding it with a red leather totem depicting a severed hand. His fellow soldiers are too afraid of witchcraft to search the trunk. In the Rear, Alfa smiles at everyone while secretly laughing about his exploits. He is watched over by Doctor François and many white-clad nurses, including Mademoiselle François, whom he believes is attracted to him.

He compares the way Mademoiselle François looks at him to the way Fary Thiam, a young woman in his home village of Gandiol, did. Fary led him to the woods and had sex with him the night before he left for the war.

Chapter 15 Summary

Alfa asserts that he does not need to know French to know that Mademoiselle François wants him because people have always reacted strongly to his good looks, beautiful smile, white teeth, and broad, wrestler’s shoulders. Alfa reexamines his childhood dynamics with Mademba who, by contrast, had foul teeth and a scrawny chest. Mademba’s love for Alfa was always mixed with envy for his looks and strength. This envy and a desire to prove himself to Alfa helped inspire Mademba’s death.

Alfa continues to reflect on how, even in childhood, people compared the two of them and tried to warn Mademba that Alfa was a dëmm feeding on his strength. Mademba always defended Alfa from this accusation. Alfa concludes that being physically weaker like Mademba and fighting anyway made Mademba the braver of the two.

Chapter 16 Summary

Doctor François encourages Alfa and the other patients to draw to cleanse their minds from war. Alfa completes a beautiful drawing of his mother, Penndo Ba, and recalls the story of his mother’s life and how he came to be born.

Penndo Ba was the treasured only daughter of Yoro Ba, a Fulani herder who used to bring his cows through Gandiol each dry season. Each year, he was welcomed by an old landowner, Bassirou Coumba Ndiaye, who cut a path to his wells for Yoro Ba and his cattle. In gratitude, Yoro Ba gave Penndo to Bassirou as his fourth and final wife. They loved each other, despite or because of the differences in age and culture. When Alfa was seven years old, Yoro stopped returning to Gandiol. Penndo waited two years in vain and then, pining for her family and their nomadic life, set out to look for her father and brothers. She disappeared and was likely captured and enslaved.

Chapter 17 Summary

Next, Alfa draws Mademba for Doctor François. He recalls how, after his mother’s disappearance, Mademba engineered Alfa’s gradual adoption by Mademba’s family. The two best friends grew up together, becoming more than brothers. The two were opposites in many ways; Alfa used physical exertion to deal with his grief over Penndo’s disappearance, pouring himself into farm labor, dancing, and wrestling, while Mademba was a passionate scholar. After he knew the Koran better than the local holy man, he attended a white school, which filled his head with ideas of serving the French motherland in war, moving to the city of Saint-Louis, and becoming a businessman.

Mademba wanted Alfa to join him and said that their new status would allow them to search for Penndo. Alfa, too, allowed himself to dream of life as a Senegalese rifleman and someday enacting revenge on the men who kidnapped his mother, visiting them “with [his] regulation rifle in [his] left hand and [his] savage machete in [his] right” (95). Due to his frail physique, Mademba was initially rejected by the riflemen, but Alfa trained him for two months until he returned, unrecognizable, to the recruiters and was accepted.

Chapter 18 Summary

Next, Alfa revisits the night he had sex with Fary Thiam. He knows that Fary chose to have sex with him because she wanted to offer him a gift before he went to war, despite the moral taboo against premarital sex and her father’s hatred of Alfa’s father. The experience was the greatest bodily pleasure that Alfa had ever known. Alfa also believes that Fary was motivated by the knowledge that the war would take Alfa from Gandiol forever, whether or not he survived.

Chapter 19 Summary

Alfa recalls the source of Fary’s father’s hatred. Abdou Thiam, the village chief, was also a shopkeeper. He attempted to convince every farmer in the village to grow peanuts instead of a wide variety of subsistence crops. Alfa’s father spoke out against this plan, pointing out how it would drive him to rely on food from Abdou’s store and might prevent him from offering hospitality to travelers or feeding his family in the event of a drought. This family history highlights Fary’s love for Alfa and the significance of her choice to have sex with him.

Chapter 20 Summary

The third thing Alfa draws for Doctor François is his collection of severed hands. He does so a few days after burying them during a full moon, feeling they “deserved a bit of light” (106). The moonlight may have been a poor decision, however, as Alfa noticed a shadow watching him from the hospital wing. After waiting a few days to see if he was reported, Alfa draws the hands, hoping that doing so will allow him to cleanse the inside of his head. Doctor François, however, no longer smiles so kindly at him afterward.

Chapters 14-20 Analysis

In the Rear, Alfa continues to reflect upon his role in Mademba’s death. The drawings he produces for Doctor François also stir up memories of his home village of Gandiol and the people and events that shaped his and Mademba’s lives. It grows clear in the discussion of Mademba’s education and French fluency how few tools Alfa possesses to navigate his war experience.

This section also further highlights how great a gulf separates rural Senegal’s agricultural landscape from World War I’s mechanized battles. Mademba is indoctrinated into loving the French homeland: “School had put it into his head that he should save the motherland, France” (95). Given how cheaply his life is sold on the battlefield, this patriotism and the months of physical training he and Alfa undergo to ready him are bitterly ironic. Mademba, to a greater extent than Alfa, chose to assimilate and acquiesce to the French colonizers, who will never return his love and will always see him through colonial stereotypes.

Alfa’s treatment in the Rear shows the way white doctors, while ostensibly hoping to help Alfa heal, are unwilling to truly engage with the extent of his trauma. Remembrances of family and friends are easy to relate to, but Doctor François reacts poorly to Alfa drawing the severed hands. Ironically, he is unable or unwilling to engage with trauma specifically caused by warfare despite his specialization. Alfa’s ritual has failed to make things better, but the French doctor likewise cannot treat him, foreshadowing Alfa’s descent into brutality in the book’s final chapters. Like Captain Armand, Doctor François’s judgment seems clouded by negative stereotypes about Black people.

Mademba’s colonial education alongside white Africans also influences the character of his dreams. He wants to “become a somebody in Saint-Louis, a French citizen” (95). Here, Mademba defines personhood—being somebody—as French citizenship and dreams of moving to a port city and becoming a wholesaler. In this, he aligns himself with the same changes from a subsistence to a market economy that Alfa’s father, the old man, resists and to which Fary knows she will lose Alfa. To grow peanuts, as Fary’s father advocates, is to provide France with one of the colony’s main exports at the expense of maintaining cultural hospitality practices and feeding one’s family. Presenting Mademba’s dream in contrast with his father’s reality highlights that success within the colony can only come by putting other colonized people at risk.

The picture of Senegal that emerges in Alfa’s childhood recollections contrasts sharply with the colonial stereotypes about Africa being “primitive.” It is rich with internal politics, not just around how to respond to the forces of colonialism and the growing penetration of international market economies but around interethnic relations in Gandiol. Alfa’s father sets himself apart with his tolerance and hospitality, and, as a settled farmer, with his love of his nomadic Fulani wife. All of this cultural richness is flattened in the eyes of French commanders and trench mates into a generalized picture of Black Africa.

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