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43 pages 1 hour read

Ian McEwan

Atonement

Fiction | Novel | Adult | Published in 2001

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Character Analysis

Briony Tallis

Briony Tallis is the protagonist in Atonement. As well as being one of the most important characters, she is revealed as the author of the novel itself. The book is her way to atone for the pain she caused Cecilia and Robbie, meaning that the audience understands events from Briony’s perspective. Briony’s storytelling and the motivation for her writing is vital; her stories ruin Robbie’s life, and then she tries to use the same skills to repair the damage she has done. As such, the entire novel is an exploration of Briony’s relationship with the process of invention. She writes stories, plays, and everything else because she wants to be praised. However, she is too young to truly understand the ramifications of the fictions she creates. When she is writing plays for her brother’s return to the Tallis estate, the stakes are low. When she misunderstands her sister’s relationship with Robbie, she creates a damaging narrative that has consequences she cannot even imagine. After sending Robbie to prison on false pretenses, Briony realizes her error . By then, she can only use fiction to give Cecilia and Robbie a symbolic happy ending, one that her actions and the war rendered impossible.

As a 13-year-old, Briony is precocious. She is the youngest member of the Tallis family, and she desperately wants to show the world that she is a mature young adult. Briony’s greatest problem is that, in a desperate bid to seem more adult, she overestimates her own maturity.

Briony gains maturity when she understands that she must prioritize others’ needs over her own. She gives up her place at university and subjects herself to the horrors of working as a nurse during war time in an attempt at such selflessness; however, the decision fails to reach the core of her guilt. There is no direct way for Briony to atone for her previous actions: she cannot give Robbie back the three years he spent in prison, and she cannot bring him back after he dies during the war. Briony’s only option is to symbolically rectify her actions through creating a new corrective. The novel itself becomes Briony’s last chance to atone for her failures. Just as she once created a world in which Robbie was a monster, now she can exonerate him and give him and Cecilia the happy ending they deserve.

Robbie Turner

Robbie Turner is the son of a working-class family who finds himself caught in a terrible position. His life is a series of tragedies that he is forced to overcome. His father abandons Robbie and his mother when Robbie is still young. Robbie works hard and graduates from Cambridge University with an excellent degree, winning the respect of his benefactor, Jack Tallis, and allowing him to dream about a future as a doctor. After a lifetime of holding unrequited feelings, Robbie is finally able to express his emotions to Cecilia. They enjoy a very brief romance, overcoming the differences in social class to find love with one another. Then, Briony falsely accuses Robbie. He is sent to prison, his career is ruined, and his only way out is to join the army. Robbie is sent to France during World War I, where he dies before he can return to England and be with Cecilia. Robbie fights hard to overcome the tragedies that are thrust upon him, but the lie Briony tells is too devastating. He can overcome his family’s poverty, his father’s absence, and his unspoken love for Cecilia, but these same problems condemn him when Briony accuses him. Class prejudice clouds the perception of those around him, and they implicitly believe Briony, rather than probing deeper into the circumstances to verify her opinion.

The version of Robbie portrayed in the novel after the night of his arrest is Robbie as seen through Briony’s eyes. As such, his loathing for Briony is an emotion that Briony has projected on to his character. She needs the fictional Robbie to hate her; it is the only way she can assuage her guilt. Briony’s fear that she might never be forgiven is evidence in her writing, as Robbie spends long passages of the novel debating whether he can ever forgive her. His character becomes a mediation on guilt and innocence, as Briony invents a new life and a new future for him after playing a crucial role in denying him the opportunity to live such a life.

Robbie’s character becomes the embodiment of Briony’s own self-loathing. He expresses the anger and the pain that she has always imagined that she deserves. His anger is a form of catharsis for Briony, manifesting in her writing because he no longer has the chance to express it in real life. Just as Briony gives Robbie and Cecilia time together in her novel, she gives Robbie a chance to say to her the things that she wishes he would have said. Robbie is the conduit through which Briony punishes herself. Ironically, in her attempt to give Robbie the love and emotional release that she denied him, Briony once again turns him into a pawn in her fiction. Even when Briony is trying to help Robbie, she forces Robbie to play a role in her stories and denies him agency. The tragic irony that McEwan creates for Robbie is that Robbie’s redemption is as imagined as the original accusation made against him.

Cecilia Tallis

Cecilia is Briony’s older sister. When the novel begins, she has recently graduated from Cambridge University but does not yet have plans for the future. She does not really understand what she wants from life. She lacks the ability to voice her frustrations, much in the same way that her mother and father do not express their emotions. Cecilia stands in stark contrast to her younger sister; whereas Cecilia’s unclear future frightens her, Briony loudly proclaims her goal of becoming a writer. Briony spends her days happily dreaming up a future for herself while Cecilia becomes increasingly annoyed that she cannot look beyond the end of the week. Cecilia’s frustrations come to a head at the fountain, where she breaks a vase and argues with Robbie even though she does not know why. The argument is a moment of clarification for Cecilia, and it becomes a turning point in her life.

After the argument at the fountain, Cecilia realizes that she loves Robbie and wants to be with him. She can suddenly see her future in a way that she never has before. Unfortunately for Cecilia, this happiness is short-lived. Briony has not just taken away Robbie in a physical sense; she has taken away Cecilia’s only vision of a happy future.

Cecilia dies in 1940 and is never able to enjoy the life she imagined for those few brief hours. Briony believes the fictional version of Cecilia who lives with Robbie in a cottage by the sea is just as authentic and as real as the Cecilia who died in a bomb attack at the station. Briony tries to repay Cecilia by giving her the future she briefly imagined. Cecilia’s tragedy is that she never had the opportunity to decide this future for herself.

Paul Marshall

Paul Marshall is a counterpoint to Robbie. Whereas Robbie was born into a poor family and worked for everything in his life, Paul is the heir to a wealthy family and never had to work for his vast fortune. Whereas Robbie’s class is a liability when Briony accuses him of rape, Paul’s wealth and status protect him although he is the culprit. Whereas Robbie is sent to prison and dies during the war, Paul benefits from World War II by selling his Amo bars to the military. Whereas Robbie dies before he can marry Cecilia, Paul lives a long life and marries Lola, suing anyone who may suggest that he is not an upstanding citizen. Robbie is intelligent, humble, and kind while Paul is selfish, dull, and privileged.

Paul is the closest character in the novel to a villain. He is a rich and powerful man who sexually assaults an underage girl and looks on as another man is sentenced for the crime. He then marries his victim and uses his power to ensure that no one is able to criticize him. He is the only real benefactor of Briony’s lie and, as such, he does not need her to invent a world in which he is happy. Paul already lives in a world of his own creation, a fiction in which the truth is buried under layers of legal protections, wealth, and power.

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