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William FinneganA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Finnegan and Bryan next traveled to Bali, Indonesia, where Bryan hated what he saw as the arrogant and neocolonial attitude of tourists and expat surfers. While Finnegan felt that the “collision of mass tourism and Indonesian poverty was grotesque,” he liked staying in Bali, where he enjoyed the food and surfing and worked on his latest novel (237). He often surfed at Uluwatu, a beach that featured sea caves, reefs, rock ridges, and massive waves and was near an 11th-century Hindu temple. Finnegan remembers making rushed decisions without fully understanding his new surf spot, feeling “miserable with fear,” and surviving by “pure dumb luck” (239). Bali was full of surfers, mainly from Australia, who connected over their shared obsession with surfing and often used pot and hash. Finnegan and Bryan were unusual in the surf community because they didn’t partake.
Finnegan tried to develop his travel writing and wrote an article for a Hong Kong magazine about Bali massage, which helped him manage his pain from an old work injury. He recalls coming down with an illness, which a German doctor diagnosed as paratyphoid. As he slowly recovered, Finnegan “sank into a fretful derangement, sweating, listless, self-despising” (241) and regretted not listening to his parents’ ideas about a career in law or journalism. He reconnected with his old girlfriend, Sharon, by telephone, and they agreed to meet in Singapore the following month.
Finnegan and Bryan met two other surfers, Mike and Jose, who (like them) wanted to explore more of Indonesia and identify new surf spots. After extended haggling with locals, the men secured supplies and a boat ride to the wilderness Grajagan, where a surf spot called Plengkung met wild jungle. The trip quickly went sideways; the friends learned that their water cans had previously carried fuel and were therefore undrinkable, so they had to ration their remaining water. Fortunately, Finnegan and Bryan were accustomed to being flexible and working together; the two cooperated and helped Mike and Jose cope with the conditions. They slept in a bamboo tree house, wary of the local wild boars and bulls. Bryan soon burst his eardrum, and the rest of the group was frustrated by the difficult waves, which looked beautiful but were not the best for surfing.
Finnegan found traveling through Indonesia on a budget somewhat dangerous and overwhelming. Buses were crowded, and haggling was constant. Limited infrastructure meant that many towns lacked proper hygiene, and people openly defecated by rivers. After his illness, Finnegan tried to be more careful but contracted malaria in the jungle and still ate from food stalls on the street. The author was fascinated by the local culture and Indonesia’s long history of civilization and agriculture. More recently, in the 1960s, the dictator Suharto had conducted massacres against Christians and the Chinese community, aiming to eradicate communists from Indonesia.
The group traveled on to Sumatra, guided by a “treasure map” of surf spots that an Australian surfer had given them. After a dangerous boat voyage, they arrived and set up camp, where Bryan told the disappointed Finnegan that he was finished with traveling and wanted to go home to his girlfriend, Diane. The group enjoyed better surfing there, and Finnegan felt more competent and strong as a surfer than ever before. Unfortunately, he fell ill again and wondered if Indonesia was indeed a “death trap,” as some of his friends had warned; others had died there of illness or in surf accidents.
Saddened to lose Bryan as a travel companion, Finnegan was relieved to reunite with Sharon in Singapore. The author explains the title of this chapter by referencing the Patti Smith song “Radio Ethiopia,” noting that Bryan was choosing to return to the US while Finnegan was “staying in Ethiopia” (252). They went to Ko Samui in Thailand, which was still quite undeveloped then. Finnegan felt that he had a more jaded outlook than Sharon, who often made naive generalizations about the places and people they encountered, but he agreed that he could be too critical of her. They traveled to Bangkok, where they met up with Bryan, and Finnegan worked on articles for Tracks, sorely in need of money. He reported his travelers checks stolen and was reimbursed with the full amount, giving him the option of selling the checks on the “black market” for 60 cents on the dollar.
Again ill with malaria, Finnegan was hospitalized with a high fever and lost a lot of weight. The thought of the medical bills terrified him, and he longed for his dad’s advice, but he kept his illness secret from his parents. Remembering past betrayals, the author was suspicious that Sharon was unfaithful to him with Bryan and worried that his travels had ruined his life. Desperate to help, Bryan sold Finnegan’s defrauded travelers checks to Chinese gangsters, earning enough money to pay for Finnegan’s hospitalization.
Once Finnegan recovered, he and Sharon went to Sri Lanka, where they rented a small house and worked on their writing. They next went to South Africa, which was still under apartheid law, where they camped and surfed. Running low on money, Finnegan took a position as a teacher in a township school for Black students, where he taught geography, English, and religion. Finnegan lived in False Bay, a white neighborhood on the Indian Ocean where he could surf. He found his job “engrossing” because he chose to ignore the national curriculum, which taught government propaganda and romanticized apartheid policies. Instead of teaching this “regime-serving fiction” (263), Finnegan created his own curriculum while trying to learn more about the area and history himself. He assumed that eventually he’d be fired for not teaching the curriculum but longed to continue teaching. Without his knowledge, his students, along with many other youth groups in the country, had been planning a boycott of the school system to protest the oppressive apartheid regime and poor education for Black South Africans. When the boycott occurred, students continued to attend school to learn a different curriculum, which Finnegan helped deliver. He found this period “chaotic” but “exhilarating.” However, soon the government began to crack down on the dissent and detained many students and teachers in jail. Many Black workers in Cape Town resisted via a general strike, and police violently confronted their gatherings. Finnegan was relieved that none of his students were hurt or killed, and a few weeks later the schools reopened. Throughout this tumultuous period, Finnegan continued surfing. He found that the other local surfers espoused racist views, so he distanced himself from them and surfed solo.
The author’s parents visited him, and Finnegan worried that in seeing them he’d lose his motivation to stay in South Africa and continue teaching and writing his novel. However, his parents were fascinated by South Africa and were pleased and relieved that Finnegan had found purposeful work there. He’d started a career counseling project for his students, aiming to help connect students with scholarships and acquire permits for them to study at whites-only colleges. In hindsight, Finnegan feels that this program had little effect and that he'd been ignorant about his students’ options and experiences.
Over time, some of his students helped him learn more about the resistance movement. He took a road trip with one student, Mandy, to Johannesburg over Christmas since she needed to go there to meet other resistance activists. Finnegan’s experiences left him more interested in the topic of power and politics, and less keen to write fiction as he’d been doing. He quit his day job at the end of the school year and focused completely on his writing, contributing essays to magazines. He and his brother, Kevin, drove across southern Africa; upon his departure, Finnegan was saddened to learn that Mandy had been arrested and imprisoned. Finnegan and his brother went north, traveling by car and boat, until they reached Tanzania, where they decided to return to the US.
By 1983, Finnegan had prioritized his writing over surfing, passing on an opportunity for his railroad novel to be published because of differences with the editors, and working on a screenplay in a cheap apartment in New York City. Finnegan traveled the country, staying with Domenic and Bryan before visiting his parents in California. Finnegan had a new girlfriend, Caroline, an art student from Zimbabwe whom he’d met in Cape Town. The two moved to San Francisco, buoyed by Finnegan’s having secured a contract to write a book about his experience as a teacher in South Africa and by the city’s good surf.
Finnegan found that surfing in the cold autumn waters in the morning helped him concentrate on his work later on in the day. The small, local surf culture seemed “invisible” to the rest of San Francisco, which didn’t advertise itself as a surf town, since most locals thought it was “too cold and stormy” (281) to surf. He began surfing with his friend Mark Renneker, a local doctor and surfing enthusiast, whom Finnegan had met in university. “Boisterous and imposing,” Renneker loved surfing, which he insisted was a “path” in life rather than a sport (283-85). Finnegan, on the other hand, was more wary of becoming obsessed with surfing and romanticized it less, knowing that he’d “given ungodly amounts of time and heartsblood to surfing” (285). He found it refreshing that Caroline didn’t care for surfing and, being from Zimbabwe, wasn’t an “ocean person” (286). Finnegan embraced a more normal, routine life in San Francisco and found that by his own “wary choice” he was becoming more “domesticated” (288).
With winter underway, Finnegan continued surfing, though he was sometimes overwhelmed by the stormy and unpredictable surf conditions. The author explains that surfers struggle to accurately estimate wave size because of exaggeration or “deceptive optics,” some people using approximations in feet and others, like Finnegan, considering wave height in comparison to a surfer: “waist-high, head-high, or overhead” (292). In Oahu, Finnegan believes that locals tend to underestimate wave height, which one acquaintance took to estimating in refrigerator lengths. As waves become bigger, they become exponentially more powerful, and even waves the same height can “differ enormously in their volume, their ferocity” (294).
Finnegan recalls how during his childhood, big-wave surfers were idolized, but he also heard frightening stories about big-wave surfers drowning or even disappearing completely. He recalls watching big-wave surfers and feeling that they had an unnatural resistance to fight or flight reactions, and he didn’t want to pursue big waves himself. The older he became, the less that dangerous sort of surfing interested him. His friend Mark Renneker, however, embraced big-wave surfing and had a knack for it; he insisted that it wasn’t more dangerous than other, more popular surfing. He often called Finnegan in the morning for a report on how the North Shore waves looked, and the two would go down to the beach together. While he’d become more risk-averse himself, Finnegan admired Renneker’s approach to surfing; he was cautious about which waves he committed to and was able to stay on his feet most of the time.
Finnegan found that his old social group, now spread across California and the US, had largely abandoned surfing. His parents, meanwhile, didn’t like San Francisco much and preferred to live in Los Angeles, where they continued successful careers in show business. He hoped that his book about South Africa would make them proud, even though it discussed why he felt his efforts there were unhelpful to the anti-apartheid cause. Although years had passed since his breakup with Sharon, Finnegan was still haunted by grief over it, which he kept secret from his girlfriend Caroline. Meanwhile, the spread of Acquired Immunodeficiency Syndrome (AIDS) plagued San Francisco, and Finnegan’s brother, Kevin, was involved in activism for better AIDS treatment.
During one winter surfing session, Finnegan had to dive deep to avoid a wave collapsing on him and, in the process, his leash broke. Shaken, Finnegan quickly retrieved his board and went home. He reflects on the terror of being held under the water by successive waves and wonders if most drownings occur this way. On another occasion Mark invited Finnegan and their friend Edwin to surf, only for Finnegan to find that the waves were “gargantuan,” and he refused to go out in them. While Mark thrived in the big waves, Edwin was shaken by them and didn’t surf big waves again.
Finnegan was disappointed by the news that Californian surfers had bought land on Tavarua, the South Pacific island he’d discovered with Bryan, and had built a hotel for small surfing retreats. Finnegan and Bryan resented that a surf magazine would collude with a hotel to exploit a remote spot of natural beauty and commodify a surfing opportunity. Working on his own writing, Finnegan wrote a piece for The New Yorker profiling his friend Mark, detailing his backstory and approach to surfing. He ponders the connection between Mark’s interest in disease, people’s reactions to adversity, and his own death-defying surfing habits. Over time, he realized that some locals considered Mark, who was known as “Doc,” obnoxious and arrogant. Mark continued to encourage Finnegan to ignore crowded waves and seek out more remote and risky surf spots. Their mutual friend Peewee enjoyed Mark’s youthful enthusiasm but felt that the compulsive need to surf could result in “dereliction,” comparing it to a “drug addiction” (329). Finnegan was relieved to hear Peewee’s assessment that surfing and work were often opposing needs, a balance the author struggled to find. While the stereotype of surfers continued to promote ideas about a care-free, happy lifestyle, Finnegan found that surfing usually elicited powerful emotions from surfers of all levels, commonly including fear, relief, and frustration. The author argues that most surfers feel competitive and vain about their surfing. Finnegan ponders how Mark’s influence resulted in his surfing more than he thought he would, comparing his relationship to surfing to a “stubborn, silent marriage” (335). However, once he began writing about Mark, he felt the dynamic of their friendship change as he now had to consider his professional opportunity and think more like a journalist than a friend. In attempting to be an “unfazed observer” and keep the friendship going, Finnegan repressed disagreements with Mark; he felt that Mark was often arrogant and oblivious to people’s real feelings about him.
Caroline had graduated from art school, and Finnegan wanted to write more about South Africa. The two agreed to move to New York City to pursue careers in law and journalism, respectively. Finnegan was anxious to tell Mark that he was leaving San Francisco, worried that his friend would feel he was “swerving from the surfer’s path” (343). However, Mark was supportive. After one more frightening surf session with Mark, Finnegan moved to New York. Years later, he finally finished his profile on Mark for The New Yorker, which Mark hated.
By age 40, Finnegan had married Caroline. She’d become a defense attorney, and he’d built a career as a successful journalist, traveling the world and reporting on conflicts. His work took time away from surfing, but he embraced it again when he met Peter Spacek. Peter was an illustrator whom The New Yorker had paired with Finnegan to work on an article about surfing hurricane swells on the East Coast. While the two men disliked the article idea, Peter suggested visiting Madeira, an island in the Atlantic, after seeing it featured in a surf magazine. The two traveled there together, where Finnegan learned that Peter had a competitive but good-humored approach to surfing. The author had purchased a “gun,” or big-wave board, specifically for the trip. The two felt that they’d found something “extraordinary” at Madeira, and Finnegan began to go there as a winter retreat to surf. Interestingly, Madeira had a strong connection to Hawaii: Historically, many Madeirans had emigrated to Hawaii to work on plantations, bringing their rich food and musical culture with them. Being in Madeira reminded Finnegan of some of the Hawaiian people he’d met and aspects of Portuguese culture like sausages, donuts, and the ukulele that he’d experienced as a child in Hawaii.
While Finnegan considered surfing in Madeira “mining a lode of bliss,” he also had a nagging sense that “disaster never felt far away” since the island bore the brunt of many intense storms (359). One day, they were surfing at Pequena when Peter was “sucked into a shorebreak” (361), and his leash wrapped around a rock, trapping him under successive waves, but survived. Finnegan connected with fellow expats who began to frequent Madeira, and explored new surf spots with them, such as Paul do Mar. While this spot was “absurdly dangerous,” Finnegan considered it “worth the round-trip airfare from New York” (365). Finnegan reflects on how his extensive experience enabled him to ride potentially “lethal” waves in Madeira with a strange sense of calm and gratitude afterward.
Finnegan reminisces about his friendship with Peter, who left New York City to live in Montauk, Long Island, with his partner. Finnegan characterizes Peter as a multitalented renaissance man, a skilled illustrator as well as gardener, fisherman, and surfer. Finnegan felt that they should surf Madeira as much as possible before it became too crowded; the island was becoming increasingly well-known among surfers. He calls Peter a “gnarly dude,” meaning that he took immense risks, which sometimes included frightening potential consequences, and survived without expecting adulation. Finnegan compares him to his other friends Mark Renneker and Peewee, explaining that their antics earned them admiration from other men: “That’s why other men were obsessed with them […] riding surf that requires serious courage and skill without tooting one’s own horn is a keen test of character” (372).
The author relays a frightening experience in which the friends were overwhelmed by massive waves and drifted too far out to sea. After sunset, Peter and Finnegan paddled back along the shore, exhausted, blindly hoping that the waves would push them in toward the boat ramp. Finnegan was tossed from his board and face-planted underwater. A wave eventually tossed the men among the rocks near the boat ramp, and they climbed to safety. After this experience, Peter never returned to Madeira. Finnegan admits that the older residents of Madeira found the new surf culture strange and disrespectful, since generations of fishermen had risked their lives at sea to feed their villages, while surfers took absurd risks for no reason. He notes that his wife tolerated his surfing habit without complaint and gamely traveled with him to many surf spots.
Finnegan describes Madeira as a world of contrasts, highlighting both its natural beauty and its poverty, and notes the sometimes melancholy nature of its villages. He recalls finding the local culture “fractious,” with rivalries between villages or families. Even after years of visiting Madeira, Finnegan found it difficult to get the locals to open up about their political opinions. Only one family on the island was wealthy; their ancestors had ruled Madeira for generations, while in modern times the island’s main industry was tourism. The locals had an uneasy relationship with the growing surf industry: Some disapproved of the more rowdy visitors and local boys risking their safety on the waves, yet many were impressed with the Portuguese official surf team that came to Madeira.
Finnegan was dismayed that an onslaught of European Union-funded infrastructure projects quickly changed Madeira’s landscape and ecology, pushing tunnels through mountains and building an oceanfront road right in front of the village of Jardim. The island was tensely divided about these projects: Some claimed that they brought advancement and jobs, while others were devastated by the ruined views and ecological impact. Finnegan was sorely disappointed that the new road left the ocean muddy and brown, with waves washing into an industrial wall: “My nightmare of an overrun, despoiled Madeira seemed to be slowly coming true” (388). In addition to the infrastructure projects, Madeira became more popular as a site for formal surfing competitions.
After another near-death experience, a defeated Finnegan returned to his hotel where Caroline helped nurse his cuts. They discussed his risk-taking personality, and she confessed that as much as she tried to trust his judgment, she used some “magical thinking” when he was doing dangerous journalism work or surfing. Finnegan reveals that surfing helped him recover from traumatic events at work, such as when he saw a Dutch journalist shot to death in El Salvador. A scary day tackling big waves in Madeira prompted the injured Finnegan to consider quitting surfing altogether, feeling that he was now too old to continue at that level. He later became a father and found that having a daughter made him more able to resist his “ancient compulsion” to pursue big surf.
Living in New York City, the author embraced the gentler surfing on the coast at Montauk. While he initially disregarded the East Coast as a possible surf spot, he came to find good surf during fall and winter. He began following buoy information, weather reports, and live camera feeds to discover the best waves and act on opportunities quickly. Surfing continued to be a “proximate cause of vivid friendships” for Finnegan, who bonded with his friend Selya over their shared love of surfing (410). Selya, whom the author calls a surfing “craftsman,” preferred to surf on Long Island and was even more obsessive than Finnegan.
In his personal life, Finnegan enjoyed fatherhood and connecting with his parents more often, who had moved to New York City to be closer to their kids and grandkids. Finnegan found their presence comforting and felt that he had a “middle-aged second chance” (413) to make up for lost time with his family. His parents embraced life in New York, and William Finnegan Sr. took up sailing again.
The author recalls his dismay when he revisited his old neighborhood in California for a journalism project. Woodland Hills had become a highly developed suburb, and the hills were now covered in houses. Finnegan’s old school had “gone to hell” (415), according to one teacher, as public schools became increasingly impoverished and wealthier families opted for private schools. Finnegan found the rampant drug abuse, racial issues, and gang violence that plagued the area disturbing, and wrote a report that focused on a local gang rivalry. He couldn’t recognize his own childhood community in this “cold new world, all stark downward mobility” (416).
He surfed in Malibu to cope with the stress of doing such work: “Surfing had never made more sense” (416). The author again reflects on turning to surfing as a therapeutic pastime to get through difficult assignments.
Finnegan recalls that by the early 2000s surfing “blew up” as increasing numbers of people embraced the sport. Corporations cashed in on its popularity via surf-related gear and surf logos and imagery on products. The author resents this commodification of surfing and finds it strange to recognize particular waves or surf personalities on billboards and advertising: “Because I sometimes feel like my private life, a not-small corner of my soul, is being laid out for hawking, anything from consumer loans to light trucks, on commercial surfaces everywhere I look, including, lately, taxi cab tvs” (419). Finnegan expresses disdain for what he considers corporate-driven attempts to popularize surfing. The author claims that surfers are more friendly and less competitive on the New York shoreline, and reiterates how much he enjoyed surfing with Selya, who was extremely knowledgeable about local culture, both urban and surf related.
Finnegan describes how he and his father sailed from New York City to Atlantic City. His dad was wanted to hear about Finnegan’s work, including his time in Somalia, and reminded Finnegan how the family was always “dumb but lucky” (425) and how the two shared a penchant for curiosity. Finnegan was startled to hear his dad suggest that he repressed too many things; his dad wondered if it was a family trait. The author agreed that he often kept resentments to himself, and wishes he’d been more open with his dad.
The author shares that although the increasing commodification and privatization of certain beaches and waves (such as Tavarua) irritated him, he still dreamed of surfing there again. He took the opportunity to rent out the resort with other surfers and enjoy the private access to the surf. Tavarua had changed in dramatic yet predictable ways: It had modern comforts and much less wildlife. Fiji in general had changed politically as well: A coup had resulted in a military dictatorship that persecuted ethnic Indians and favored ethnic Fijians. Finnegan returned yearly to Tavarua after that, ignoring his discomfort with the privatization.
The author recalls when his father died of Parkinson’s disease, leaving his mother in terrible grief. When she contracted a respiratory disease, Finnegan took her to Hawaii for a vacation, where she enjoyed watching him surf. He reflects on how his world had “shrunk” dramatically during this time, and he tried to spend as much time with his mother as he could before she passed away. Eventually, Finnegan and his siblings scattered their parents’ ashes at Sag Harbor, where they’d enjoyed boating.
After his parents’ deaths, Finnegan found himself chasing bigger waves; he considers whether he subconsciously was trying to defy death himself but insists that he simply wanted to be “immersed in” the ocean’s beauty. He considers how different his daughter’s childhood is from his own; she receives more consistent attention and is more protected than he was. While the author reasons that his early brushes with danger helped him learn how to be a better surfer, he’s much more protective of his daughter than his parents were of him. Although he believes he’s more careful now that he’s a father, he recalls an incident in Hawaii when he made a foolish decision to surf to avoid the “corrosive, self-hating” (439) regret he believed he’d feel if he didn’t, but after experiencing the chaotic waves, he felt that he was “regressing” in his ability to resist danger. Finnegan reveals that he now swims a mile a day and works out to slow the decline of his body, hoping to surf as much as he can despite his age.
In these chapters, the theme of Tourism, Privilege, and Surfing is central as Finnegan discusses his discomfort with being an American traveling through in developing countries. He contrasts the poverty he witnessed with his comparatively trivial pursuit of finding good surf. Feeling self-conscious about his identity and privilege, the young Finnegan saw himself as more of a “traveler” than a “tourist,” distinguishing himself from westerners he considered spoiled or ignorant. In hindsight, he disparages this self-characterization and is critical of the unfairness of his privilege and prosperity in contrast to the poverty and disempowerment he witnessed. He considers western backpackers in Nias, an island off Sumatra, from Indonesians’ point of view:
Here was a large, awkward member of the global ruling elite who had probably spent more in an air-travel day than anyone from Nias could make in a year of hard work, all for the pleasure of leaving the unimaginably rich, clean place for this desperately poor, unhealthy place […] The complex ambitions and aversions that brought the poor backpacker seven thousand miles to struggle and suffer from dysentery, heat stroke, or worse in the equatorial jungle—anything to be a ‘traveler’ and not a ‘tourist’!—were perhaps impossible to untangle. (251)
This sarcastic passage challenges Finnegan’s own previous desire to be a unique adventurer without embodying any Western tourist clichés. In hindsight, Finnegan worries that he may not have been as respectful a traveler as he liked to think; he and Bryan shared their concern that they didn’t compensate their hosts well enough during their travels in the South Pacific. Finnegan recounts receiving a letter from Bryan:
He once wrote that he had just realized that the hospitality we received back in 1978 from Sina Savaiinaea and her family in Samoa had cost them a lot of money, relative to their wealth, and that we had repaid them with trinkets rather than the cash that they desperately needed and were expecting but were too polite to mention […] And I wasn’t at all sure he was wrong. (317)
The author especially grappled with his privilege while teaching at a township school in South Africa. Living under apartheid law meant that Finnegan was required to live in a whites-only neighborhood in Cape Town, while Black South Africans were confined to the “scrubby wasteland” east of the city. Although Finnegan had the best of intentions toward his students, in hindsight he feels that he didn’t know enough to really help them in their resistance toward the government. By calling his career counseling idea an “enormous American folly” (272), Finnegan reveals how his lack of familiarity with the local culture and resistance movement left him ignorant about how to be truly useful to the cause. Finnegan’s admissions show how his ongoing sense of guilt about these experiences stayed with him long after he returned to the US.
In addition, Finnegan demonstrates in these chapters how his burgeoning maturity began to slowly change his relationship with surfing. As a teen, he romanticized surfing as he dreamed of an idyllic life of solitude chasing waves, however after his extensive travels and misadventures, he developed a more wary attitude toward surfing. Finnegan scorns romantic descriptions of surfing and the ocean, writing of waves:
They each have personalities, distinct and intricate, and quickly changing moods, to which you must react in the most intuitive, almost intimate way—too many people have likened riding waves to making love. And yet of course waves are not alive, not sentient, and the lover you reach to embrace may turn murderous without warning. It’s nothing personal […] Wave love is a one-way street. (291)
This passage affirms his view that surfing, and the ocean generally, should not be romanticized, since in reality violence and danger are inherent to the sport, no matter how inviting or pleasurable it can be. Finnegan demonstrates how his new vigilance about surfing and its role in his life sometimes set him at odds with his friends. For instance, his friend Mark suggested that Finnegan wasn’t dedicated enough to surfing, while Finnegan felt that Mark was naive about the possible consequences of his obsession:
My ambivalence about the sport we shared appalled him. It was heresy. Surfing wasn’t a ‘sport.’ It was a ‘path’ […] But I was wary of its siren call, its incessant demands. I was reluctant to even think about it more than necessary. (285)
By referring to surfing’s “siren call,” Finnegan highlights how his surfing obsession lured him into danger in the past and threatened to upset his newfound stability. This discussion conveys how Finnegan’s travel misadventures, in which he survived risky waves, illness, and an often tumultuous nomadic life, slightly jaded him toward surfing and taught him the value of moderation.
These observations tie in with Finnegan’s theme about Surfing, Peer Pressure, and Bonding, as he reveals how his friends influenced him. As he became closer with his friend Mark, Finnegan sometimes felt pressured to push himself into risky situations. He remembers a stormy day when Mark tried to persuade him to get in the water:
I had absolutely no desire to go surfing. Fortunately, my board was inadequate for these conditions […] In fact, this is why most surfers didn’t own a board over eight feet; it might raise the question someday of actually going out in conditions that required that much surfboard. (309)
Although Finnegan resisted the peer pressure to participate that day, their mutual friend Edwin didn’t, and he had a near-death experience in the water after which he didn’t surf big waves again. By sharing these memories, Finnegan demonstrates how his surfing friendships sometimes challenged his own self-control as he dealt with the macho culture of the sport and his peer group.
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