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Henry WinklerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Henry Winkler recalls attending the first reading at Paramount Studios in October 1973 to play Arthur “the Fonz” Fonzarelli on the series Happy Days. He was nervous and had a quiet and unsure nature, which contrasted with the Fonz’s confident extroversion. Still, Winkler was confident in his acting and became the outgoing and suave Fonz with ease.
He recalls growing up the son of German Jewish immigrants Harry and Ilse Winkler in New York City. He struggled in school, especially with reading, but graduated from Emerson College after four years with a bachelor’s degree in drama and a minor in psychology. Winkler aspired to become an actor from a young age. After graduating from Emerson College, he applied to the Yale School of Drama despite his doubts of whether he could get in. He was accepted and began acting, which grew his confidence.
Winkler discusses his parents, who fled Berlin in 1939. Despite being part of the Jewish refugee community, Harry and Ilse saw themselves as German first and looked down on Eastern European Jews, whom they saw as culturally inferior. They ridiculed Winkler for his difficulties in school, calling him “dummer Hund,” which in German means “dumb dog” (10). Winkler explains that he had always struggled with school and later learned he has dyslexia. He got poor grades and covered his shortcomings with humor. His parents screamed at and insulted him frequently and often lived beyond their means. Winkler used music, especially opera arias, to escape from his parents’ verbal abuse.
Winkler used his theatricality to amuse and charm bus-goers on his way to school. Once, he even got the bus to drop him off first for a midterm exam. He recalls putting on shows during gatherings at the apartment and wondering if it was because he felt he did not get enough attention or affirmation from his parents. He recalls trying sports and failing to get in with the popular kids. He also recounts his difficult start with drama at the McBurney School for Boys, at Emerson, and at the Yale School of Drama, and his disappointing first sexual encounter with a girl during summer school, among other disastrous romantic and sexual relationships in his college and early adult years. He upset the renowned Bobby Lewis and had an uncomfortable exercise with esteemed actress Stella Adler.
However, Winkler succeeded in getting his MFA from the Yale School of Drama in 1970. He internalized important lessons about embodying his characters and taking his work seriously while working as a stage actor in New York. Eventually, he got roles in commercials and, after being fired by director Alan Schneider, he played a greaser in the independent film The Lords of Flatbush with Sylvester Stallone and Joe Gallo’s driver in Crazy Joe. After taking these roles, John Kimball, who worked in the office of his agent Joan Scott, encouraged him to move to California if he wanted to become internationally known.
Winkler briefly hesitated about whether he should try expanding his acting career in Hollywood but convinced himself to try. He traveled to Los Angeles in September 1973 with his The Lords of Flatbush co-star Perry King. His agent Joan Scott encouraged him to find a place to live before auditioning for anything. He stayed with his friend and Emerson College colleague Stephanie Axelrod and her publicist boyfriend Francis X. Feehan for a few days. After accidentally walking in on the couple one night while grabbing a soda, Winkler left the following morning. He stayed at the Sunset Marquis after meeting the actor Charles Haid, who lived there with his wife Penny Windust and their infant daughter and pet Labrador retriever.
Winkler recalls his efforts to save as much money as possible. He notes that his frugality stems from his father’s expensive living, which required his father to ask family friend Carl Stohl to lend him money and then to take Winkler’s bar mitzvah money. Winkler got a call from Joan Scott’s assistant, who encouraged him to audition as a walk-on for an episode of The Mary Tyler Moore Show. The show was one of the biggest at the time, and Winkler accepted. He got the part of Steve Waldman on the 10th episode of the fourth season and befriended actors Mary Tyler Moore, Ed Asner, and Betty White and producer Ed Weinberger. They were all warm and kind to him.
Winkler made the audience laugh, and his performance got him another audition. The casting director of The Mary Tyler Moore Show Marsha Kleinman had told others about Winkler’s performance, and Paramount Studios called him to audition for the television series Happy Days. He doubted his ability as a short Jewish man competing with taller, more prominent actors, but he landed the role of Arthur “the Fonz” Fonzarelli. At the second audition, he was given a costume change, eyebrow plucking, and hair trim to get him into character. He then delivered the reading to ABC head of development Barry Diller, ABC executive Michael Eisner, and show creator Garry Marshall. Though Diller and Eisner did not think Winkler was good for the role, Marshall connected with Winkler’s portrayal and chose him.
Winkler’s mother called him to say that she and his father wished to take him, his sister, and his brother-in-law on a trip to Europe before the two of them died. Winkler was supposed to start filming Happy Days after Thanksgiving and wanted to spend Thanksgiving with his then-girlfriend Glenda Miller. He told his parents he could not have Thanksgiving with them or go on the trip. He recalls having Christmas dinner with his Yale classmate Jimmy Naughton and his family and finding it delightful, warm, and vibrant in contrast to his family’s cold, severe, and spirit-less country home in upstate New York. However, his Thanksgiving with Glenda turned out disappointing. She invited her friend and did not seem interested in him anymore, which he notes was something that happened with girlfriends, perhaps due to him accidentally ignoring them during events.
After getting the part of the Fonz, Winkler befriended Howard and the other cast members. He notes how his theater experience and their differing backgrounds required them to learn how to work with each other. He recalls trying to execute a technique with the radiator going in one scene and then, another time, hitting the script in frustration. Howard, a seasoned television and film actor, calmly and kindly told him to be patient because the writers were doing the best they can. Winkler realized that Howard’s experience in television helped him gain more patience.
After starting on Happy Days, Winkler found his new fame overwhelming, but soon enjoyed the positive attention. He recalls a couple of police officers in plain clothes visiting to get pictures with him. After a press meeting, he got in character to convince a crowd of adoring female fans to let him and his co-stars get back to their car. He also remembers getting far more attention from the women in his life, including his ex-girlfriend Glenda. He was uneasy with whether women liked him because they were attracted to him or because he was famous.
The show grew in popularity, with Winkler deciding that he would not rely on greaser stereotypes for Fonzie’s character. Winkler’s fame drew in people from his earlier life, including Mrs. Rosenthal from his synagogue, which led him to confront his mother when she called him. He remembers his bar mitzvah and how his dyslexia made the ceremony a difficult process. He recalls the CBS sitcom Good Times gaining popularity, which caused Happy Days’s ratings to drop during its second season. As the show faced likely cancellation, Garry Marshall and ABC shifted from the cinematic camera format to the sitcom camera format. ABC also put Fonzie more at the center of the show. This saved Happy Days from cancellation and made it a success once again.
The network’s then-president Leonard Goldenson offered Henry Winkler his own show and proposed changing the title of Happy Days to Fonzie’s Happy Days. Winkler rejected both offers, believing that accepting either would be a betrayal to the rest of the cast. Howard and Marshall also adamantly disapproved of the proposed title change. As the show continued, Winkler’s fame warmed his parents up to him, making them show pride in their son for the first time. Winkler feels that their approval came too late and wishes they had shown love and support for him when he was a child. His sister and her husband sold a book about him as a child to make money, and sold watches with Fonzie on the clock.
In 1976, Winkler visited Australia to present at the Logie Awards. During a tour of the outback, he bought a pointing bone and learned the myths and beliefs of the Aboriginal people, which amazed him. As Happy Days continued, the network’s preferential treatment of Winkler—such as giving him an expensive VCR while giving the rest of the cast nice wallets—caused some resentment from the cast toward ABC, though they did not blame Winkler.
Garry started a softball team consisting of the show’s cast in which they played against talent agencies and other television show casts. This rebuilt camaraderie. Howard’s brother Clint taught Winkler how to pitch, which he turned out to have a natural gift for. Winkler’s struggles with dyslexia still made him self-conscious, though his costars supported him.
While buying a jacket at a boutique, Winkler met a woman. The second time there, he talked to her again. She appeared to either not know or care about who he was and acted normal and polite toward him. He invited her to get a soda. She accepted.
In their initial sections, many celebrity memoirs focus on the celebrity’s start and the events leading to their earliest career highlights. Being Henry is in line with this, with the first section focusing on Winkler’s early life and career beginnings. The first chapter of a celebrity memoir often delves into the early parts of a celebrity’s life. Being Henry is also in line with this, as it spotlights Winkler’s childhood and high school and college careers.
Subsequent chapters of a celebrity memoir will often focus on early roles and successes in the celebrity’s career, as well as the start of important relationships. In this vein, Chapter 2 of Being Henry focuses on Winkler’s early work, such as in the 1974 films The Lords of Flatbush and Crazy Joe, in which he played Butchey Weinstein and Mannie, respectively. Winkler also details the story of how he got the role of the Fonz on Happy Days and became the show’s most popular character.
Winkler explores his hardships and vulnerability in addition to his success. This section revisits earlier points in Winkler’s life, detailing his awkward bar mitzvah and encounters with women. The chapters examine The Impact of Learning Disabilities. Winkler’s struggles with dyslexia caused him to struggle in school, and his parents and teachers dismissed him as unintelligent. Winkler developed strong insecurity and a need to prove himself to others. Even after becoming famous, his insecurities plagued him and his disability made him self-conscious, though his co-stars supported him.
Winkler portrays his parents as antagonists. They stripped him of his humanity, such as when calling him “dummer Hund” or “dumb dog” (10). This caused Winkler to build up a resentment toward them that continued long after their deaths, as detailed later in the book.
Winkler explores a key theme, Navigating the Entertainment Industry. He shows how he did not achieve success alone. Garry Marshall took a chance on him when Michael Eisner and Barry Diller did not want to. Television veteran Ron Howard helped the theatrically trained Winkler adapt to screen acting and have patience with the writers. Winkler developed a friendship with Howard, which prevailed even when Winkler became more popular and the network shifted the show’s focus to him. Winkler learned about the changes a show often had to make to last, with Happy Days changing its camera format to compete with other programs.
Winkler found that his popularity created challenges for the cast, with Marshall having to intervene to maintain the cast’s harmony. Chapter 3 establishes the conflict between Howard and the ABC network, whose neglect of his character in favor of the Fonz created a division between him and the network. Winkler’s fame did not make him a prima donna. He refused the offers of having his own show and changing the title of Happy Days to spotlight him.
Winkler explores The Importance of Self-Acceptance. Winkler’s fame and the public’s love of his character gave him confidence that he did not have previously. However, it was difficult for him to completely let go of his insecurities. Fame was also not without its drawbacks. Winkler worried that women and people in his life didn’t appreciate him for who he really was. Even though his parents began to praise him for his success on Happy Days, Winkler regarded their praise as “too late”—he could have used their support when he was younger and “trying to figure out how to make my way in the world” (55).
Chapter 3 creates suspense. It does not reveal the identity of the woman whom Winkler met at the boutique. He asked her out in part because she didn’t treat him like a famous person, underscoring how he wanted people to like him for who he was. The woman will turn out to be Stacey Furstman Weitzman, his future wife.
Music appears as a motif. The arts helped Winkler to cope with the unpleasant things in his life and to delight in beauty. For example, he used opera music to escape from his parents’ bickering and yelling: “when they were screaming at me, I would listen to arias. Tebaldi. Corelli. It didn’t even have to be opera, as long as it was dramatic” (12).
The Fonz as a character is a motif. The character represents Winkler’s fame and The Importance of Self-Acceptance. The Fonz has made Winkler a beloved figure in pop culture. He is an aspect of Winkler’s public self that also informs his internal confidence.