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65 pages 2 hours read

Ibi Zoboi

Black Enough: Stories of Being Young & Black in America

Fiction | Anthology/Varied Collection | YA | Published in 2019

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“Samson and the Delilahs” by Tochi OnyebuchiChapter Summaries & Analyses

“Samson and the Delilahs” Summary

Sobechi Onyekachi is an African American high school student who is a star on his school’s debate team. His mother moved from Nigeria to England, then to the United States to meet his father. As he competes in the regional competition, he thinks back to the work his mom has done to help him become the debater he is—constantly critiquing his posture, the way his words sound, forcing him to speak with his eyes closed, and more.

After his final speech, which wins his team the competition, he is named best speaker. His coach meets his parents in the parking lot to tell them how well their son did. Through it all, Sobechi whispers to himself, repeating his argument and searching for ways to make it better.

When Sobechi’s family gets home, a new family is moving in next door and Sobechi’s mother makes him go over to help them move in. Sobechi helps the young girl, Dez, move her band equipment. She is dressed all in black, with chains, and Sobechi is shocked that she refers to her uncle as “Al,” using his first name. Sobechi notes how beautiful she is, tall and athletic, and thinks about her all night.

The next morning, Sobechi goes next door to deliver food to Dez and her family and is surprised to see that she has just woken up. She invites him to stay and see her play music with her friend, Dominique.

Sobechi is at first shocked by the metal music that they play, and then mesmerized by it. Dez walks him through metal music and its genres, but he is particularly impressed by System of a Down. That night, he goes to sleep listening to System, feeling alive and more emotional than he ever has before.

Because System’s band members draw their inspiration from the Armenian Genocide, he decides the next morning to ask his mother about the Nigeria Civil War—the Biafran War. However, she shuts him down, upsetting Sobechi that he cannot learn about his own history.

When Sobechi returns to school for Nationals, he realizes that his voice has been damaged by so much singing with Dez, making him much less successful at debate. That night, when his mother finds metal music on his iPod, calling it “DEVIL-WORSHIPPER MUSIC,” he is forbidden from listening to it or seeing Dez anymore.

As time goes on, Sobechi’s voice returns and Coach is relieved to have him back as the team’s star. One day after practice, as he walks through the hall, he hears Dez playing in the auditorium. The two talk about the fact that she never sees him anymore, and he admits that it’s his mother’s fault. She asks him to hang out and do other things, but he declines, admitting to himself that being around Dez will only make him want to sing because he “loves” it so much.

Sobechi’s team wins Nationals, and he is the strongest in the competition. That night, he again thinks about System of a Down. This time, when he asks his mother about Biafra, she hesitates, but begins telling him of the horrors she experienced in Nigeria.

A few months later, Sobechi comes home from school and sees Dez on her porch. He goes over to talk to her, and she is initially hostile, warning him about his mother. He tells her that she is being “Americanized” and invites Dez and her uncle over for dinner. He tells her that he is working on a song and imagines them singing it on stage together. He admits to himself that what he feels for her is love.

“Samson and the Delilahs” Analysis

Sobechi begins the text as a hardworking, disciplined, responsible high school student who is the star of the debate team. However, throughout the course of the text, he undergoes a transformation at the hands of Dez and her music. As she plays metal music for him for the first time, “his body is alive. More alive than it’s ever been. His sternum thrums from more than the echo of the growling and roaring of the amplifiers. His fingers tingle. Blood rushes to his face” (162). These feelings that Sobechi experiences—which he notes is “more emotion than he has ever seen in his life” (163)—speak both to the sheltered life that he has lived and also to the power of music. Sobechi’s emotional awakening also contrasts with the heady and reasoned practice of debate that he has honed as a member of the debate team.

Initially, in response to this new influx of feelings, Sobechi becomes obsessed with both Dez and her music, singing to the point where he ruins his voice for debate and disappoints his mother. Ultimately, he struggles with Societal Expectations Versus Being the Authentic Self. He immediately rejects Dez and her music in exchange for following his mother’s rules and recommitting his life to debate. However, by the end of the text, he realizes that both of these options are dangerous: It is inauthentic both for him to devote his entire life to school and debate without music and without emotion and also for him to devote his life entirely to Dez and her music without regard for his responsibilities. His ability to balance the two, by winning debate and then inviting Dez over to meet his family and build their relationship, reflects his decision to be the most authentic version of himself that, one that enjoys both music and debate and one that both makes his family proud and is in love with Dez.

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