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48 pages 1 hour read

Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, Nicola Yoon

Blackout

Fiction | Novel | YA | Published in 2021

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“Seymour and Grace”Chapter Summaries & Analyses

“Seymour and Grace” Summary

Grace, the narrator of the story, is sitting in a car on her way to a block party in Brooklyn. The driver is listening to a podcast about philosophy, which she asks him to turn down. She is focused on the texts she is receiving from her friend Lana, who is already at the party. Lana gives her regular updates about the whereabouts of Grace’s ex, Derrick, who is also at the party. Lana reports that Derrick’s new girlfriend, Trish, is also present.

The first-person narration shifts to the driver, Seymour. He cannot help but notice that his passenger, Grace, is a beautiful girl. While trying not to look at her, Seymour gets a call from his childhood best friend, Tommy, who asks if he wants to hang out later. Seymour declines the offer and lies about having to work. When he hangs up, he reflects on his increasingly distant relationship with Tommy, who went off to college while Seymour stayed home to help support his widowed mother. He focuses back on Grace, who tells him she is meeting her boyfriend at the block party. Noticing her accent, he learns that she is originally from Jamaica.

The first-person narration shifts back to Grace. Feeling guilty about making her driver turn down his podcast, she asks him about it. He tells her he finds philosophy fascinating. Grace learns that his father died two years ago, and that he took a job as a driver to help support his family. He tells her about his friend Tommy, and how they are not as close as they used to be.

The first-person narration shifts back to Seymour. Seymour is horrified when he realizes that he is out of gas. He pulls over and apologizes to Grace, who insists on walking the rest of the way to the party. Wanting to honor her ride, Seymour offers to walk her to Bed-Stuy, offering up some background information so she can rest assured that he will not harm her.

On the walk, she tells him about her ex, Derrick, and how they started dating right after she moved to America. After two years, Derrick was the one to break it off.

The first-person narration shifts back to Grace. Close to the party, Seymour tells Grace to practice what she will say to Derrick when she sees him. Gradually they stop role playing and engage in a genuine conversation, at the end of which Seymour suggests that he has enjoyed spending the evening with Grace. Soon after they come across a gas station, where Seymour buys a gallon of gas for his car.

The first-person narration shifts back to Seymour. When they get to the party, Grace turns to Seymour to say goodbye. Before he leaves, Seymour takes the plunge and asks Grace if she would be interested in going out sometime. Before she can answer, her friend Lana shows up and pulls her into the party.

The first-person narration shifts back to Grace. Grace feels uneasy letting Seymour go. When she eventually finds Derrick, she ditches her plan to cuss him out and engages in a polite conversation instead. When Trish shows up, Grace greets her warmly and leaves to find Lana. When she finds Lana, she tells her she wants to find Seymour before he leaves. The two scour the crowd and before long bump into Seymour, the gallon of gas still in hand. She tells him she has an answer to the question he proposed earlier, closing the space between them. The lights come back on suddenly, and everyone cheers.

“Seymour and Grace” Analysis

This final chapter of the novel introduces two new characters, and reintroduces characters from previous stories and ultimately brings the novel to a close. In the first part of the story, which Grace narrates, readers are once again reminded of the interconnected nature of these stories. This reminder comes in the form of Grace receiving a text from her friend Lana.

The chapter deviates from previous narrative structures in that it boasts two different narrators in the form of Grace and Seymour. By switching constantly between the two narrators, readers are given two unique perspectives that they can use to draw conclusions about who these characters are and what they value in life. In addition, the toggling between narrators allows readers to gauge how each character is reacting to the other, given that it is clear that they have a genuine connection. Moreover, Grace and Seymour’s narration, regardless of whether the content of it is about the other passenger in the car or about their own life and feelings, allows deeper insight into their interior world. Interestingly, this chapter includes the only two characters in the novel who do not already have a preexisting relationship with one another. With this in mind, the shifting between narrators serves the purpose of allowing both readers and the characters themselves a chance to better understand the personalities presented before them.

As yet another teen romance story, this chapter utilizes several tropes common to the genre. In the beginning of the chapter, both Seymour and Grace—who have yet to have a conversation with one another—make assumptions about the other based on the behavior they have witnessed thus far. With Grace on her phone, Seymour takes her to be a spoiled princess type, unwilling to converse with her driver. For Grace, Seymour appears at first to be rude and overbearing, given that he challenges her when asked to turn down his podcast. Their shared tendency to assume the worst of the other before eventually getting to know each other functions to present readers with the possibility of an enemies-to-lovers arc. In a similar vein, the end of the story also makes use of another common romance trope: The fact that Seymour asks Grace out at the end of the night and leaves without an answer only to later be sought out by her is a clear example of the will-they-won’t-they romance trope. The trope also bolsters the novel’s theme of Letting Go of What is Familiar and Diving into the Unknown as Grace leaves her past behind to discover a new path with Seymour. That readers are led to assume that nothing will come of their connection only to later see Seymour and Grace find one another again functions to tease readers and eventually provide them with a satisfying resolution.

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