logo

76 pages 2 hours read

Gary Soto

Buried Onions

Fiction | Novel | YA | Published in 1997

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Chapter 9Chapter Summaries & Analyses

Chapter 9 Summary

Eddie explains that after the confrontation both he and Angel were smart enough to get away from the hospital, where police might be arriving. The two go in different directions, and Jose eventually pulls up beside Eddie in a car. Jose is crying, thinking of what still might be ahead. Eddie, however, wants to be alone, and walks back to his apartment, pausing to rest in alleys. Once home, he takes a soaking bath to soothe himself.

Lupe, the older brother to Samuel, comes to scream at Eddie about how he has smashed Samuel against the wall at Angel’s. Fortunately, in the dark and with Lupe at first just peering through a window he has broken, he can’t spot Eddie laying in the corner, by the roaches. Before Lupe can enter Eddie’s place, Eddie’s neighbor, Mrs. Rios, hearing the commotion, comes out and sends Lupe on his way. She then shouts out to Eddie to ask if he is ok, but he is too weak to answer with more than, “Si, I’m sleepy” (142).

Eddie struggles with whether he’s been right about Angel killing Jesus.

He finally falls asleep on the floor, imagining himself being kicked not by Angel, but by a “dude in yellow shoes” (142).

Two days later, he takes a cardboard box full of his belongings and heads to his godmother’s house, leaving his apartment behind. She feeds him soup and gives him the usual soda, talking a lot about her dog.

The novel flashes forward, to two weeks later. Eddie is back at the naval recruiting office, enlisting and hoping the Navy can teach him to “swim like a dolphin and fight like a crocodile” (144). In a dirty van roaring towards Riverdale with other recruits, farms and farm animals come into view. The van engine is groaning. In the novel’s penultimate moments, the vehicle rolls to a lethargic and broken stop, mere miles outside of Fresno.

We see Eddie leaving the broken-down van and walking out into a field, where rabbits are kicking up dirt and blackbirds are squawking. Venturing farther into the field, Eddie encounters two black men searching for what’s left after harvest.

“[W]hat were these men but miracles?” (145) poses Eddie. He hurries to meet the two sweating men who are “making a living from leftovers” (146). Eddie is crying, and realizes he has been walking over an onion field. These field workers are the same men who sold Jose onions several days before.

Eddie’s tears lead him back to thoughts of Angel and Jesus, his palms “blood red from all the city wars—those in the past, those now, and those to come when every homie would raise a fist to his brother” (146). One of the black men in the field hands him onions for each hand. His eyes fill once more with tears, but this time from the wind or sun. Soto writes that these are “the last of childhood tears” (146) for Eddie.

Chapter 9 Analysis

In the novel’s last chapter, we see Eddie on the cusp of leaving and arriving—something he’s been doing from virtually the novel’s outset. While life in the Navy may provide new hope, the breakdown of the van and the walk into the recently-fallowed onion fields are Soto’s mode of commentary for the collapse of domestic infrastructure—his way of asking if what we fight for is worth defending at all. Soda again functions as ineffective balm—its corporate sugar can provide no lasting relief, and is alternate to the cool water of Eddie’s fridge. That soda is provided first by Mr. Stiles and again by Eddie’s godmother shows how both work and family are band-aids for deeper wounds.

Eddie’s ultimate uncertainty about Angel’s role in Jesus’s death functions as touchstone for both his own naiveté about the larger world and that there seems to be no way to quell societal violence: it doesn’t matter who did it, and such acts will occur again and again. The man with yellow shoes is, effectively, Flash Gordon, actualized: violence is made mythic, and given superhuman powers. That Eddie’s out is by signing up with the largest military force in the world, in order to be safer, is the novel’s final irony

Soto’s placement of non-Hispanic workers in the onion fields explodes both expectations and stereotypes, while at the same time paralleling the plight of Mexican-Americans and African-Americans. That Eddie is able to understand pluralism only while trying to become upwardly mobile can be seen as Soto’s final commentary on how contemporary American society functions.

blurred text
blurred text
blurred text
blurred text