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62 pages 2 hours read

Karen Cushman

Catherine, Called Birdy

Fiction | Novel | Middle Grade | Published in 1994

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Chapter 12 - Author’s NoteChapter Summaries & Analyses

Chapter 12 Summary: “August”

August begins with the feast of Saint Ethelwood on Lammas Day, which celebrates the breaking of bread. Birdy is captivated by the smell of fresh baked bread coming from the church.

Soon after, her mother breaks out in a fever for several days; she recovers, and the unborn child seems well, too. Birdy notices how gentle her father is with her mother in her illness: “When he does not roar, I do not know who he is. Or just why I hate him” (147). Alas, her mother’s reprieve is not to last; just as quickly, she takes ill again.

Most of the manor attend the annual Bartlemas Fair, while Lady Aislinn stays home. Birdy is given some money and buys gifts for her mother, Perkin, and the new baby.

Birdy also sees a dancing bear at the fair, chained and trapped; it reminds her of an eagle with clipped wings she once saw. Because the bear’s dancing doesn’t please the audience, the owner of the bear proposes a bearbaiting, in which dog are set upon the captive animal. Birdy thinks, “How can we think ourselves made in the likeness of God when we act worse than the beasts?” (148). The owner says she can purchase the bear, saving him, but she only has the coins that Shaggy Beard has sent her as a wedding gift—which would mean she consents to the marriage. After much agonizing, she buys the bear in order to save its life, thereby implicitly signaling her consent: “For the sake of the bear, I am resigned”(149)to marry Shaggy Beard.

Back home, everyone is disgruntled or frightened by her decision to keep the bear, and nobody will help her fetch or house it. Worse, Robert comes home and antagonizes her. He teases her by suggesting that perhaps she “could marry the bear since I seem to like them big and hairy and stupid” (150).

Without someone’s help, she cannot figure out a way to save the bear. In the end, Robert convinces a nearby abbess to take the bear into her care. Birdy is shocked: “So the bear is safe! Thanks to Robert. Robert? This is not the brother I know. I am confounded” (151).

Chapter 13 Summary: “September”

As Birdy’s diary comes to an end, she is still balking at the continuous lessons designed to turn her into a lady and dreading her impending marriage to Shaggy Beard: “The bear is safe and I am doomed,” she notes (152).

Her personal musings are interrupted by the difficult labor of her mother and the eventual birth of her sister, Eleanor Mary Catherine. When it appears as if mother and child won’t make it through the delivery, Birdy’s father comes home; he banishes the priest sent to give last rites and sits through the night with his wife. When he emerges, he declares that mother and child will survive. Birdy is thrown into a great confusion, as her friend Aelis informs her that she is to marry Robert. First, he saves the bear, then he has become an object of attraction to her friend, Aelis. Birdy reconsiders all that she has ever thought about Robert and Aelis: “I think sometimes that people are like onions. On the outside smooth and whole and simple but inside ring upon ring, complex and deep” (157).

As she counts down the days until Shaggy Beard arrives and she is to be married, Birdy becomes overwhelmed. Resigned, she frees all of her birds, writing, “I who must be caged could leave them no longer in cages” (159). She leaves the popinjay—who cannot care for itself—to Perkin, along with the rest of her betrothal silver so that he can pursue his dream of being a scholar.

Unable to accept her fate, Birdy runs away to Uncle George’s house. He is away, but Ethelfritha is there. Unfortunately, Birdy quickly realizes that her aunt’s schemes to help her are nothing short of delusional musings brought upon by her illness. Birdy must figure out how to save herself.

Eventually, she remembers the story that the Jewish matron once told her, about the man who forgot himself and has an epiphany: “And it came into my head that I cannot run away. I am who I am wherever I am” (162). She finally realizes that her life and all she loves will travel with her no matter where she goes. As she writes, “I am like the Jews in our hall, driven from England, from one life to another, and yet for them exile was no exile. Wherever they go, they take their lives, their families, their people, and their God with them” (162). Birdy decides to marry Shaggy Beard, though she will not make her submission easy for him.

George returns and takes her back home, where she is both welcomed and lectured. Then she finds out that Shaggy Beard has been killed fighting over a woman in a bar brawl. Stephen, his son, wishes instead to marry Birdy in order to honor the marriage contract. She wears the pin he gave her of a bird“ with a pearl in its beak” (163). At the conclusion of her diary, she is eager to marry Stephen, feeling caged but less painfully so. Thinking of names for their future children, Catherine—who will no longer go by Birdy—writes, “[t]he world is full of possibilities!” (164).

Author’s Note Summary

The author includes a lengthy final note explaining to her young readers the realities of the medieval period in which Birdy is writing. It is a “foreign country, ”she writes, with notions of identity that differ widely from her readers’ own; there is no real sense of “individual identity, individual accomplishments, and rights,” such as the ones taken for granted today(165). Instead, everyone in a medieval community has their rightful place, and “[f]ew people considered moving out of their place” (165). Even people’s surnames—Baker, Steward—are reflections of their occupation and what they provide to the village.

In addition, the English people of the 1290s were defined by their relationship to the land. Noblemen owned the land, while the villagers rented the land and provided service to the noble class. This system of serfdom lasted for hundreds of years and moved in time to the religious and seasonal cycles. The author reminds readers that there were no watches or clocks during this period; life moved in time to the rising and setting of the sun.

The gender roles of the time were also strictly enforced. Young men were apprenticed to their professions, and there was little choice in the matter—the author notes that Perkin’s desire to be a scholar instead of a goat boy was a rarity for the time). If someone was from the noble class, they were often fostered—like Geoffrey—to another noble estate where they trained to be a knight. Women were “mostly trained for marriage” (167). They were seen as property, rather than individual people, and bartered to other noble families to increase landholdings or wealth in general. As the author explains, “Birdy fought years of training and tradition in opposing her marriage to Shaggy Beard” (168). Without any real alternative, most young women simply consented.

Chapter 12 - Author’s Note Analysis

Near the beginning of Chapter 12, Birdynotes that the trees look burdened, much like the ant in the story from Chapter 10; it is again a personification, this time of trees, which reveals more about Birdy’s state of mind. She is burdened by her predicament and worried about her mother’s condition.

The feast of Lammas is a celebration marked by the baking of bread, symbolizing the body of Christ and the promise of eternal life. As Birdy’s mother enters the end of her difficult pregnancy and struggles to give birth to her daughter, the juxtaposition between life and death is ever present. After she finally gives birth to Eleanor Mary Catherine, Birdy is compelled to paint her baby sister’s image in the arms of God on her chamber wall. She envisions God not as an old man—and certainly not as a woman—but as a young and virile knight. Her painting is a commemoration of her sister who survived, despite the odds. Named in honor of the dead queen Eleanor, the virgin Mary, and Catherine herself, the baby symbolizes the continuation of life and hope.

The dancing bear that Birdy saves also contrasts hope with despair: On the one hand, she is saving an animal who otherwise would have faced a gruesome end;

On the other hand, in doing so, she consigns herself to an unhappy marriage. Birdy sees herself in the bear, and in her little popinjay that cannot be set free with her other birds: “Like the bear and the popinjay, I cannot survive by myself. But I also cannot survive if I am not myself. And who am I? I am no minstrel and no wart charmer but me, Birdy, Catherine of Stonebridge” (162). This is the central revelation of the story: the understanding that her circumstances do not always or solely define her as an individual.

Finally, her character has become the almost fully mature “Catherine” rather than the stubborn and naïve Birdy. Her evolving understanding of people, as shown by the onion simile, reveals insight and an inclination to reconsider her previous stances. The ability to examine people and circumstances from various points of view—as well as the willingness to admit when one is wrong—are hallmarks of maturity.

The author’s note helps to ground her readers in the world of Birdy-Catherine. It would be highly unusual for a woman of the time to be able to read and write, much less to question their gender roles or destiny to marry. The book can be seen as a feminist perspective on a world and a time before any such sensibilities existed. By using Birdy’s strong voice and showing her eventual transformation into Catherine, the author shows how someone with little power can still retain personal strength and a sense of self-worth even within the confines of a rigid social system.

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