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67 pages 2 hours read

Cassandra Clare

Chain of Gold

Fiction | Novel | YA | Published in 2020

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Part 1, Chapters 5-8Chapter Summaries & Analyses

Part 1

Chapter 5 Summary: “Fallen with the Night”

Following the demon attack in Regent Park, the injured are taken to the Institute infirmary. Members of the Silent Brothers, including Uncle Jem, try to treat the injured, but the demon toxin proves unnaturally strong. Jem calls James aside and informs him that he knows Barbara and James may have shared a fall into the shadow realm the previous night. While Jem was treating her, Barbara told him that James needs protection. James wants to explore the connection between his experience and Barbara’s vision and prophecy—Barbara has the gift of foresight—but Jem explains that they must first focus on saving Barbara, Piers, and Ariadne.

James later meets Thomas and tells him he has a plan that may help save the injured. James rounds up Christopher and Matthew as well, and the four friends head to the Institute’s ballroom. James plans to visit the underworld to find a solution to help Barbara and the others. The trigger for James’s fall is often a moment of shock or emotional pain, so the others try to upset James. James falls into the shadow realm.

Lucie, too, has a plan to save the injured. She decides to seek Jesse’s help and persuades Cordelia to come meet a ghost with her at Chiswick House, Tatiana’s home. However, Cordelia doesn’t know the ghost is Jesse. For her part, Cordelia is preoccupied, since Uncle Jem earlier told her that he saw Cordelia’s father in Idris but is not yet convinced of his innocence.

Summary: “Days Past: Idris, 1900”

The story revisits the past in a flashback to the time following James’s scalding fever in 1900:

Recovered from the scalding fever and reunited with his family, James received a note from Grace, asking to meet. He realized he may have been the girl’s only friend. The two met, and James told her of his convalescence and Cordelia’s care. Grace teased James that he was in love with Cordelia, which James hotly refused. As Grace and James resumed their friendship, they began trading secrets. Grace told him about her decrepit manor and her mother’s refusal to get it cleaned. James also learned that Grace’s parents were killed by demons when she was eight, after which Tatiana adopted her. Her only keepsake from her deceased parents was a silver bracelet Tatiana kept locked. James told Grace he can shape shift, turning into shadow. While James expected Grace to be horrified, she was supportive and suggested James could cast himself into a shadow to visit her in her house and retrieve the bracelet for her. James felt grateful for Grace’s understanding.

Chapter 6 Summary: “No More of Mirth”

Back in the present 1903, James is in the shadow realm, where he feels a piercing cold. On his previous falls, James saw but did not completely experience the realm; this time, he seems immersed in it, possibly because this fall was voluntary. The world is an endless expanse of empty dirt, some of which James collects to take back to the “overground” (the non-underworld). He spots a small firefly in the distance and follows it. The light grows as James nears it, and he bursts out into the real world.

Meanwhile, Lucie and Cordelia are horrified to see the rot in Chiswick Hall. The decrepit state of the house gives them fresh pity for Grace, who is forced to live there. Protecting themselves with charms, the young women approach the manor; Cordelia heads to the front door to distract the residents so Lucie can sneak in and find Jesse. Cordelia manages to talk to Grace for a few minutes before Tatiana turns up and throws Cordelia out. On her way out, Cordelia hears an odd furious hissing sound that, when she follows it, leads her to a still-running greenhouse behind some ruins. Inside, Cordelia finds nightshade growing—a plant used in dark magic—as well as other mysterious plants. Suddenly, a demon’s face appears before her in the dark, and its tentacle wraps around her leg, causing intense pain. She falls, her sword Cortana buried under her side. A hand pulls her up; Cordelia is shocked to see James.

Retrieving her sword, Cordelia fights off the demon—which is unlike any she and James have ever seen; it is attached to the wall like a plant but has three wolflike heads and long tentacles. It is a modified Cerberus demon. James and Cordelia kill the demon, and James tends to Cordelia’s wounds. He tells her that, in the underworld, he was drawn to the glow of what he thinks was Cortana and that he ended up in the greenhouse.

At the time that James and Cordelia are fighting the demon, Lucie sneaks into the mansion. She meets Jesse, who tells her it is dangerous to come here. According to Jesse, his mother, Tatiana, hates not just the Lightwoods (her birth family) but also the Herondales and the Clave itself for supposedly causing the death of Rupert Blackthorn (his father and Tatiana’s husband). Additionally, Tatiana’s father, Benedict, was “obsessed with demons” (172) and crossbred them for dark experiments. Jesse tells Lucie his biggest secret on the condition of her utmost secrecy: After his death, his mother refused to burn his body or hand it to the Clave, and she keeps him half-alive by necromantic (dark) magic. Jesse can communicate with his mother and Grace, but if his body were to be destroyed, he’d truly die. On the night of the ball, Jesse could sense a “sinister presence” about which he warned Lucie when he told her that death was around them; he thinks the same presence returned at Regent Park the morning of the picnic. Just then, Lucie’s attention is caught by a light in the distance—the glow from Cordelia’s torch as she falls in the greenhouse.

Lucie finds James and Cordelia on the grounds. James stays back, possibly to meet Grace. Lucie and Cordelia head back to the Institute, where their irate parents wait for them. On the grounds of Chiswick Manor, seedpods—which the Cerberus demon dropped in its last moments—begin to germinate. The newborn demons swarm the ground of the greenhouse.

Summary: “Days Past: Idris, 1900”

A flashback recounts what happened when James kept his promise to Grace to visit Blackthorn Manor in a shadow state:

Willing himself into a shadow, James slipped through the walls of Grace’s house. He knew this was dangerous because, by shapeshifting like this, he was “courting” the realm of shadows, a world he could always sense because of his warlock blood. James slipped into Tatiana’s study and retrieved Grace’s bracelet. However, on his way back to Herondale Manor, he was unable to return to a solid state. He thought of Cordelia to calm himself and returned to his real self, promising to never repeat his misadventure.

The next night, he handed over the bracelet to Grace. The words “Loyalty Binds Me” (187) were inscribed on it. Grace thanked him for the bracelet but confessed she couldn’t wear it as Tatiana would spot it immediately. She asked James to wear it for her, and he agreed. As Grace closed the bracelet on James’s wrist, he felt a surge of love for her.

Since then, he has never taken off Grace’s bracelet. This suggests the bracelet may carry some sort of an enchantment.

Chapter 7 Summary: “Fall of Songs”

As the narrative shifts back to the present, James is called to a disciplinary meeting of the Enclave, the Clave’s branch in London. A tracking rune traced him to Chiswick Manor, and Tatiana Blackthorn now accuses him of trespassing. According to Tatiana, James vandalized her property after she refused to let him see Grace. The meeting is headed by Charles Fairchild, standing in for the Consul, who is currently in Idris to deal with the trial for Cordelia’s father, Elias. James suggests the Clave focus instead on the fact that he killed a Cerberus demon that Tatiana housed in her property, but Charles says it was Tatiana’s father who had installed a demon in Chiswick Manor to protect the family. Charles forbids James from meeting Tatiana or Grace, and James, who suspects Charles is biased from his own romantic interest in Grace, angrily leaves to meet Matthew.

At the Fairchild house is the scientist Henry, James’s godfather and Charles and Matthew’s father. James gives him the dirt from the shadow realm to investigate, but he does not tell Henry how he came by the sample. Later with Matthew, Christopher, and Thomas, James shares about the previous night (though he omits the detail about being drawn to Cordelia involuntarily, which suggests unresolved feelings for her). James confesses to Christopher and Thomas that he loves Grace. He receives a letter from her, in which she asks for his help. James leaves to meet Grace at a midpoint between Matthew’s house and Chiswick Manor.

Cordelia is delighted to receive an invitation for tea at Anna Lightwood’s flat. She is surprised when Alastair backs Cordelia’s visit before a reluctant Sona, and he drops her off before Anna’s building. On the steps, she meets Evangeline, a young woman Anna has jilted. Inside, Anna tells Cordelia she has long been trying to break up with Evangeline, especially given Evangeline’s upcoming nuptials with a baron. Cordelia is impressed by Anna’s boldness to live so unconventionally, and in turn, Anna likes Cordelia’s frank demeanor and innate heroism. Anna tells Cordelia she is unhappy with the Clave’s passivity in dealing with the Regent Park incident. She wishes to explore the incident on her own and asks Cordelia to come along.

Chapter 8 Summary: “No Strange Land”

While Anna goes to change attire for their outing, Matthew arrives. Cordelia learns that Matthew will join her and Anna on their trip. The three take a carriage to Hell Ruelle, where a salon is being held by Downworlders; they hope to learn more about the demon attack since Downworlders often have secret information. Anna tells Cordelia that those injured at the park—including her cousin Barbara—have been placed in an enchanted sleep by the healers so their body can rest and reject the demon poison. The carriage heads to Soho, a bohemian part of London. Cordelia is surprised to see that Downworlders are creative; she thought that like Shadowhunters, they were incapable of making poetry or music. Matthew tells her that this is untrue for both Downworlders and Shadowhunters. Shadowhunters are merely conditioned to believe they cannot create. After all, Cordelia’s closest friend, Lucie—a Shadowhunter—loves to write stories.

The scene shifts to Lucie in her room, where she writes a romance featuring a heroine called Cordelia. Lucie is startled at Jesse’s sudden appearance. Jesse tells her that James may be in danger, as he and Grace are soon to meet: Jesse saw the offspring of the slain Cerberus demon follow Grace out of the house. Since the demons carry a genetic memory of loyalty to their host family of the Blackthorns, they would instinctively protect Grace and harm James, as James is an outsider. Jesse has no idea where Grace and James are meeting, so he hopes Lucie can find out and go there with back-up. A determined Lucie heads out to track her brother.

Part 1, Chapters 5-8 Analysis

This section builds on two major themes: the futility of living in the past, and the question of identity. Further, the section delves deeper into James’s relationships with Grace and Cordelia, with each bond bringing out a different aspect of his personality. In a sense, James’s growing internal conflict over Grace and Cordelia symbolizes the battle for his soul; whomever James chooses, that choice will define him.

The first theme—the futility of living in the past—appears in the character of Tatiana Blackthorn, one of the novel’s antagonists. The decay in both Blackthorn Manor in Idris and Chiswick Manor in London symbolizes Tatiana’s inability to forgive. She is frozen in time in her anachronistic costumes and her evergreen hatred for the Shadowhunter families. The Cerberus demon is a metaphor for Tatiana’s hatred: Like the monster keeps germinating offspring, Tatiana’s hatred, too, is never-ending. She is stuck wanting to bring back her dead son, but this is a betrayal of the natural order kept by Shadowhunters. Both Grace and Jesse are described as pale and almost faded; Tatiana’s insistence on keeping them in the past has leached them of color. While Jesse is stuck in a half-life, awake only during nights, Grace has never received Shadowhunter training. In arresting their natural development, Tatiana breaches natural laws. The nature of time is onwards, and halting its advent leads to no good.

The theme of identity emerges in Cordelia and Alastair’s relationship with their Persian heritage and in Anna’s insistence on living life on her own terms. While Cordelia cherishes her roots and reads Persian literature to a sick James, Alastair’s relationship with his heritage is more complicated, as Cordelia explains to Anna. Alastair “hates that his hair and skin and eyes are dark” (208). However, Alastair’s self-hatred does not exist in a vacuum. People used to stare at Alastair’s dark looks, which is why he now dyes his hair blond. Even the liberal, worldly-wise Anna makes assumptions about Alastair, tactlessly asking Cordelia why she and her brother don’t have the typical dark Persian hair. The question of identity is especially important in Edwardian Shadowhunter society, where people are defined by their family names, clothing, gender, and connections. Even the forthright and individualistic Cordelia is preoccupied with making a good impression in London Shadowhunter society.

Chapters 5-8 also more deeply explore the relationship between James and Grace. The narrative drops crucial hints that their relationship is odd, in contrast to James’s more organic feelings for Cordelia. This theme finds emphasis especially in the flashback sections, where Grace even jokes with James that he’s “just in love with Cordelia” (158). James seems to be falling in love with Cordelia, yet his feelings change once Grace asks him to wear her bracelet. Thus, Grace’s bracelet symbolizes a distortion or a breach. Its inscription, “Loyalty binds me” (189), illustrates the text’s key theme of healthy versus unhealthy loyalty. Loyalty given of free will is true, but that which “binds” is a trap. As James gradually resolves the mystery of his grandfather, he will be put to an even greater test of true loyalty. Unlike James’s compulsive loyalty for Grace, his willing attachment to Cordelia is meaningful; in the latter relationship, James’s agency creates value. Additionally, while James associates Grace with painful longing, he frequently sees Cordelia as a source of light and warmth: Grace represents the dark, cold shadow world pulling at him, while Cordelia represents the real world in all its vibrancy. Even the physical descriptions of the two young women set up a binary: Through James’s eyes, Grace appears ethereal and fragile, while red-haired Cordelia is more dynamic and powerful. James’s conflicted feelings about Grace and Cordelia represent his fight between what he fears may be his inherent demonic nature, and his true, good self.

Further, the text poses a difficult question on the subject of loyalty. Some characters must choose whether they should ally with their family—even if their family has committed a terrible act—or be loyal to the truth and the larger good. For Tatiana, the sovereign affiliation is her blood family. She hates her brothers because they abandon this affiliation to defend the larger Shadowhunter society. Similar quandaries will appear before Cordelia, where she must question whether her father is inherently good just because he is her father, even if he unwittingly committed a crime.

Through frequently throwing difficult questions at the characters, the author makes them examine their own preconceived notions and prejudices. As characters learn there is more than meets the eye to most situations (and people), they build empathy and question their own biases and privilege. These challenges are transformative, ensuring the central characters mature and see the world anew. The protagonists are dynamic, with an evolving character arc. Static characters like Tatiana—and to some extent, Grace—cannot grow, because they refuse to question their assumptions about the world. The protagonists’ development is also a literary reference to the bildungsroman or the coming-of-age story that typifies of the 19th-century novel, whether it be Great Expectations by Charles Dickens, or Emma by Jane Austen. The next section—Chapters 9-12—more thoroughly explores the theme of assumptions and prejudice.

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