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Saint AugustineA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Citing divine intimacy as motivation and discounting “life’s experiences,” Augustine commits to “do[ing] truth […] in my heart by confession in your presence, and with my pen before many witnesses” (181). Augustine then goes over the reasons why he is confessing: to condemn sin, to glorify God, to bring joy to loving, charitable readers, and to let them know his heart. He hopes that wayward readers will not read his words and judge him, “For it is you, Lord, who judge me” (184).
Augustine wonders what he is loving when he loves God. He experiences and appreciates the beauty of the world and all its creatures through his senses, but he knows this is only evidence of God, not God himself, though he asserts that he has corresponding spiritual senses within that allow him to know God.
He begins to explore memory, marveling at its enormous capacity and concluding that, while material things exist as sensory images in his mind, skills and ideas exist as themselves, suggesting they are already in our minds but are unremembered and that thinking is in fact a process of collecting forgotten memories. Emotions he views similarly in that they have no sensory correlate, and yet Augustine is amazed that an emotion can be recalled without being experienced. He wonders doubtfully whether this recall indicates that our memory preserves emotions via some manner of non-sensory image. Finally, he investigates forgetfulness, which he feels cannot be truly present in our memories, the chaos of his questions suggesting this is the greatest perplexity. Contradictions aside, Augustine reaffirms the majesty of memory but suggests we must transcend it to know God, but then reverses course, realizing God must be somewhere in our minds or we could have no conception of him whatsoever.
Augustine suggests that we can only remember that which was forgotten if some part of it remains unforgotten. True happiness, then, derived by knowing God, must be in our memories, or we would neither know what it is nor attempt to find it. Desired by all, happiness functions uniquely in our minds in Augustine’s conception. He notes that happiness takes many forms and is reached by many avenues, but God is the only path to pure happiness, which is “joy in the truth” (200), though those who are deceived may shun the truth to protect their sinful happiness.
Augustine cannot determine how or where God resides in the memory and concludes he transcends it entirely, for God is everywhere. Exalted, Augustine celebrates God with one of his most famous poems, which begins, “Late have I loved you, Beauty so ancient and so new” (203).
Noting that his hardships endure and necessitate God’s mercy, Augustine takes inventory of his sins.
Categorizing his temptations by sense, Augustine begins with touch. He regrets that he still remembers his sexual exploits and is especially disturbed that he dreams of sex and cannot prevent unconscious arousal. He prays for total extinguishment of his lusts. Proceeding to taste, Augustine prays for relief from gluttony, which he finds particularly vexing since he cannot abstain from eating. He cautiously suggests that smell and sound do not trouble him, though he acknowledges his understanding is limited and worries that singing may be a trap, even when the lyrics are holy. He concedes that he struggles to avoid becoming captivated by beautiful sights and criticizes artisans who add to this challenge by creating unnecessarily beautiful works. Still, he credits himself for generally remembering to look through them to their source and thanks God for forgiving him when he fails.
Augustine additionally chastises himself for “concupiscence of the eyes” (214), which he defines as desire for unnecessary experiences and knowledge. Though he transcends these experiences to praise God’s creation, he blames himself that his initial interest arises out of base curiosity.
The problem of pride particularly confounds Augustine, even if he struggles less with it than he used to. To minister well inevitably brings praise, which he confesses he still enjoys, and he knows he should be glad on behalf of those who praise him since to praise is a virtue, but still he is unable to discern to what degree he is successful in preventing praise from motivating him and thus cannot fathom his pridefulness. Again acknowledging his limited understanding, he thanks God for healing him regardless.
Augustine states the need for mediation between humanity and God, condemning the Devil as a false mediator, praising Jesus as the true mediator, and thanking God for sacrificing his son for this purpose.
After reiterating the value of confession, Augustine prays for truthful understanding of scripture that he might not mislead his followers.
Augustine wonders how God made heaven and earth, wishing he could speak to Moses, whom tradition credits as author of Genesis, about the matter. He concludes that creation resulted from a mysterious, eternal, sublime command uttered by God, “that Word who is God” (228), a term associated with Jesus. He wonders further how this eternal Word could have brought about a world in which nothing lasts, though he notes that Jesus can be seen as the beginning not just in a temporal sense but also in a spiritual sense, as in the source of goodness from which everything emanates and to which all must return.
Augustine criticizes the shallow understanding of those who would ask what God was doing before creation, claiming the question is illogical since time is part of God’s creation and God himself does not experience the passage of time.
He then explores the concept of time itself, proposing that the idea, however familiar, has no true essence with the possible exception of the present moment. Probing further though wondering if to do so is sacrilegious, Augustine asserts that even judgments about time have no basis in truth. Augustine then reverses course and concedes that practical experience indicates that time must be real, regardless of its inability to hold up to logical scrutiny. He reasons that future and past events must exist yet be hidden and that, wherever they are, they must actually exist in the present or they could not exist at all. Confessing that his intellect is overwhelmed, Augustine nevertheless proceeds, determining that all memories of the past and predictions of the future are rooted firmly in the present. Conceding the utility of past and future as concepts despite their nonexistence, Augustine marvels that it is possible to measure time, begging God for help understanding these mysteries.
Augustine writes of a man who told him that the movements of astronomical objects constitute time, a perspective Augustine rejects, asserting that they do not constitute time but merely mark its passage. Wondering if his certainty despite confusion indicates that “I simply do not know how to articulate what I know” (241), Augustine trusts that God will show him more. Sensing God’s guidance, Augustine suggests that what we perceive as time is in fact “tension of consciousness” (242), that to conceive of time is a testament to the power of the mind, which can produce moments as images and thereby expect the future, attend the present, and remember the past. Augustine ends by praying for relief from this illusion so that he may anchor himself in God's calm eternity.
Augustine begins exploring creation as described in Genesis. He establishes his interpretation that the heaven of the first verse is not the sky or cosmos but “heaven’s heaven,” (248), the imperceptible realm of God. He asserts that that verse’s earth, described as formless and invisible, was a primordial “nothing-something” (250), the furthest from God that material creation can be and yet the essential foundation of all that followed. Augustine notes that time is not accounted for in this primal stage, for the formless earth was empty of occurrence and heaven’s heaven so tightly bound to God that it “participates in your eternity” (252). Augustine exalts God for his eternity and creation and venerates heaven’s heaven, “that mind of all the citizens of your holy city” (253) where Augustine longs to be, for existing at the highest possible material state, the other end of the spectrum from formless earth.
Augustine praises scripture for being accessible yet profound and expresses hatred for those who denigrate it. Invoking a host of Biblical minutiae and repeatedly shifting perspectives, Augustine spends the remainder of Book XII cycling between the following ideas. He speaks of people who challenge his interpretations while admitting the truths they reveal. Detailing several other common interpretations of Genesis’s opening verse, Augustine further justifies his own while asserting the impossibility of knowing which, if any, was in the mind of the author. He defends all interpretations so long as they presume honest intent and reveal some element of God’s truth, on which he lays several specific limits. Prizing interpretability over specificity, he celebrates scripture’s capacity to nourish with such versatility.
Augustine ends by confessing he feels limited to advancing the interpretation that feels truest to him, hoping it will be the best possible.
Augustine calls God into his soul, humbled at his creator who calls to him without need. Augustine then returns to creation, which God similarly bestowed out of supreme goodness rather than necessity, suggesting all of creation should cling to God in gratitude. Discussing creation’s first light, Augustine asserts this too was unnecessary but was made to allow greater closeness to the divine. Realizing the first verse of Genesis contains the Holy Trinity—Father as creator, Son as beginning and source of creation, and Holy Spirit that “hung poised over the waters” (277)—Augustine rejoices. The later arrival of the Holy Spirit gives Augustine pause, but he finds answers by drawing metaphorical connections with the Holy Spirit’s power for lifting the human soul. He proposes that through this same power the Holy Spirit created the first light. The Trinity, he asserts, is particularly challenging to understand, so he cautiously draws an analogy to a far inferior trinity within each of us: being, knowledge, and will—distinct yet intrinsic parts of each individual.
Beginning an allegorical survey of each day of creation that establishes his vision of holy society, he returns to the light of the first day, seeing in it God’s power to turn us back toward him. The sky, created on day two, becomes the scroll of scripture, spread across the world to enlighten humanity below. The third day saw the gathering of waters to make the seas, whose clashing currents represent people wrongly pursuing happiness. Land was formed, too, and on it, vegetation grew. In this process Augustine sees our souls as soil, watered by acts of mercy from God and one another.
Augustine asserts that the sun, moon, and stars, which God created on the fourth day, signify the wisdom of the virtuous lighting up the sky’s scripture to provide further guidance. The birds and fish of day five become signs and sacraments, earthly manifestations of divine law.
On the sixth day, God created animals on land, and Augustine imagines also a living soul produced, pure and in need of neither baptism nor conversion, the obedient animals within it like temptations to sin held at bay. The humans created that day constitute God’s faithful. Made in God’s image, they should aspire to him, not imitate each other, and their judgment over living creatures signifies their authority to guide the lost toward salvation. Augustine sees God’s command to increase and multiply as justification of abundant interpretations of scripture and pathways toward faith, while he views the food God provided as the joy that results from godly actions. Resolving the contradiction implied by a timeless God looking on his works at multiple specific times, Augustine concludes that God’s actions must be made intelligible in human terms and renounces those who fail to recognize God’s goodness as the source of everything, tacitly criticizing the Manichees.
Augustine reviews creation literally and asserts that women are rationally equal but physically and sexually subordinate to men. He then reviews his figurative interpretation, naming it as a vision for church-led society. He exalts both readings, then speaks of the seventh day as the rest promised to God’s followers. Augustine thanks God for answering his calls and concludes with an amen.
The final four books of Confessions perplex many modern readers who come looking for autobiography, and so they are a powerful reminder that autobiography is a label that others applied over a thousand years after Augustine’s death. Even in the books that do chronicle Augustine’s life, the author’s choices, such as the inclusion of his infancy despite the impossibility of remembering it and the omission of many of the most basic details about his lover and son, make it clear that what personal details he does include are incidental, working to support just one aspect of his multifaceted goal of confession. These last four books, then, constitute the necessary endpoint of Augustine’s ambitious undertaking, their importance underscored by their significantly greater lengths. Even if it is the first nine books that draw most modern readers in, it is they that are ancillary, nothing more than a useful framework for the central argument of the final books to rest upon.
After all, Augustine makes clear in Books X and XI, which focus on memory and time respectively, his belief that time is effectively unreal. Worse yet, our internal fabrication of time, made possible through the astounding powers of mind and memory, is a distraction from Augustine’s eternal God, whose understanding operates independent of time, shown through Augustine’s regretful confession that “I have leapt down into the flux of time where all is confusion to me” (246). Despite this belief, Augustine spends nine books willingly relating his life story, engaging heavily in the illusion of time. Even if he threads Christian doctrine throughout his narrative, surely it would be nobler for him to speak solely of God.
Here it is useful to remember Augustine’s training in rhetoric. Although he came to view that work as hollow, Confessions is proof positive that he did not abandon its lessons. Augustine’s stunningly candid story draws readers in so that they will stick around for the argument he actually wants to make, which is in the end an argument about how the church should function, a justification of the role he wanted holy leaders like himself to play. His life story illustrates that argument to help readers grasp it. By disparaging the Manichees, defending Catholicism, and positioning himself as a figure of redemption, it assuages the concerns of Christians who might not otherwise have trusted the opinions of a once-antagonistic outsider. None of this is lessened by the possibility that some of Augustine’s stories were likely to have been exaggerated if not fabricated altogether. As he explains when considering the intents of the authors of scripture, “I would rather write it in such a way that my words would reinforce for each reader whatever truth he was able to grasp” (273). Under this logic, anything Augustine could do to broaden his story’s appeal without diminishing its allegiance to holy truthfulness would have been justifiable. In this sense, the value of the first nine books relative to the final four bears resemblance to Augustine’s cautious approval of the singing of hymns: “[o]ur minds are more deeply moved to devotion by those holy words when they are sung, and more ardently inflamed to piety, than would be the case without singing” (209).
The first nine books also serve as tangible evidence of the power of memory and mind, which Augustine probes deeply in Book X. Once Augustine has brought this power to the fore through a dizzying series of investigations, questions, and reflections that turn on his understanding of Neoplatonist ideas on the topic (see Book VII Analysis), he can comfortably assert that the mind’s majesty is sufficient to allow God to “dwel[l] in my memory” (200), a tricky, borderline blasphemous notion given the excessive greatness that is so fundamental to Christian understanding of the divine. Augustine’s main purpose in this book emerges from this complexity: Even if the human intellect is vast enough to contain God, it requires a truly disciplined soul to be “full of [God]” (203).
With this established, Augustine has a framework to provide guidance to readers seeking salvation as long as he can demonstrate he himself possesses the proper discipline—the crucial implication being that Augustine’s insight may, if followed, bring all of creation back to God. He has been previewing this guidance every step of the way, but he immediately takes on this task more directly with the remainder of Book X, which provides an inventory of those sins that continue to plague him.
The distillation of Augustine’s vision arrives in Books XII and XIII. In Book XII Augustine establishes the power of his interpretative capacities through his detailed dissection of the first verse of Genesis. While this interpretation itself has significant implications for Catholic theology arising from Augustine’s conceptualization of heaven’s heaven and the formless earth in Neoplatonic terms, Book XII’s greatest function within Confessions is its defense of the interpretability of scripture itself, which he analogizes as a spring, calling differing interpretations “its branching streams [which make] it a source of richer fertility, and waters wider tracts of countryside, than can any one of the derivative streams alone, far though this may flow from its parent fount” (268). In an instance of refreshing liberality considering the repressive interpretation of Christian doctrine that has characterized much of world history, Augustine asserts that all interpretations are valuable and valid so long as they faithfully manifest God’s truth and presume honesty in the authors of scripture. Still, he devotes enormous effort to drawing the boundaries of possible interpretations (undoing some of the aforementioned liberality) and to justifying his own specific reading as “one that is inspired by you as true, certain and good” (273).
Readers persuaded by Augustine’s humble confidence are then ready for Confessions’ ambitious resolution, the complexly cross-referenced and heavily figurative reading of the full seven days of God’s creation as recorded in Genesis and the allegory it provides for a holy society. Once Augustine has tied this all together in the book’s final pages, having made clear his consequent belief that in Genesis “the Head and the body of the Church” were “predestined before time began” (305), the reader is left to decide whether they accept Augustine’s argument and thus his authority as part of that church’s “Head.” As the historical record shows, Augustine’s persuasive capacities paid off, many of his doctrines and teachings so neatly folded into Catholic theology that they now seem indivisible from it. In these final books, Augustine’s confession fully realizes the third sense Boulding listed in her introduction, that which is “not simply a statement of what is” but is “a creative process” in which Augustine “is at one with God who is creating him; he becomes co-creator of himself, constituting himself in being by confession” (12). The digressions that are frequent throughout Books X-XIII, moments in which he pauses to re-invoke God’s support and guidance along his complex metaphysical and spiritual journey, are evidence that he perceives divine cooperation with his efforts. Since Augustine is also in a position of religious leadership, this collaborative self-creation proves to be nothing less than Augustine channeling his sacredly ordained understanding of scripture to bring about a world that might, like him, be redeemed from sin and return to God.