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69 pages 2 hours read

Fyodor Dostoevsky

Crime and Punishment

Fiction | Novel | Adult | Published in 1866

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Part 5Chapter Summaries & Analyses

Part 5, Chapters 1-2 Summary

Luzhin considers the unfortunate situation with Dunia until his neighbor Lebeziatnikov comes by. Lebeziatnikov considers himself an intellectual, so the men discuss the political situation in Russia. Eventually, their conversation turns to more immediate matters. Luzhin tells Lebeziatnikov about Sonia, whom he wishes to meet—but only in Lebeziatnikov’s presence. They summon the young woman and Luzhin questions her about her family while Lebeziatnikov watches. Katerina Ivanovna is of particular concern to Luzhin, as she has told people that Luzhin will pull strings with the government to find her a small widow’s pension because he knew her father. Luzhin has no desire to do this, but instead promises to set up a charity fund for the family. He begins by giving Sonia ten rubles.

Following Marmeladov’s funeral, his family hosts a wake in their small apartment. Katerina cannot afford even a modest gathering, but she insists on inviting as many people as possible. She even invites people whom she dislikes or does not know, including her landlord and Luzhin. Many of the people she invited do not turn up, including her more respectable or influential neighbors. She blames her landlord and takes on an air of disdainful haughtiness. Sonia and Raskolnikov stay quiet. As the wake progresses, Katerina becomes angrier and more openly hostile. She turns aggressively on the landlord, blaming her for all the family’s misfortunes. Tensions erupt and a fight breaks out; it only stops when Luzhin arrives.

Part 5, Chapters 3-4 Summary

Katerina Ivanovna is happy to see Luzhin. However, her happiness quickly evaporates when he claims that he never knew her father. He stands apart from the other guests at the wake and treats the event with disdain—he only attended the wake to see Sonia. Lebeziatnikov slips into the room and watches Luzhin. Luzhin tells Sonia that following their meeting earlier, 100 rubles went missing from his apartment. He accuses Sonia of stealing and demands she return the money. Katerina overhears the accusation and, when Sonia denies stealing anything, Katerina defends her stepdaughter. Luzhin is willing to forget the matter if the money is returned, otherwise he threatens to call the police. Katerina angrily calls for help, demanding that someone search Sonia’s pockets to prove her innocence. As Katerina begins frantically searching through Sonia’s pockets, however, a 100-ruble note falls to the ground. Sonia continues to deny stealing the money while Katerina’s landlord orders the family to leave the premises.

Amid the chaos, Lebeziatnikov steps forward. He loudly accuses Luzhin of being an evil, disreputable man, claiming that he witnessed Luzhin slip the money into Sonia’s pocket earlier. Luzhin denies Lebeziatnikov’s accusation. Raskolnikov stands up and addresses the room. He explains to everyone that Dunia rejected Luzhin and that Luzhin tried to use Sonia to discredit Raskolnikov to his family. Luzhin tries to leave, but one of the guests throws a glass at him. The glass misses Luzhin, but hits the landlord, who insists that Katerina and her family leave. Sonia bursts into hysterical tears and runs away, followed by a concerned Raskolnikov.

As Raskolnikov follows Sonia, he wonders whether he should tell her the truth about the death of her friend Lizaveta. Sonia begs him to speak to her more kindly than he did the previous day. Raskolnikov ignores this plea and repeats his previous cold assessment of her family’s disastrous situation. As Sonia protests, Raskolnikov poses a hypothetical question: Whom would Sonia pick to die, Katerina or Luzhin? Sonia insists that she cannot know the will of God and that she cannot cast judgment on who deserves to live. She realizes that the difficult questions posed by Raskolnikov are a reflection of his internal suffering.

Raskolnikov returns to Lizaveta’s murder. Before he confesses, he asks Sonia to guess who might have killed her friend. Then he tells her to look at him closely. The realization dawns on Sonia. She backs away from Raskolnikov and then throws herself to the floor, weeping. Raskolnikov is overcome by a sense of tenderness. He tells Sonia not to give up on him and she promises that she will never forsake him. When she assures him that she would even follow him to prison, the reality of his future punishment becomes clear to Raskolnikov. He loses the momentary feeling of tenderness and hardens again.

Sonia asks Raskolnikov to explain why he murdered her friend. He tries to explain himself, referencing his own poverty as well as his ideology about the nature of crime. The more he explains himself, however, the more empty and meaningless his explanations become. He reaches the point where he can no longer explain himself to Sonia, so he asks her what he should do. She tells him to go to the nearest crossroads and beg for forgiveness. Then, she tells him to confess his crimes, achieving atonement by accepting his punishment. Sonia promises to visit Raskolnikov in prison. She tries to give him a wooden cross that once belonged to Lizaveta but Raskolnikov refuses, agreeing to wear it only when he accepts his suffering. Lebeziatnikov bursts into the room and interrupts the conversation.

Part 5, Chapter 5 Summary

Lebeziatnikov tells Sonia and Raskolnikov that Katerina has been thrown out of her apartment. Driven insane by the circumstances, Katerina is now wandering the streets with her young children in ridiculous, elaborate outfits. She is making them sing for strangers’ money. Sonia immediately moves to help but her eagerness disgusts Raskolnikov, who wonders why he even spoke to her about his crimes.

Raskolnikov returns to his own apartment, where Dunia is waiting to speak to him. Razumikhin explained to her Raskolnikov’s paranoid and strange behavior. Dunia offers her assistance and loyalty, saying she will always be faithful to her brother. Though Raskolnikov wants to tell her everything, he cannot bring himself to do so.

Raskolnikov walks through the city again. His aimless wandering brings him to a street where Katerina is standing at the center of a large crowd. People laugh at her while she forces her children to beg. Katerina shouts at the crowd and attempts to run away, but she trips and falls, grievously injuring herself. People carry Katerina to Sonia’s nearby apartment and send for a doctor. Katerina is dying from her wound, but refuses all medical help and refuses to see a priest. As she dies, Svidrigailov appears and offers to pay for all of the funeral arrangements. He tells Raskolnikov that he will spend the money he previously earmarked for Dunia half on Katerina’s funeral and half on Katerina’s family and Sonia. When Svidrigailov uses the same words Raskolnikov used to Sonia, Raskolnikov realizes that Svidrigailov has been eavesdropping on their conversations.

Part 5 Analysis

After laying out a series of lesser and greater crimes, the novel moves on to one of its punishments.

The wealthy Luzhin is a controlling predator who manipulates women. First, he tries to marry the poor Dunia, assuming he can use money to force her into complete dependence. She only manages to free herself after receiving an unexpected inheritance. After Dunia rejects him, Luzhin switches his attention to Sonia, another desperate person, eager to parlay her poverty into a scandal that would destroy the Raskolnikovs. However, his attempt to accuse Sonia of theft fails and instead results in his public humiliation when Lebeziatnikov turns on Luzhin and reveals his lies to the world. Luzhin’s punishment is the swiftly delivered judgment of a room full of poor people—the very people he does not value see him for exactly the man that he is, not the image that his wealth projects. Luzhin loses social status and damages his reputation, achieving the exact opposite of what he set out to achieve.

We also witness the downfall of Katerina Ivanovna Marmeladova, whose loss of status, though of course much more poignant and sympathetic than Luzhin’s, nevertheless thematically connects her to him. Once from a good family who lived in a nice house, Katerina Ivanovna married down and became the victim of her husband’s alcoholism. She does her best to protect her children and defend her stepdaughter Sonia—for instance, from Luzhin’s accusation of theft—but it is clear from her coughing up blood throughout the novel that she has tuberculosis and is not long for this world. Finally, she succumbs to the suffering her grinding poverty creates. Losing her grip on sanity, Katerina Ivanovna spends her last day parading herself and her family in the street while begging money. Like Luzhin, she experiences harsh public judgment—though in her case, this punishment is unearned. The novel wonders why people like Katerina Ivanovna must suffer if their suffering brings with it no transformative epiphanies or grace.

The theme of punishment, earned or unearned, continues as Raskolnikov confesses his crime to Sonia and promises to turn himself in to the police. This is a major step toward redemption—rather than suffering pointlessly by experiencing anxiety and guilt in private, Raskolnikov realizes that he must expiate publicly if he wants to rehabilitate himself. He realizes now that he is not one of the extraordinary men he wrote about in his article on criminality. He is not Napoleon, capable of changing the world. As Raskolnikov accepts his ordinariness, he accepts his essential humanity—in the story of Lazarus, Raskolnikov is not Jesus, but instead the random man who happened to die.

Svidrigailov is a morally complex character: a sexual predator who seems to really love Dunia, an abuser who pays for Katerina Ivanovna’s funeral and donates a large sum of money to her orphaned children, an eavesdropper who overhears Raskolnikov’s confession and tries to parlay Raskolnikov’s words into a relationship with Sonia. His ability to perform kindness suggests that Svidrigailov might be worthy of redemption, even in spite of his numerous transgressions—but only if he can be publicly exposed for his transgressions.

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