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51 pages 1 hour read

Crystal Smith Paul

Did You Hear About Kitty Karr?

Fiction | Novel | Adult | Published in 2023

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Chapters 37-48Chapter Summaries & Analyses

Chapter 37 Summary: “Kitty”

Content Warning: This section includes descriptions of police brutality and racially motivated hate crimes.

It is winter 1966. Claire, having just seen Down South, comes to Nathan and Kitty’s house upset by the similarities between the film’s plot and her own family history. Claire thinks that the studio somehow stole her story. Kitty then reveals that Hazel Ledbetter was her mother and that Hazel was raped at the Lakes house when she was 16. Claire realizes the truth about Kitty, and the women have a moment of understanding. Claire gives Kitty her blessing to go ahead with the movie. She notes that the Lakes family will never speak up about the similarities between the movie and their history because it would embarrass them. Later that month, Kitty is nominated for and subsequently wins the Oscar, making her the first Black woman to win the Oscar for Best Actress, though no one realizes it at the time.

Chapter 38 Summary: “Kitty”

In the summer of 1968, Kitty and Nathan are busy with work. Sarah, under Nellie’s care, is doing well at school. Nellie and Kitty have agreed to tell Sarah when she is older.

Chapter 39 Summary: “Kitty”

In December 1968, two FBI agents come to Kitty and Nathan’s house and ask about Blair House. The FBI agents have copies of old checks that Kitty wrote to Blair House’s various charities. The FBI is investigating the organization for fraud because the “charities” that Blair House claimed to fund often did not exist. Instead, the money went to civil rights causes like the Montgomery bus boycott. After the FBI agents leave, Nathan and Kitty get into a fight. Nathan reveals that he has had the young photographer Michael Walker following Kitty for years. Through the photos Michael took, Nathan learned that Sarah was still alive and being raised as a Black child by Nellie. Nathan tells Kitty she has to stop getting mixed up in “politics” (347). An argument ensues:

‘People are dying—have died—all over the country for the simplest of things. For the right to be, to exist!’
 
‘And they aren’t you.’
 
‘They are me! You’ll never understand what it’s like’ (348).

Although Nathan and Kitty reach a resolution, a rift forms. Ultimately, the FBI investigation into Blair House proves fruitless.

Chapter 40 Summary: “Elise”

The narrative returns to Elise’s point of view on October 31, 2017, the day of Sarah’s birthday party. Jasper attends the party, and he and Elise talk. Jasper reveals that his grandfather, Michael Walker, was hired by Nathan to take photos of Kitty. Jasper knows Kitty’s secret, and he plans to publish a book about his own family history that will, in the process, unearth Kitty’s hidden history. Elise asks Jasper not to publish the book. He retorts, “This isn’t just Kitty’s story. It’s my grandfather’s too. I have a legal right to it. My grandfather owned his photographs, and I own his estate” (358). However, Jasper wants Elise’s support before publishing the book. Elise remains unresolved.

Chapter 41 Summary: “Elise”

On November 1, 2017, Elise confronts Sarah about the truth about Kitty and Nellie. Elise wants to share Kitty’s truth, but Sarah wants to hide it: “The safest thing to do is leave her White” (364). Sarah says that she is not angry with Kitty, just angry that she had had no other choices than to give her up. She is afraid of what will happen if the truth comes out, telling Elise, “Unleashing this story exposes the White roots that burrow, snake, and choke. I don’t want to be choked” (366).

Chapter 42 Summary: “Kitty”

The narrative jumps back to the spring of 1969. Nathan and Kitty have found peace about Sarah. Kitty still meets with Nellie and Sarah regularly and shares updates and photos with Nathan. To give Sarah a bright future, Nathan and Kitty come up with a plan: They will write an interracial sitcom, The Daisy Lawson Show, and cast Sarah in it. The show becomes a hit, and Sarah becomes a child star.

Chapter 43 Summary: “Elise”

The narrative reverts to Elise’s point of view on November 1, 2017. Elise answers the door at the St. John home to find two FBI agents. The agents ask Elise about her relationship with Kitty and Blair House, as well as about her Instagram posts, including the picture Elise posted of Colin Kaepernick. Elise asks the FBI agents to leave.

Chapter 44 Summary: “Elise”

The next day, Elise is in New York City for her Vogue photoshoot. She spends the night with Jasper while she’s there. Jasper shares his grandfather’s story with her in greater detail, and Elise gives Jasper her blessing to publish his book. However, when Elise tells Jasper about the FBI visit, he decides to pause publication. Elise and Jasper share a romantic night. When Elise leaves Jasper’s apartment the next morning to get them coffee and breakfast, she makes sure the paparazzi are there to snap photos of her grabbing breakfast for two people. Elise plans to use these photos, along with the photos of Aaron’s own infidelity, to spin the media and control the narrative of her imminent breakup with Aaron.

Chapter 45 Summary: “Elise”

Elise, Sarah, and Elise’s sisters, Giovanni and Noele, meet with some of Kitty’s old compatriots from Blair House, including Lucy, on November 4, 2017. They have all been visited by the FBI. Lucy summarizes the issue: “We siphoned donations from rich people to send to the [Civil Rights] movement” (383). If the FBI finds out, the women could face accusations of fraud.

After the Blair House women leave, Elise and her family discuss what to do with Kitty’s inheritance. Elise suggests they could use the money to organize some kind of reparations for Black people. Elise’s sisters question the practicality of the idea: “What time periods are the reparations for? Is it enough? How Black do people have to be?” (387). Sarah has the final word, saying that the sisters can donate the money quietly if they wish, but they should not share the truth about Kitty’s past.

Finally, Elise reveals to her sisters her own background with police brutality. When Elise was five years old, she and her father were driving to the airport to visit family in North Carolina. Elise’s father was pulled over by police with guns drawn. The officers used a racial slur. Elise’s father was tackled to the ground as soon as he got out of the car. When an officer grabbed Elise, she fought back. Elise and her father were taken into custody and held for nine hours. Elise, terrified, wet her pants. The St. Johns sued the LAPD. Elise, a traumatized child, decided not to testify—something she still regrets to this day.

Chapter 46 Summary: “Elise”

Elise meets with Rebecca, her friend and publicist. Rebecca’s grandmother, Claire Pew (Shirley Claire), also got a letter from Kitty after Kitty’s passing, and Rebecca now knows Kitty’s history too. Like Sarah, Rebecca warns Elise against revealing the truth about Kitty. Rebecca has her own interests in keeping Kitty’s past a secret: “Talking about Kitty means we’ll have to talk about my family too. Some of them are no better than the rapists and murderers in the news. If people go digging into Kitty’s history, they’ll find Teddy Lakes” (392). Elise talks to Rebecca about her plans to end her relationship with Aaron, and Rebecca agrees to help her spin the media accordingly.

Chapter 47 Summary: “Elise”

In the months following Kitty’s death, the St. John sisters continue to research Kitty’s past and consider what to do with her inheritance. Jasper—who never published his book—also helps. Together, Jasper and Elise brainstorm what an ideal reparations plan could look like.

Chapter 48 Summary: “Elise”

The book jumps ahead to March 2018. Elise has just won the Oscar for Best Actress. In her acceptance speech, Elise reveals that she is Kitty Karr Tate’s granddaughter and tells the truth about Kitty’s birth to a Black mother in the South and subsequent rise in Hollywood as a white woman. She announces that she and her sisters will be donating Kitty’s estate to a reparations fund.

Chapters 37-48 Analysis

The book’s final chapters wrap up the various characters’ narrative threads, weaving them together to show how the different people and generations interrelate. It turns out that Shirley Claire/Claire Pew is the grandmother of Rebecca, Elise’s publicist and childhood friend. Meanwhile, Jasper Franklin’s grandfather, Michael Walker, is the photographer whom Nathan hired to follow and photograph Kitty in their younger years. Then, of course, there is the intergenerational relationship of Kitty, Sarah, and the St. John sisters and their grandmother, Nellie—Kitty’s midwife and Sarah’s adoptive mother.

The complexity of these interwoven stories speaks to the book’s theme of The Weight of Family Legacy. A family legacy can, in theory, be a wonderful thing. However, it is not always. Sarah carries the weight of Kitty’s secret legacy; for much of her life, Sarah has had to live with Kitty and Nellie’s shared secret. Not only that, but Sarah, with her dark skin, is also the physical manifestation of the Black identity that Kitty was forced to disavow to succeed in Hollywood’s white world. Sarah speaks to this when she tells Elise, “I’m not mad at Kitty. I’m mad that she had no choice but to do what she did. I’m mad that her having no choice impacted me in the ways it has. Unleashing this story exposes the White roots that burrow, snake, and choke. I don’t want to be choked” (366). The gulf between Kitty’s life and her daughter’s points once again to The Implications of Intersectionality for Black women with different levels of access to white privilege. Though her proximity to whiteness afforded Kitty great professional and financial success, for Sarah, whiteness poses a threat to her safety and well-being. The virulently racist backlash to the news that the Black St. John sisters inherited the supposedly white Kitty Karr’s estate demonstrates that white people often respond to Black women entering white spaces with violence.

Sarah’s reference to the violent “[w]hite roots that burrow, snake, and choke” speaks to another family legacy (366): that of Rebecca Owens. Like Sarah, Rebecca wants Elise to keep Kitty’s truth a secret. This comes down to pure self-interest on Rebecca’s part. Rebecca does not want people to know about her family’s past: “Talking about Kitty means we’ll have to talk about my family too. Some of them are no better than the rapists and murderers in the news. If people go digging into Kitty’s history, they’ll find Teddy Lakes” (392). Like her mother, Claire, who was estranged from the Lakes family when Kitty met her, Rebecca wants to deny the family legacy. The fact that she would be able to do so is a function of her white privilege. As a white woman, she is presumed to be innocent; no one would guess her family hides a violent, racist past. By asking Elise to protect her from the repercussions of her family’s past, Rebecca expects her Black friend to absorb the damage of US structural racism once again.

In addition to clearly articulating the theme of family legacy, the book’s final chapters also conclude its thematic discussion of Race and US Structural Racism. Elise’s revelation that she herself has witnessed and experienced police brutality serves as a sort of morbid cherry on top of the book’s arguments about the deeply ingrained nature of structural racism. Throughout the narrative, Kitty’s story has focused on blatant instances of systemic racism. Kitty’s story may be in the past, but Elise’s story proves that racism is not dead. The fact that Elise herself has experienced racist police brutality, including witnessing the police call her father the n-word, is the final exclamation point to the argument: Racism is not a problem of the past; it is very much present in modern society.

The book ends on a hopeful note. Elise reveals Kitty’s truth to the world, allowing Kitty, in death, to reclaim the Black identity she was forced to disavow during her life. Elise also uses her public platform on the Oscars stage to announce her plans to use Kitty’s fortune to start a reparations fund for Black Americans. The money that Kitty was able to earn by passing as a white woman will be used to ameliorate the disadvantages suffered by Black Americans due to the systemic racism that made passing necessary. It is a forward-looking gesture that reminds the reader that, although the past cannot be changed, the future is yet to be written.

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