73 pages • 2 hours read
Philip K. DickA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Empathy is the key difference between humans and androids. While androids can match or best humans in most ways, they cannot empathize with anyone or anything. This key difference allows androids to pass as humans unless their empathy is specifically tested. Deckard’s job is to find and test androids, killing any that fail the Voigt-Kampff test for empathy. In this respect, empathy is the difference between life and death for an android. Even though they are aware of how important empathy is to their survival, they cannot comprehend empathy as an idea.
At first, this key difference is the driving force behind the narration. Since empathy is the defining trait of humanity, human characters feel compelled to show their empathy to the world. They own animals—both genuine and artificial—to perform empathy. Caring for animals is a reaffirmation of humanity. This demonstrative empathy adds a performative aspect to the definitive human trait; it is performed for the benefit of others, undermining the sincerity of the emotion by turning it into a social expectation rather than a genuine display of care or affection. Since real animals are rare and expensive, owning a real animal becomes a status symbol, almost implying that wealthy people are more human because they have a more visible means of expressing their empathy. With this, owning electric animals exacerbates the performative nature of empathy in this society. Rather than not own an animal at all, characters would rather own a fake animal so that they too can perform their empathy in public. This complicates the narrative’s assertion that empathy is the key divider between humans and androids since humans are shown performing empathy just as frequently as androids.
Likewise, humans can tamp down their empathy. This is shown through Phil Resch, who is human but so unfeeling that even he suspects he might be an android. Likewise, Deckard compartmentalizes his empathy at the beginning of the novel. He feels empathy for humans but refuses to feel it for androids. As a bounty hunter, empathy for androids would only complicate his job. Iran feels differently; she accuses him of being a murderer, demonstrating that at least some humans can feel empathy for androids. The more time Deckard spends around Nexus-6 models such as Rachael, however, the more he empathizes with androids. His growing empathy makes his job difficult. Even though he earns good money by killing three Nexus-6 models in one day, he decides that he can no longer do his job. He wants to quit, but the need to earn money forces him to compromise his newfound empathy.
Rachael tries to weaponize Deckard’s empathy to protect her fellow androids. She seduces him, as she has nine other bounty hunters. In Rachael’s experience, sex complicates a human’s capacity for empathy. Deckard overcomes Rachael’s cynical attempt to weaponize his empathy and kills the other androids but, in doing so, he has a crisis of identity. He can no longer recognize himself as the Rick Deckard he once was. Deckard’s overflow of empathy leads to him fusing with Mercer, thereby fusing with the abstract ideal of human empathy. Mercer is artificial, the androids are artificial, and Deckard’s previous sense of self is now artificial. Through his fusion with Mercer, however, Deckard is able to understand that artificiality is not a barrier to empathy. Rather than separating the artificial from the authentic, empathy is the key to bringing all life together.
Do Androids Dream of Electric Sheep? is set in the aftermath of World War Terminus. The characters allude to the devastation of the war in their conversations, but their lived experiences reveal the extent to which the war isolated individuals and caused societal decay. The war devastated Earth’s environment; radioactive dust covers the planet, destroying plants and animals to the extent that many species have simply vanished. The animals that do remain are isolated from one another. They are kept in private collections and traded for vast sums, meaning that collectives such as herds or flocks of any animal species are an impossibly expensive prospect. Humans live in the same way. Humans like Isidore are affected by the radioactive dust and turned into social pariahs. Isidore is a special, meaning that his health is compromised due to the radioactive dust and he is forbidden from leaving the planet or fathering children. He lives in an empty apartment building in an abandoned suburb. His isolated existence takes place in the decayed ruins of the once-thriving society. He feels lonely, but his brain has decayed to the point where he cannot vocalize his loneliness. Instead, he simply spends his days feeling miserable, hopeless, and alienated, struggling to survive and experiencing human connection exclusively through his empathy box.
To the characters in the novel, decay is inevitable. The destruction of the planet prompted humanity to spread to off-world colonies, meaning that the species is more widespread than ever before. However, this distribution is not a happy one. For those on Earth, life feels like a missed opportunity. They are too old, too sick, or too poor to leave, or they feel bound to Earth by some professional or personal attachment. Regardless of the reasons they remain, they envy those who left. The novel does not show life in the colonies, but Roy Baty hints to Isidore that colonial existence may not be the paradise many on Earth assume it is. When Isidore mentions that he is forbidden from leaving Earth because he is a special, Roy assures him that he would not enjoy life in the colonies anyway. Roy is an android, ruthless and incapable of empathy. For him to console Isidore in such a fashion suggests that there is no artifice to his words; he has no reason or desire to coddle Isidore’s feelings. Instead, he is stating a fact: society has decayed to such an extent that neither the colonies nor Earth can offer any escape from the painful isolation of everyday life.
Deckard thinks about decay in the sense of entropy. Though he begins the novel assured of his own humanity, he gradually comes to view himself as isolated and trapped, just like the androids. His life is a loop, a repeated series of events and gestures that continues until his inevitable demise. The androids only live for four years before they break down, while all pets—both fake and real—are under constant threat of dying or breaking down. Deckard realizes that humans may live longer, but these longer lives are not necessarily more meaningful. Instead, he sees himself as trapped, like Resch’s pet squirrel. He takes his assignments and hunts androids to buy real or fake animals to please his unpleasable wife. Deckard lives in this loop, running in the wheel inside his cage with no opportunity to change or escape this drudgery. When he considers quitting his job, Iran reminds him that they need money. Deckard is like the squirrel, running in a wheel over and over again because he cannot conceive of any other form of existence. His life and his ambitions are decaying, slipping away with each passing day and leaving him more isolated and alone than ever before.
The tension between authenticity and artificiality drives the plot of Do Androids Dream of Electric Sheep? Rick Deckard is a bounty hunter who tracks down and kills artificial humans. Throughout the novel, however, he comes to empathize with the androids and wonders whether their artificial lives might be as authentic as his own. In his job, Deckard is given the responsibility of distinguishing between artificial and authentic existence. The Voigt-Kampff test is used to measure empathetic responses, but the responsibility of eliminating artificial life ultimately falls to Deckard. He does not shy away from this responsibility, but as his empathy for androids increases, the gravity of this responsibility becomes ever starker. Despite his profession, Deckard’s life is fraught with tension between artificiality and authenticity. He is ashamed that he owns an electric sheep rather than a real one, and he constantly thinks about buying a real, living animal. He and his wife use mood organs to select their emotions rather than coming to these emotional states authentically. These tensions position artificiality as a key concern in Deckard’s private life as well as his professional life, and they illustrate the way artificiality affects every part of existence.
Isidore is less acutely aware of how artificiality affects his life, but his day-to-day existence is dictated by the tension between artificiality and authenticity. Isidore works for an electric animal repair company, but the social shame regarding electric animals demands that he and his colleagues present themselves as real veterinarians. As such, society demands that Isidore and his colleagues be as artificial as the animals they repair. When Pris moves into the apartment block, Isidore is excited. He does not consider himself alone because he is a devotee of Mercerism, but the emotional support he receives from the empathy box cannot match the potential for genuine, immediate, human interaction. Isidore does not know Pris is an android and wants to befriend her as a cure for his loneliness. The irony of this hope is that Pris is an android; Isidore is searching for an authentic human connection with an artificial person. When Pris and the other androids reveal their lack of empathy to Isidore, he is horrified. His horror is genuine, and his inability to comprehend their artificiality leads to the most heartfelt emotion that he encounters—shock and revulsion after he mercy kills a spider after watching Pris impassively torture it.
For the androids, artificiality is an existential threat. Their desire to live genuine lives is a death sentence, adding their names to bounty hunter lists and prompting men like Deckard to track them down. The androids recognize the absurdity of their situation; Roy, Irmgard, and Pris listen keenly as their fellow android, Buster Friendly, reveals to the world that Wilbur Mercer and the religion of Mercerism are as artificial as the androids themselves. They hope that exposing the hypocrisy of humans concerning artificiality will bring about a better future for androids, but humans such as Deckard do not particularly care that Wilbur Mercer is not authentic. They do not care that Mercerism is an artificial construct used to sedate and control a population. Instead, they view Mercerism through the lens of the genuine emotions it creates. To the androids, Mercer is an artificial construct that highlights human hypocrisy; to the humans, Mercer is an artificial construct that provides them with the nearest approximation of an authentic emotional experience. With this, artificiality can be a useful tool that highlights the extent of social alienation and provides an outlet for real emotions.
By Philip K. Dick