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35 pages 1 hour read

Dav Pilkey

Dog Man: Mothering Heights

Fiction | Graphic Novel/Book | Middle Grade | Published in 2021

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Themes

Silliness as Joyful and Important

The silly and humorous antics of the characters in Dog Man: Mothering Heights convey Dav Pilkey’s belief in the inherent value of silliness in creating humor and joy. In the exposition, a play-on-words leads Chief to believe that Dog Man has been injured “in the Line of Duty,” but instead, he has been injured in the “Line of Doodie” (24-25)—a line for the bathroom. Being injured “in the line of duty” carries connotations of serious and life-threatening injuries while serving as a first responder or military member, such as a bullet wound, stab wound, or car crash in a pursuit. On the other hand, Dog Man hurt his fingers when the toilet seat fell on his hands as he was drinking from the toilet. This injury is a satirical, silly, and far less serious version of what Chief—and the reader—originally suspected, which creates humor when the true nature of Dog Man’s injury is revealed. This anecdote also illustrates Pilkey’s use of toilet humor, a recurring motif throughout this work and his other works in the Captain Underpants and Dog Man series.

Joyfully silly toilet humor continues in the songs of Molly and Li’l Petey: “IF YOU’RE HAPPY AND YOU KNOW IT POOP YOUR PANTS” (95) in Chapter 7, “STINKLE STINKLE LITTLE FART” (113) in Chapter 8, and “TAKE ME OUT TO THE BATH-ROOM” (150) in Chapter 10. Petey’s growing frustration is characterized by his expression of fury as Molly and Li’l Petey sing and his emotional outbursts; his cry of “WOULD YOU CUT THAT OUT?!!?” (96) only further increases the humor of the situation for the reader.

Silliness is also created through improbable and nonsense situations, such as Big Jim installing a giant fist on a spring in the cupcake exit to punch anyone who tries to escape the prison apart from him or his cardboard robot. Tension and anticipation build to the inevitable moment when Grampa is punched in the face as he ignores Big Jim’s warnings: “But Grampa! I gotta warn you: I reprogrammed the Cupcake exit!” (37). Grampa continues to Insist, “Leave me alone” and “I’ll do what I want!” (39). A flip-o-rama depicts Grampa’s face of shock as he is smacked in the face by the spring-loaded fist.

Tension builds toward another silly situation when Molly and Li’l Petey discard their sippy cups on the top of the steps despite Petey’s warning to clean up after themselves. Their carelessness causes a number of ridiculous and humorous outcomes, such as Grampa tripping on the sippy cups in his cardboard robot costume and revealing his identity, and the sippy cups then being brought to life, growing to massive size, and attacking the city and the protagonists.

The Value of Creativity

Creativity is represented as a valuable endeavor, both through the characters’ actions and choices, as well as through the frame narrative. Readers who are familiar with Pilkey’s broader Dog Man series and the Captain Underpants series will recognize the reference at the beginning of some chapters to George and Harold: “Made by George Beard and Harold Hutchins” (35). This reference to the broader frame narrative reminds readers that Dog Man is purported to be a comic book creation of the elementary school friends George and Harold. Readers are positioned to understand the story as an installment of a series of comics by two fifth-grade friends. Authenticity for this frame narrative is created through the intentionally childlike, comic-book presentation of the graphic novel. Furthermore, the outlandish nature of the plot—where sippy cups are brought to life and grown to immense proportions—and the presence of nontypical characters celebrate creativity.

Characters within the story also demonstrate creative ways of living and problem-solving. There are references to Petey’s Secret Lab, which played a prominent role in other books in the series. Petey’s creativity is also shown in the character of 80-HD, which he built and programmed. After Mecha Molly destroys the lab in the battle against the Sippy Cups, Petey and Li’l Petey make plans to rebuild the lab, indicating their creative pursuits will continue.

Li’l Petey has inherited Petey’s knack for creative problem-solving. Li’l Petey and 80-HD solve the problem of Dog Man needing to wear a cone by engineering an incredible, mechanized cone. Dog Man is empowered by this invention, as is illustrated when he intimidates his colleagues at work, who laugh at his cone. The sound effects accompanying the image of the cowed cops—“DRIP DRIP DRIP” (65)—and the pools of yellow liquid reveal that the cops have urinated in fear of the imposing figure of the giant mechanized Dog Man. As illustrated by the Cone of Destiny, characters’ creative endeavors are not limited by the laws of science, finances, or practicality.

Similarly, Grampa creatively escapes from jail by masquerading as Big Jim’s cardboard robot brought to life. This disguise allows him to escape from Cat Jail and cause mayhem using the living and growing sprays at Petey’s house. In keeping with creative approaches to solving problems, Molly becomes a robot meerkat—Mecha Molly—to destroy the giant Sippy Cups with mechanized chainsaw-style arms, freeing those trapped inside. These instances illustrate that both villains and heroes use creativity in the story to overcome obstacles.

The Power of Love

Pilkey celebrates the power of love to sustain us and to help us through challenging times. Romantic love is explored through the flourishing relationship of Chief and Nurse Lady. In Chapter 12, Chief and Dog Man sit in a sea of crumpled paper, which fills Chief’s entire office as he tries to think of the right thing to write to Nurse Lady to convey his feelings. This hyperbolically illustrates the agonies of adoration from afar and unrequited love. The pair’s relationship develops when they need to escape the giant Sippy Cup that tries to destroy the hospital, and the storyline reaches a satisfying conclusion for the reader when the pair decides to—at Nurse Lady’s suggestion—“smooch it out!!” in Chapter 13. Their discussion of a date implies that the relationship will continue to develop after the conclusion of the novel’s storyline.

The platonic love between friends remains pivotally important in Chief’s request to bring Dog Man on his date with Nurse Lady. The loving relationship between Chief and Dog Man is first alluded to in the opening chapter, when Chief runs to the hospital in his pajamas after hearing that Dog Man has been injured, yelling, “HOLD ON, DOG MAN! I’M COMING!!!” (17). The capitalization, which suggests that Chief is yelling, characterizes Chief’s panic and concern for his friend. Furthermore, Dog Man patiently sits with Chief—numerous panels indicate the passing of time—as Chief writes and discards potential letters to Nurse Lady, illustrating Dog Man’s loyalty in Chief’s time of need. Furthermore, Dog Man attempts to help Chief by leaving slobbery roses and candy outside of the hospital.

Platonic love is also illustrated through Li’l Petey’s relationship with Dog Man. When Dog Man comes to Li’l Petey distressed about his cone, Li’l Petey works hard with 80-HD to manufacture a machine, the Cone of Destiny, to turn Dog Man’s distressing situation to his advantage. Li’l Petey’s efforts illustrate his care for Dog Man.  

The title Mothering Heights, as well as being a humorous intertextual reference to Emily Bronte’s 19th-century gothic novel, Wuthering Heights, alludes to the importance of mothers and parental figures more broadly. Petey remembers that, in spite of the challenges he and his mother faced, she was unconditionally loving and also positive: “We didn’t have much money or food…but my mom was always hopeful” (155). The panel illustrations show Petey’s mom smiling at him lovingly while playing the ukulele to him. Based on these illustrations, the ukulele becomes a symbol of Petey’s mother’s love for him. When Petey finds the ukulele in their destroyed home, it symbolizes that familial love continues and survives despite hardship. Petey plays it to Li’l Petey just as his mom used to play it for him, signifying the continuation of Petey’s mom’s love for Petey through Petey’s love for Li’l Petey.

Furthermore, Petey and Li’l Petey recover in the wake of the destruction of their home—“We just lost everything”—with the acknowledgment that “we still have love…and love lasts forever, right, Papa?” (211). Li’l Petey’s comment is a callback to Petey’s mom’s comment in Chapter 11, where she says to a young Petey, “We still have love…and love lasts forever and ever” (155). The reader is confident that Petey and Li’l Petey’s love will help to sustain them and keep them feeling positive and hopeful as they rebuild their home, just as Petey’s mom’s love did during Petey and Petey’s mother’s time at the Happy Home Shelter. Furthermore, the pair knows that they have a home with their friend Dog Man, which again emphasizes the importance of platonic love. The fact that both familial love and a loving community are important is illustrated through the closing splash panel, which depicts Dog Man excitedly watching his friends, Petey and Li’l Petey, approaching his home.

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