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Ivan TurgenevA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As the friends prepare to meet Anna in town, Bazarov wonders cynically why she “married peculiarly” by marrying an older man who left her a financially privileged widow (61). He enjoys the rumors he’s heard about her promiscuity, implying he hopes the two of them may have an affair.
Anna grew up in the capital, but her father was a gambler who ultimately retired to the countryside in obscurity and disgrace, a drastic change in circumstances. Both her parents died when she was 20 and her younger sister Katya was only 12. Katya was raised by their aunt, “a nasty, arrogant old woman” (62), while Anna married the wealthy middle-aged Odintsov, “eccentric, hypochondriac, portly, ponderous and sour” (62), who died six years into the marriage. After a brief sojourn in Europe, Anna returned to Nikolskoe, her family’s estate.
Anna is unpopular in town, plagued by association with her gambler father, rumors about her marriage, and further speculation she’d had an abortion in Europe. However, she flourishes: “all these rumors reached her, but she didn’t pay any attention to them, she had an independent and rather resolute character” (62).
When Anna greets the young men, Bazarov is uncharacteristically awkward. He does his best to capture Anna’s attention. Arkady is surprised that Bazarov talks much more about botany and science rather than his controversial outlook. Anna reveals she is well read, and the conversation lasts for several hours. Anna invites them to her estate.
When the friends are alone, Bazarov admits that Anna is a “duchess […] a regal personage,” and scandalizes Arkady by commenting on Anna’s “delectable body” (64). He decides they should visit Nikolskoe, which is more interesting than their local prospects and is close to his family home. Bazarov notes that it is his birthday, which he was supposed to spend with his parents. Instead, he scoffs, “they’ll wait. What difference does it make?” (64).
Nikolskoe is an orderly house, where “everything was clean and sweet smelling, just like in a minister’s reception room” (65). Bazarov comments on the “grand style” with which Anna has “pampered herself” (65). Though Bazarov immediately sees their relatively inferior social positions, particularly his status as the grandson of a sexton, he compares himself to Speransky, one of Tsar Alexander I’s liberal advisors who also had humble origins, showing Bazarov’s high opinion of himself.
In the drawing room, Anna introduces her younger sister Katya, who is “green and fresh […] constantly blushing and hastily catching her breath” (66). Anna invites Bazarov to argue with her, commenting that his lack of interest in art would make it hard for him to “understand people” (67). Bazarov rejects the idea that individuals are worth understanding: “all people resemble each other, in soul as in body” (67), which means differences of character are like the distinctions between healthy bodies and ill ones. A well-organized society makes who is good or evil irrelevant.
The young men meet the bad tempered aunt enters, who is treated deferentially, but generally ignored. Anna suggests Katya play the piano for Arkady, which causes him to feel rejected and stirs his growing passion for Anna. Katya plays Mozart while Arkady thinks of Anna and ignores Katya, who is merely competent at the piano and pleasant to look at. Katya is shy—not of him, but of her older sister.
At night, Bazarov admits that the elder Anna is “splendid” but he is more intrigued by Katya’s youth, which he says could easily be molded.
Meanwhile, Anna is restless—“nothing completely satisfied her; she scarcely desired complete satisfaction” (70). Her wealth has kept her from finding anything in life to be passionate about, and she has too many distractions to seriously contemplate profound social problems or existential questions. She loves luxury, like her father did—another way that she is insulated from worldly problems.
Arkady spends the next day quietly with Katya, while Anna goes on a botany excursion with Bazarov. When they return, “Her cheeks were red, her eyes shining brighter than usual under her round straw hat” (72), and Bazarov, too, appears changed by the encounter: “cheerful and even affectionate” (72). Arkady is jealous, but Anna and Bazarov mostly ignore him. Bazarov even absent-mindedly greets him for the second time, contrary to Russian custom.
Arkady and Bazarov spend two weeks at Nikolskoe. Bazarov complains about Anna’s strict schedule—breakfast, regular meals, social hour, and an early bedtime. He also dislikes that her servants are in formal dress, as it offends his “democratic sentiments” (72). Anna placidly agrees that she lives like an aristocrat, but does not change her habits. The narrator wryly adds that this formality is what allows Bazarov to enjoy his time there.
Arkady and Bazarov enjoy themselves but their emotions are tempestuous: Bazarov is “anxious and irritable” and Arkady feels “quiet despondency” knowing his passion for Anna is not reciprocated (73). He and Katya become friends, and he feels much more himself with her than with Anna. Like Arkady, Katya loves nature, while Anna shares Bazarov’s indifference. Arkady and Bazarov grow distant. Bazarov’s distance is caused by his romantic feelings for Anna, was something he had before considered “unforgivable stupidity” (74). To his horror, even when he realizes that can’t seduce her, he still has feelings for her.
Bazarov’s family steward visits to tell him his parents miss him, so he resolves to leave Nikolskoe. This upsets Anna profoundly, though when she asks him persistently why he must leave, Bazarov demurs that she can study chemistry without him and points out that she can return to her orderly life. He then claims he cannot understand her, and wonders why someone “with your intellect and beauty” shuns society (75). Tension and intimacy grow during their argument when Anna exclaims that she wants to live life and admits that she wants love and romance. Bazarov is tortured by the idea that Anna is just toying with him. He wishes she knew “how to surrender,” but this is only possible for those who do not regard themselves highly (79). He leaves the room, after urgently pressing her hand with his own. Lost in thought, she considers calling him back.
That night she lies awake for hours. Bazarov also goes to bed late, telling Arkady briefly that he was with Anna for a long time. Arkady ends the conversation abruptly, not to cry in front of his “sarcastic friend” (80).
With the introduction of Anna and Bazarov, the novel’s other main conflict comes into fuller light. Bazarov, for all his claims to believe in nothing, finds himself instantly captivated when he meets a woman who is more his equal. Like Bazarov, Anna is an eccentric loner: She lives outside society, commanding a small domestic sphere she can shape as she sees fit. Anna accepts Bazarov’s empiricist worldview, understanding why he considers art and individuality less pressing than fixing society, which he sees in terms of illness and health. The two are similarly cerebral, drawn to larger questions, and in some ways seem better matched as friends than Arkady and Bazarov.
Bazarov’s misogyny translates his newfound feelings for Anna into self-disgust, shame, and horror. At first, he wants to delude himself into thinking that he is just interested in sleeping with her, but when seduction fails, Bazarov is forced to confront that the fact that despite his sexism and disdain for romantic sentiment, he has fallen in love.
Romance and jealousy also divides Arkady and Bazarov. Arkady believes he is experiencing an unrequited version of the grand passion consuming Bazarov. The novel contrasts these wild emotions with the calm friendship that develops between Arkady and Katya—a relationship based on a much more normal human connection. The contrasts picks up the motif that began with Nikolai’s experience of nature and Arkady’s defense of his father’s cello—however much Arkady wants to espouse Bazarov’s alienating and dehumanizing philosophy, he is simply too psychologically healthy to completely retreat from his emotions. Arkady’s affinity for Katya, the less complex and tortured personality, underscores his gentle temperament in contrast to Bazarov’s sarcastic scorn.