55 pages • 1 hour read
Alice Elliott DarkA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel introduces this theme in the first chapter as Agnes explains to Polly that she has been diagnosed with cancer and is preparing for surgery. Both women are elderly and keenly aware of their own mortality. Agnes, however, doesn’t fear the surgery or the illness, and the specter of cancer fades into the background, making rare appearances as the plot unfolds. Although in her eighties, Agnes is determined to continue living a full life. As a writer, she feels called to continue to work as long as she can and even publishes the final installment in her Franklin Square series. While she concedes to draft a memoir at Maud’s urging, she doesn’t publish it during the course of the novel. This may be because Agnes feels she still has life to live and thus has material to add to her life story.
Both Agnes and Polly continue growing and learning as they age. Agnes realizes that the best way to ensure stewardship of Fellowship Point is not to establish a land trust but to relinquish ownership to the Wabanaki people. Polly, too, reaches insights and realizations about her own capabilities and learns how to assert herself to her sons. Both women gain strength and fortitude as they age while accepting the certainty of their mortality.
Similarly, both Agnes and Polly focus on their deceased family members, thinking of them daily. Their visits to the cemetery facilitate this, but more importantly, deceased family members continue to shape and influence both women. For example, Polly wants to keep Lydia close; her certainty that she witnesses Lydia’s spirit on multiple occasions is one way that this manifests. Likewise, she continues to talk aloud to Dick in the years after he passes away. She asks his advice in a way that reveals she values his opinion and, to a degree, still seeks his approval. Agnes, too, thinks frequently of the dead. She often recalls her mother and the expectations that Grace placed on her. Part of Agnes’s growth as she ages involves breaking free of her mother’s judgments and finding peace with the path she has taken. Her sister, Elspeth, remains an important fixture in Agnes’s life after her death as well. The letters Agnes writes to her serve as a journal in which Agnes thinks through and reconciles the dilemmas she faces. Thus, Elspeth continues to be an important confidante for Agnes, even though she has passed.
The significance of Agnes and Polly in one another’s lives is evident as the novel opens. Having known one another since childhood, the elderly women understand each other in ways that no one else can. As neighbors, they’ve established a routine of visiting one another each day, which demonstrates their comfort and ease they have with one another: They don’t need to schedule these visits, and they become a given component of both women’s lives. To Polly, Agnes can voice defiant views of woman’s roles, and she freely criticizes Polly’s husband, pointing out his flaws in ways that others would be reluctant to do and that Polly would likely be less receptive to. Because Agnes is such a close friend, Polly respects these views and is unbothered by Agnes’s sharing them. In time, Polly comes to agree with Agnes’s assessment of Dick, recognizing why Agnes views him as she does. Likewise, Polly can share with Agnes the inner thoughts that she’s unwilling to share with anyone else, even Dick. She confesses that though she loves all of her boys, she deeply desires a daughter. When she miscarries, Polly turns to Agnes. Agnes supports Polly by allowing her to voice her feelings and, in turn, not offering unwanted advice or judgments. This acceptance and unconditional support is likely the reason that Polly feels comfortable sharing with Agnes that she frequently sees Lydia’s ghost.
When the two women have a heated argument on September 11, 2001, it initially seems to threaten the security of their friendship. They don’t speak to each other again for months, which has never happened before. Importantly, the strength of their friendship easily overcomes the pettiness of the argument. Neither woman intends to harm the other, and each values the other too much to allow the fight to permanently end their friendship.
Maud, too, when she arrives on Fellowship Point (a name that underscores this theme) quickly forms a bond with both women, especially Agnes. Although they differ in age and life experiences, Maud and Agnes find common ground in their love of literature and literary analysis, and they share similar temperaments: Both are hardworking and determined, are unapologetic for their opinions and pursuits, and strive to live a full and meaningful life. Because of Agnes’s kindness, Maud is able to help Heidi restore her true identity as she begins to shake off depression and recall her former life as Nan Reed. Agnes seeks nothing in return, demonstrating a truly magnanimous spirit.
Agnes and Polly represent two differing paths for women in the mid-20th century. Because they’re born into wealthy families, propriety and adherence to social norms are expectations, but only Polly fulfills these expectations. Her marriage to Dick, though Polly insists that it’s meaningful, is decidedly a one-sided partnership. Dick not only expects that they’ll maintain traditional gender roles but also makes it clear that he doesn’t find Polly capable of the kind of intellectual thought that he is. Polly insists that she doesn’t feel belittled by her service role, yet she longs for emotional intimacy that Dick doesn’t provide. Similarly, Polly is a loving mother to her three sons but finds herself left out of their lives as they grow from infants to children. Her longing for a daughter suggests a desire for companionship that the males in her house don’t provide.
Agnes, on the other hand, unapologetically violates many of the social norms established for her gender. Although she’s briefly engaged as a young woman, she ends this relationship and instead chooses to remain unmarried and never become a mother. She speaks explicitly of the way her mother, Grace Lee, upheld societal expectations and disapproved of the life Agnes was leading. Likewise, Agnes is frustrated by women who, like Polly, exist only as glorified servants to their husbands. Agnes frequently emphasizes that Polly is just as intelligent (if not more, in Agnes’s estimation) as Dick, recognizing the ways that his belittlement injures Polly’s ego. As Agnes ages and discovers that her financial security may be somewhat in jeopardy, she’s determined to fully support herself by her own means. By authoring the When Nan and Franklin Square series, she accomplishes this. Agnes’s view that women should be free to be themselves is evident, too, in her treatment of Nan. Agnes often comments on the ways that her mother, Grace Lee, chastised Nan for being uncouth and ill-mannered. Instead, Agnes encouraged Nan to cultivate these traits because they made her unique. Agnes admired Nan’s wildness and free-spiritedness, likely seeing some of herself in the young girl.
Maud Silver, coming into adulthood in the early 21st century, experiences fewer pressures to comply with traditional gender norms. She doesn’t hesitate to raise her child alone, despite the responsibility she bears in caring for her mentally ill mother. In her career, Maud is confident and determined, as is evident in the way she goes about convincing Agnes to write a memoir. Additionally, she loves her daughter wholeheartedly, representing a kind of middle ground between Agnes and Polly—and demonstrating how a woman can choose to be both a mother and professional.
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