46 pages • 1 hour read
Neal ShustermanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As a girl, Ash goes by Ashley. Layton, who is her boyfriend, checks on her the next day and stays over at her house to keep her company. Ashley reflects on her memories of her relationship with him combined with Ash’s memories. She realizes that Layton’s control and possessiveness manifest in subtle, complex ways.
Ashley visits the Edwards—who are now sextuplets—and finds that they have ostracized the fifth one for training Ash to create a so-called perfect universe. In fact, a truly peaceful world would be one with no life on Earth, so Ash could have erased all humanity. It was mere intuition, the Edwards suggest, that kept Ash from making that mistake, hence the ominous feeling from just before the shift. The Edwards have now elected a new dominant personality, and this Edward has given up on Ashley—he instructs her to leave the universe as it is now. When Ashley threatens not to, noting that the Edwards won’t harm her, the lead Edward notes that while they don’t interfere in that manner, other humans may be perfectly willing to do her harm. Later, Ashley and Katie decide to visit Leo, who is still in jail.
The county clerk is both racist and sexist. He refuses to let Katie and Ashley see Leo. He tells them that Leo is a dangerous criminal who has been helping organize what he calls a “riot,” referring to the desegregation dance.
Ashley struggles to make a decision about the universe as natural disasters, accidents, and riots start to erupt all over the world. Meanwhile, in his reflective narrative voice, Ash describes one of the Edwards showing Layton a video of Ashley kissing Paul. The kiss, a result of an earlier reality’s Ash surfacing momentarily while Paul was tutoring Ashley, enrages Layton.
Layton calls Ashley, demanding she meet him in the park. When Ashley arrives, Layton holds a baseball bat, and he is covered in blood—Ashley is shaken to realize the blood is blue, which she realizes isn’t actually the right color. Ashley confronts Layton, and he pulls a gun. In the last instant, a bloodied Paul grabs the bat and knocks Layton out, saving her.
The Edwards had been watching the scene unfold, hoping that Ashley would be killed so that the universe could reset. On seeing her survival, they vanish, leaving the world to its fate. Ashley, recalling one of the Edwards’ words about the power of sacrifice, sees an approaching truck. Certain it’s the same truck that almost hit her in the intersection at the start of everything, she throws herself into its path to try and shift one last time. She is sent into the Elsewhere, where she is able to find her original universe in the void.
In a more lyrical interlude, Ash reflects that mankind is similar to blood cells working together to make the world go round despite being unable to comprehend it as a whole.
Ash wakes up in the hospital back in his original reality. While Layton was giving him a ride home after the game, they got hit by a truck. Ash lost a leg, now amputated to the knee, which he believes is the sacrifice the universe required to balance itself out. Layton broke his neck, leaving him paralyzed. Leo, Angela, Paul, and Hunter all visit Ash, who vows to work on his relationships with them. Katie is aware of the final change. She won’t break up with Layton yet, not right after his accident; even when she does, though, which Ash trusts will happen, he feels confident they no longer have a future together. The Edwards also briefly visit, now integrated into a single Edward. The entity apologizes for underestimating Ash and promises that Ash will remember all his different lives and, partly as a result, go on to effect great change in the world.
At the beginning of the novel’s final section, Ash wakes up from his shift into a girl, back in his original body. This transition marks a final turn in his character arc, in which he started passive then, as his perspective developed and his identity literally changed, he learned to change the world around him by taking action. This last section focuses on closure, with narrative tension building to a climax and all major plot points resolved. Ash’s development concludes on an optimistic note, and his character seems to now align more closely with his mature narrative voice.
The theme of Gray Morality is explored in depth in the final few chapters. Ashley’s memories of her relationship with Layton, for instance, paint the latter in an ambiguous light:
[M]y memories [of Layton] were a confusing mix. Some were actually warm fuzzy things—the kinds of memories that make you smile. But those good memories were riddled by the bullets of the bad ones. Harsh, secret things that are hard to share even with your closest friends (322).
This ambivalence continues up until the point when Layton attacks Paul and tries to kill Ashley at the end of the novel. Ash points out that “most abusers aren’t assholes in wifebeaters who smack their bitch around because ‘she deserves it.’ [...] They’re funny and charming, and genuine and respectful, right until the moment they’re not” (322). Through his/her relationship with Layton, Ash learns to empathize with Katie, whose complex emotions he initially does not understand. Throughout the previous shifts, Ash bluntly encourages Katie to leave Layton, emphasizing that she has a choice. However, through living as Ashley, Ash now realizes the complex nature of an abusive relationship and grasps that Layton’s true power over Katie lies in manipulation.
In the end, Ash knows that Katie will stay with Layton at least temporarily, because “[n]o matter how awful your boyfriend is, you don’t walk away from him while he’s in intensive care” (383). Ash is certain, though, that Katie would “break up with him at the right time” (383), thus highlighting Katie’s mounting struggle to reconcile her loyalty and her self-preservation. The narrative does not offer a clear moral stance on that ending. Ash wonders whether Layton’s fate is “tragedy or karma” (383). Incidentally, framing disability either as divine retribution (for Layton) or as a symbol of martyrdom (in Ash’s case) can be viewed as an ableist narrative trope. Once again, the novel’s ambiguous morality encourages the reader to exercise critical thinking. It also suggests, as Ash’s character arc illustrates, that although it is necessary to be aware of the consequences of one’s actions, learning can only happen through making mistakes and constantly trying to grow.
Finally, the narrative loops back to the beginning. Ash’s hopeful final words conclude the football motif: “I know I’ll never be on a defensive line again, but that’s okay. I think I’ve graduated to a much more exciting game. I’m ready to tackle whatever the world throws at me” (386). These concluding words echo the young protagonist’s claim in the first chapter that “this story begins and ends with football” (2). The novel’s structure at the end further parallels its beginning with callbacks to the red-versus-blue motif, which was introduced to depict the first shift and now reappears as Ash travels back to his original universe. The Edwards, who multiplied over the course of the story, have now merged—only one remains, perhaps reflecting that all of Ash’s Identities and Perspectives have also realigned. Ash points out, however, “[T]here are parts of my multiple selves that will never be reconciled” (386). That said, Ash then describes the balance between different perspectives as the “tension in the cables that makes a bridge strong” (386). The narrative thus suggests that identity is constantly evolving and only made stronger through empathy and curiosity.
By Neal Shusterman