103 pages • 3 hours read
Alicia D. WilliamsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Mama announces that it is time to do Genesis’s hair again, saying that “a woman’s hair is her crowning glory” (121). Genesis doesn’t think that her hair is her “crowning glory,” and that is probably why Mama works so hard to change it. Still, she never doubts Mama’s love for her when she washes her hair because she still does it no matter how many times she tells Genesis she hates doing it. Genesis says that unlike Mama’s long, straight hair, her hair is kinky and difficult to manage.
When Mama finishes shampooing her hair, Genesis combs through the tangles and knots with a dryer comb. Mama tells her repeatedly that she has to dry her hair up, not down, and that when she doesn’t dry it properly, she looks like she is in the Jackson 5.
Mama starts to straighten Genesis’s hair with a hot comb. As Mama works, she tells Genesis that her dad’s humor is what attracted her to him in the first place. She tells her that her dad was charismatic and funny when they first met, and that is where Genesis gets her sense of humor from. Listening to Mama distracts Genesis from how hot the comb is, but her scalp still burns a few times. Genesis complains that they should get a flat iron and that no one even owns a hot comb anymore. She says that most girls have weaves, relaxers, or braids at least, and that she is too old for a blow-out and press. Mama chastises her for fidgeting so much and says that if she gets a relaxer, she will lose all her hair again. Genesis doesn’t tell her, but the reason her hair fell out in patches after her relaxer is because she used Nair hair removing cream on it, so they had to cut her hair almost to her ears.
Genesis’s dad comes home as Mama is finishing up her hair. Mama immediately notices that he has been drinking because he is sweating profusely. He says he is celebrating that he just got the promotion at work he’s been talking about. Mama says that maybe instead of drinking with his friends, he could have celebrated at home with his family. Genesis tries to relieve the tension by acting excited for him, but things continue to escalate.
Mama asks Emory if he is still going to AA meetings, and if he is, what they think of his celebration tonight. He doesn’t answer her question and instead watches Mama press Genesis’s hair. He asks Mama if she’s glad she never had to press her hair like Genesis, then asks Genesis if anyone ever tells her she looks like Mama because he can’t remember. Genesis reminds him of the other night when he told her that she has Mama’s smile, but he acts like he doesn’t hear her.
Mama starts to get angrier at him and raises her voice. Genesis is hoping she will lay into him so he will regret drinking. He tells Genesis that her hair now looks “as straight as an Indian’s” (133). Genesis corrects him and says that they are called Native Americans. Mama says that he gets mean when he drinks and that she is not going to let him be mean to Genesis. He says he is just playing, but Genesis knows that he isn’t.
Genesis goes to her room. As she brushes her hair in the mirror, she wishes she had hair like Mama’s. She always dreamed of having hair like Cinderella or Pocahontas. She takes out her list and puts a star next to #64: No one says that she looks like Mama. If she did, her dad would smile at her the way he smiles at Mama.
During dinner, Mama tells Genesis that she is going to school to get her degree and then hopefully a better job. Genesis worries that Mama is saving for school because she is thinking of leaving her dad, but she encourages Mama. They talk about Billie Holiday. Mama tells Genesis that Billie was addicted to drugs and her husband tried to help her get clean. It suddenly occurs to Genesis that her dad is like Billie Holiday, and her and Mama are like Billie’s husband. She asks Mama if she would ever leave her dad, and Mama hesitantly tells her that it is possible if he doesn’t change. Later, when Genesis tries to sleep, she can’t stop thinking of their conversation, so she listens to Billie Holiday again and hears sadness and hope in her voice. She looks at the CD cover and notices that Billie’s eyes look lonely.
The next day at school, Genesis tries to find Sophia so she can tell her about a biography she found on Billie Holiday in the library. She finally finds her in a bathroom standing in front of the sink. She has clearly just been crying. When Genesis asks her what is wrong, Sophia says there are no paper towels. Genesis wonders what is really wrong, but she runs to another bathroom to get her paper towels anyway. When they leave the bathroom, Sophia admits that she was just upset because she’s worried about her social studies test.
Genesis stays with Grandma on Friday night. While waiting for Mama to pick her up on Saturday morning, Genesis asks Grandma about their family history. She asks if they had any slaves in their family, and Grandma replies that her side of the family comes from hard-working people like senators and lawyers, not slaves. Grandma says that her dad was a proud man who believed that if they wanted to stay ahead, they had to “marry up,” as in marry other light-skinned Black people.
She tells Genesis about the time her father held a brown paper bag next to her sister’s boyfriend’s face to make a point of how much darker he was than the light shade of brown of the bag. His message was clear: he would not break with family tradition and have her marry a dark-skinned man.
Grandma admits that she held up a brown paper bag to Emory when Mama first brought him home. She says that it isn’t personal, that her grandad just understood the rules: darker-skinned people were the ones getting arrested or getting the worst jobs. Genesis hates to think that Grandma might be right, but she remembers all of the times girls thought she was mean or “ghetto” because she was dark-skinned.
Genesis wonders if Grandma looks down on her in shame because Mama married “down,” and she is her father’s child. She realizes that is how her dad looks at her when he is drunk, maybe because he tried to marry “up,” and it didn’t work since she didn’t come out light-skinned. She thinks to herself that it doesn’t matter how good your heart is, all that matters is how beautiful you are, and being dark-skinned isn’t beautiful.
After Grandma goes to sleep, Genesis goes downstairs and gets two lemons, three yogurts, and a scouring pad. Back in her bedroom, she begins to scrub at her skin with the scouring pad, scrubbing harder as the voices in her head get louder. The voices are of her family like her dad and Grandma, even Grandma’s dad, and her classmates. They taunt her and ask her who is going to love her looking like she does.
She scrubs so hard “at the blackest parts of [her]” that it feels like razor blades against her skin (157). She tries to scrub her face, but it hurts so much that she can only manage to scrub a little bit of her chin. She moves instead to scrubbing her knuckles, knees, and elbows. After she scrubs her body as much as she can, she rubs the lemons on her skin. The lemon juice stings painfully as it seeps into the cuts on her skin from the scouring pad. The yogurt she spreads on her skin afterward soothes her skin at first, but then the pain comes back even stronger. It feels like she has a bunch of blisters all over her.
Genesis is in so much pain the next morning that she can barely move her arms and legs. They are covered in scabs, but some are raw and bleeding. Her chin also has little scabs on it. She goes into Grandma’s cabinet and finds ointments to rub on her skin to try and ease the pain. The worst part, she thinks, is that even after all of this, she is still dark.
She puts on clothes that cover her whole body and goes downstairs for breakfast with Grandma. She asks Grandma if she wishes she looked more like Mama. Grandma doesn’t say anything comforting, like Genesis hopes. Instead, Grandma tells Genesis that life would be less complicated for her if she did look more like Mama.
Genesis is hurt and angry, so she is extra relieved when Mama comes to pick her up. When Mama notices Genesis’s chin, Genesis lies and tells her that she fell down the basement stairs by accident. Mama doesn't know where Dad is.
The theme of colorism is particularly pervasive in Chapters 10-14, especially in Chapter 13, when Grandma tells Genesis about the brown paper bag tradition. The brown paper bag is a symbol of intergenerational colorism. Just as Grandma’s father believed in harmful stereotypes about those with dark color skin, so too does Grandma. Even Genesis’s father, who is dark-skinned himself, clearly harbors shame and anger toward himself, which he in turn inflicts on Genesis. This section is particularly important because it establishes that discriminatory ideologies of colorism are so powerful that they trickle down the generations until they get to Genesis, a 13-year-old girl who is in the fragile early stage of coming to terms with her identity.
We also see Genesis's first attempt to lighten her skin in this section, as she undergoes a painful process of scrubbing herself and applying acidic lemon juice and yogurt to her broken skin. The voices in Genesis's head clue us into her motivation; she believes no one will ever love her if she is dark-skinned. Like Billie Holiday, whom she so admires, Genesis feels lonely. She thinks that changing her appearance will change the way others perceive her and allow them (namely her grandmother and father) to love her. Her willingness to harm herself reveals her desperation for their affection. As the novel progresses, Genesis will develop self-confidence in her abilities and will no longer feel the need to impress her family with her looks or beg for love from her father.