57 pages • 1 hour read
Russell BakerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Baker’s father, Benny, is drafted in 1918 but discharged for physical disability. He has diabetes. Insulin is discovered in 1921, but medicine does not reach Benny’s “backcountry America” (4) until much later. Serious illnesses are treated with prayer, folk remedies, and witch-doctoring. People routinely die of preventable diseases. Baker says death is common and not treated with disgust, as it is in the modern world.
Benny has bouts of sobriety but cannot stay away from alcohol, though it makes him ill, which infuriates Lucy. Baker recalls Benny returning home drunk with a gift for Doris. Lucy screams at him, throws the toy into the yard, and says she would leave him if she could. Benny quietly accepts her abuse. Baker also remembers happy moments, such as lying between his parents on a warm summer night when he is four. When he struggles with reading, Lucy is frustrated, but Benny patiently encourages him.
Baker describes the countryside and its people as remaining unchanged for generations. Roaming the fields as a child, he learns to interpret sounds—a creaking porch swing means a breeze is blowing, a swishing horsetail means horseflies are out in force. Men do backbreaking work in the fields, and women do the same at home, without the benefit of electricity, gas, plumbing, or central heating. There are no radios, televisions, and appliances to make life easier. Instead, they have family gatherings and conversation on Ida Rebecca’s porch. Baker shares often repeated maxims that function as shorthand for their beliefs about the world, for example, “man is born to toil, and women is born to suffer” (46).
Strict social codes are observed. His Uncle Harry—who is in a relationship with a woman abandoned by her lover after she bore an illegitimate child—comes alone to Ida Rebecca’s porch and leaves early. Ida Rebecca’s neighbor Annie Grigsby was “born into slavery” and treats this as a badge of honor, but she does not mingle with white residents unless needed (47). Baker’s mother tells him, “Colored people are just like everybody else,” but for the time and place, hers is a “radical view” (48).
Several of Baker’s uncles live in nearby cities, and visiting them is a treat. Baker’s Uncle Leslie works in the undertaking business. He is sent a heavy, expensive glass coffin he worries will never sell. Sam Reever’s widow buys it after Sam dies, the sealed top reminding her of the mason jars in which he sold his moonshine. Most appealing to Baker is Brunswick, a railway center that connects the Atlantic coast to the Midwest. The city has electricity, radio, and television. Three of Baker’s uncles live in Brunswick, including Uncle Tom, a blacksmith whose well-paid work allows him the luxury of an indoor bathroom. Baker fondly recalls its splendor and wonder.
When Baker is five, his family—now including sisters Doris and Audrey—prepares to visit Benny’s brother Miller for an end of the harvest festival. Ruth sees the trip as risky since Miller drinks, though his wife, Edmonia keeps him in line. Ruth is concerned about Ida Rebecca’s influence over Baker, especially Ida Rebecca’s superstitious beliefs in ghosts and omens.
Before supper, Miller takes Benny outside to see the pigs for slaughter, and they drink. When they return, they seem fine, but Benny soon leaves the table. Everyone can hear him vomiting outside. The next morning, Benny is still sick. The festivities are cancelled. Baker sees his father in a doctor’s car, smiling and wearing his suit to go to the hospital. Baker is held up to the window to kiss him goodbye. Benny tells Baker he will be back in a day or two and to be good until he returns.
That afternoon, Ruth returns home with the children and leaves early the next morning for the hospital. Baker spends the day playing alone, until his cousins Kenneth and Ruth Lee find him and tell Baker his father is dead. He does not want to believe it but senses it is true. He learns that when his mother arrived at the hospital, she was told 33-year-old Benny had died “in acute diabetic coma” (59). The town turns up in force to begin the rituals. The women clean the house and prepare food. The men stand around in their good suits to show the dead man was well-liked, thereby providing comfort to the widow.
Baker is sent to the other side of town. He spends the day weeping before concluding God is indifferent, love is a prelude to pain, and happiness is a prelude to “some grim cosmic joke” (60). Late in the day, Baker returns to the still active house and is told to wait in the yard. After dark, Annie Grigsby embraces him and takes him to see his father. Baker is most struck by his “motionlessness,” which “was majestic and terrifying” (62). He does not want to see his father that way again.
After the funeral, Ruth decides to move the family to New Jersey. Her brother Allen has offered to take in her and the children. Ida Rebecca wants the children to stay, but Ruth does not want to break up the family. Uncle Tom and Aunt Goldie are childless and desperate for a baby. They want to adopt ten-month-old Audrey. In her “shock and depression,” Ruth agrees (63). It is the only thing Baker ever hears his mother express regret over throughout her life. After surrendering Audrey, Ruth Elizabeth sits in her rocking chair staring at the stove. Baker asks his mother when Audrey is coming home. She does not answer but instead offers him a slice of jam bread.
Lucy, Doris, and Baker move to Newark in January 1931. Allen gently scolds Lucy for giving up Audrey. Allen and his wife Pat both experienced youthful hardships that made them compassionate. Allen dropped out of school in tenth grade after Papa’s death. He worked blue-collar jobs up and down the East Coast, eventually landing a “suit-and-necktie job” as a salesman in New York (66). A half-Irish, half-Cuban native New Yorker, Pat grew up in a Catholic orphanage and then lived in boarding houses working various jobs. Baker credits her for inspiring his love of newspapers, calling her “A hopeless news junkie” who could never resist the newsboy’s cry (67).
Baker struggles with transitioning to city life. He is almost hit by a car. A girl lures him into her home with the promise of cake if he is willing to remove his pants. After this incident, his mother confines him to the small backyard. He hates the cod liver oil he must take to ward off diseases. He and Doris contract whooping cough and are required to wear yellow armbands marking them as disease carriers. The Health Department tells his mother Baker is at risk of developing curvature of the spine and needs gym classes, which he hates. Seeing he has no talent for it, his mother suggests he play baseball instead.
His mother faces typical Depression-era problems. New Jersey does not recognize her Virginia teaching credentials, and she is unable to find work. In December, she finds holiday work at a five-and-dime working twelve hours a day for $18 a week. Financial independence is out of reach. To help the family, Allen takes advantage of Depression firings to get a higher paying job. Companies fire employees then rehire one person to do the job previously done by two, at a salary less than either made individually. Baker believes Allen is successful because he owns two suits.
Lucy considers remarriage a more likely route to security. Uncle Allen introduces her to Oluf, a good humored, optimistic Dane. She calls him “a good man,” her “official seal of approval” (72). Oluf is a traveling salesman who began as a baker. With bank loans, he purchased several houses in Pennsylvania. Baker is terrified of losing his mother (72). He has nightmares of her dying and leaving him and Doris alone.
Baker shares letters Oluf wrote Lucy from the road. They chronicle his struggle to remain employed and pay his property taxes and mortgage. He is let go from his sales job and returns to baking but is unable to secure a better position closer to Lucy. As his economic situation deteriorates, he gives way to despair. In April 1933, he writes his final letter asking Lucy not contact him anymore. He encourages her to find a man good enough for her and to forget about him. He is lost.
Chapters four through six focus on Baker’s early childhood, from his first five years living among his father’s family in rural Virginia to his father’s death and his subsequent move to Newark. Baker describes places, traditions, practices, and people, capturing a bygone era on the brink of change. He contrasts the timeless rhythms of country life with the bustle, noise, and grind of nearby cities, where technology has begun to take hold.
In Chapter 4, Baker turns his attention to his father. He describes him as a gentle man undone by a lethal combination of alcoholism and diabetes. Lucy struggles and ultimately fails to save Benny from himself. Though his parents’ relationship could be volatile, Baker remembers Benny as a loving father who was impressed with Lucy’s teaching and Baker’s learning. Benny pleases Lucy by saying they should send Baker to college someday.
Baker notes that in the countryside life had not changed since the Civil War. This is as true of the “nineteenth-century boyhood” he enjoys as it is for the hardships adults face (45). Adults toil, unwind, and converse as their predecessors did, even using the same language, expressed in the maxims they often repeat. They unquestioningly observe rigid social codes that are especially hard on women and Black people. Women who bear children out of wedlock are ostracized while their children’s fathers can return to respectability. Annie Grisby is honored as a “historical monument” and “symbol of our nation’s roots” but does not mingle in white society as an equal (48). Lucy’s insistence that people are the same, regardless of race, her aspirations, and her rejection of Ida Rebecca’s superstitious beliefs both highlight her modern sensibilities and mark her as an outsider in Ida Rebecca’s world.
Chapter five tells of Benny’s death and its aftermath. Baker maintains steady attention on the events that transpire—trip preparations, his last conversation with his father, the funeral rituals, his mother’s lack of options. Recording the full range of events as an observer, he meets the dual task he set for himself in the book’s Foreword: to tell his story and the story of a time that has passed away, captured in the funeral rituals and conversations.
Lucy, Doris, and Baker move to Newark in Chapter 6, fifteen months after the historic stock market crash, as the Depression deepens. Baker introduces Allen and Pat and splits the rest of the chapter between three perspectives—his, his mother’s, and Oluf’s. Preoccupied with his challenges adapting to city life, Baker is unaware of his mother’s struggle to find a job and her hope that Oluf could provide financial stability for her family. Oluf speaks for himself through his letters, which Baker transcribes unedited. Oluf’s arc is the arc of the Depression. Hopefulness descends into despair, and not everyone survives. Baker ensures at least one of the lost is heard and remembered.