105 pages • 3 hours read
Chimamanda Ngozi AdichieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Once the Nigerian Civil War begins, the narrative is strewn with descriptions of the tragic consequences of war. Nigerian air raids attack wedding parties, whole villages are slaughtered en masse, and children’s bellies swell from starvation. Such events serve to remind us that war is hell for all who are involved, and that often innocent civilians suffer just as much, if not more, in war than the armies who are battling do. All the characters of the novel are touched by the horrors of war in some way or another. Richard vomits when he witnesses an entire room of Igbos gunned down in an airport. Ugwu is forced into the Biafran military and is traumatized by his combat experiences and traumatizes others, as he participates in the rape of a bar girl. Odenigbo and Olanna witness their houseboy’s beheading by a whizzing piece of shrapnel. Kainene travels to Nigeria and presumably dies there, as she never returns. Such awful incidents illustrate the terrible humanitarian crises that war produces, and they also serve to convey that some humans have a tendency to sink to deplorable depths during wartime.
Early on in the book, Odenigbo makes the claim that Nigeria is a construction of the white man, and that he is, in fact, truly just an Igbo. Indeed, the entire narrative of the novel revolves around the sectarian identity crises that defined the Nigerian Civil War. One of the most tangible catalysts for the identity crises is Britain’s historical decision to put Hausas in control of the Nigerian government since the British found them easy to control. Hausas hailed from the northern regions of Nigeria, while the Igbo and Yorubas hailed from the southern and eastern portions of the country. After the Igbos conducted a military coup against the Hausas, the Hausas answered back with their own coup, causing the Igbos to secede from Nigeria and create the new nation of Biafra. Nigeria thus declared hostilities against Biafra to reintegrate the rebels, and so a civil war ensued. At this point in the narrative, cultural identity proves to be a matter of life or death. Richard witnesses Igbos being slaughtered in an airport after being identified by their accents. Olanna escapes Hausa-controlled territory by speaking Yoruba and wearing an Islamic veil. Countless massacres occur between Hausa and Igbo militants in retaliation for sectarian attacks. Such events serve to illustrate that the lives of the characters of the book constantly hang in balance as a result of their cultural identities.
The novel is defined by one large betrayal, which encapsulates many more minor betrayals. The major betrayal of the novel comes in the form of Biafra’s secession from Nigeria, as secession means betrayal in regard to a parent nation’s sovereignty. During the war itself, several betrayals occur between the main characters. Odenigbo cheats on his wife Olanna by having an affair with Amala and, arguably. Alice as well, which Olanna responds to by sleeping with Richard. This sexual encounter is a triple betrayal, as Olanna betrays both Kainene and Odenigbo, and Richard betrays his lover Kainene. The couples end up staying together, but not without first dealing with a tremendous amount of resentment and anger. Another significant betrayal that occurs later in the novel is when Ugwu wanders the streets against Olanna’s command, which ends up leading to Ugwu’s being kidnapped and conscripted into the Biafran military. These various betrayals all serve to illustrate that humans sometimes have an unfortunate tendency to betray and hurt those who are closest to us.
By Chimamanda Ngozi Adichie