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50 pages 1 hour read

Charles Dickens

Hard Times

Fiction | Novel | Adult | Published in 1854

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Book 1, Chapters 9-16Chapter Summaries & Analyses

Book 1, Chapter 9 Summary: “Sissy’s Progress”

Sissy struggles at school because her inquisitive mind rejects Gradgrind’s relentless devotion to facts and practicality. That she still believes her father will return is evidence, Gradgrind believes, that she remains lost in her “wretched ignorance.” One day at Stone Lodge, Louisa and Sissy talk about Sissy’s father. The strong emotions of Sissy’s story are a revelation to Louisa. She envies the sincere, strongly felt emotions of Sissy’s life even if they aren’t always positive. Entering the room, Tom stares at Louisa and Sissy with “a coolness not particularly savoring of interest” (66) and jokes with his sister about Bounderby. Sissy insists that her father “will come back” (67).

Book 1, Chapter 10 Summary: “Stephen Blackpool”

Stephen Blackpool is a simple factory worker who lives in “the hardest working part of Coketown” (68). One evening, he returns from work in Bounderby’s mill. On the way home, he talks to his “respectful and patient” (69) friend Rachael. When he reaches his house, he discovers his estranged wife, who has an alcohol addiction, in his bed. She began drinking as a means of coping with their crushing poverty, but after becoming a “disabled, drunken creature” (70), she has been absent from his life for some time. Although Blackpool wishes he could divorce his wife and marry the pure, innocent Rachael, he can’t help but pity his wife.

Book 1, Chapter 11 Summary: “No Way Out”

Blackpool decides to ask Bounderby about divorce. He hopes that the factory owner can provide guidance or legal resources to help him “be ridded o’ this woman” (74). Bounderby rejects Blackpool’s interest in divorce, listing the extravagant hardships he has faced during his own life. Divorces cost “a mint of money” (75), he explains, and Blackpool should either work harder to make himself rich or accept his lot in life.

Book 1, Chapter 12 Summary: “The Old Woman”

Blackpool leaves Bounderby’s house. Outside, a strange old woman catches his eye. She’s “very cleanly and plainly dressed” (77) and seems to be from the country, as she’s unfamiliar with the city. When she reaches out to him, Blackpool learns that she saves up money each year to visit Coketown. She spends a day in the city, just long enough to catch an annual “glimpse” of Bounderby. Although she’s yet to see him on this day, she’s gratified that she can talk to Blackpool after he has talked to Bounderby. They walk together to Bounderby’s factory. The factory is a grim building, but the old woman heaps praise on its beauty. Blackpool completes his shift at the factory and then takes a long walk. As his thoughts fill with “dread,” he doesn’t want to return home to his wife. While walking, he imagines the happy life he could lead with Rachael.

Book 1, Chapter 13 Summary: “Rachael”

Blackpool arrives home and is shocked to find Rachael already there, nursing his wife, who was once her “friend.” His wife appears to be ill, so Rachael sends Blackpool to sleep in a chair, where he ponders his “miserable existence.” He wakes during the night and sees his delirious wife reaching for a bottle. It contains medicine, but she seems to think it’s full of alcohol. Drinking the whole bottle of medicine will kill her. Blackpool sits, “motionless and powerless” (84). Just as his wife is about to kill herself by swallowing too much medicine, Rachael wakes up and saves her life. Blackpool is ashamed of his inaction, but he begins to see Rachael as “an Angel.”

Book 1, Chapter 14 Summary: “The Great Manufacturer”

As the years pass, Sissy continues to struggle at school. Gradgrind accepts that she’s “altogether backward” but permits her to continue working at Stone Lodge. During this time, he has been elected as a Member of Parliament. He spends an increasing amount of his time away from Coketown and in London. Tom has become disillusioned with his father’s teachings and has embraced a more hedonistic lifestyle. One day, he reveals to Louisa that their father is planning to arrange a marriage for her to Bounderby. Tom now lives in Bounderby’s house while apprenticing at Bounderby’s bank. He hopes that, if Louisa accepts, they can be “always together.” He also hopes that her presence might provide him with some protection against Bounderby.

Book 1, Chapter 15 Summary: “Father and Daughter”

Gradgrind sits down to discuss “a proposal of marriage” (90) with Louisa. She feigns surprise, but she’s genuinely perturbed by the idea of marrying someone 30 years older than her. Louisa doesn’t love Bounderby, she’s certain of that much, but she accepts the proposal anyway when her father implores her to ignore “irrelevant fancies” such as love. She can’t see any reason not to do so, as she has become convinced that she lacks the capacity to love anyone. All she knows is that she’s keen to please her father, as he has “trained [her] so well” (93).

Book 1, Chapter 16 Summary: “Husband and Wife”

Bounderby hesitantly discusses the marriage proposal with Mrs. Sparsit, since he thinks the news will “astonish” the old woman. After the marriage, he suggests, she may wish to become a housekeeper at his bank, as she’ll no longer be required in his house. Mrs. Sparsit is unimpressed with this suggestion—and with the marriage in general—but accepts the offer. Later, Bounderby purchases many gifts for Louisa to attempt to win her genuine affection. He can’t rouse her into loving him, however. Despite her hesitation, the wedding takes place. Louisa marries Bounderby and they leave for their honeymoon in Lyon, France. The destination has been chosen because Bounderby wants to inspect some new factories in the region, in the hopes of improving his businesses. Tom waves them farewell, thanking Louisa for helping him, while she’s “a little shaken” (98).

Book 1, Chapters 9-16 Analysis

Stephen Blackpool provides an immediate contrast to the world of the Gradgrind family and Bounderby. He’s part of a different social class: They’re the factory owners, while he’s one of the factory workers. If the Gradgrind family and Bounderby are members of the capitalist bourgeoise, then Blackpool is part of the working-class proletariat. The tone of the novel when describing Blackpool and his friend Rachael makes it clear where Dickens’s sympathies lie. Blackpool is hardworking, honest, and committed to a job that doesn’t pay well. Rachael is even more hardworking, to the point that Blackpool himself describes her as angelic. The selflessness of the working class is despite their poverty, not because of it. They help one another because people like Blackpool and Rachael are portrayed as inherently good people. Meanwhile, the rich are more self-interested than selfless. Tom is interested only in gratification, Bounderby is interested only in elevating his own mythology, and Gradgrind is searching for a philosophical justification for why he should be so rich while many other people are so poor. When Blackpool asks Bounderby about divorce, for example, Bounderby is astounded. He believes that such legal procedures are a privilege for the rich and powerful, not something to be bestowed on people like Blackpool. Even though Blackpool and Rachael are good, hardworking people, they’re denied a marriage due to their economic circumstances. The contrast between the social classes illustrates how disparity in wealth doesn’t denote a similar disparity in morals.

Bounderby’s mythmaking is a key element of his character. He talks at length about his difficult childhood, telling everyone who will listen how he was raised by his grandmother after his mother deserted him. In this version of his story, Bounderby is a hardworking man who turned himself from a miserable, tragic wretch into a successful businessman. This myth justifies his wealth, in his opinion, and allows him to look down on poor people who haven’t done as he has done. However, Bounderby doesn’t limit his lies to his own history. He extends his mistruths to his workers, inventing absurd demands on their behalf which justify his failure to improve working conditions in the factory. He accuses them of being dishonest, while at the same time insisting that they’re demanding a rich meal that they can eat with a golden spoon. Bounderby projects his own dishonesty onto the Hands, accusing them of the lavish lifestyles and lies that he himself propagates.

The narrative examines the theme Women and Society through Louisa’s marriage to Bounderby. In this society, women are likened to machines that enable the running of a household. Louisa’s mother is an overburdened, exhausted woman who has given up questioning her husband in any manner. Louisa is expected to play the same role once she marries a man 30 years her senior. Men like Bounderby and Gradgrind are the beneficiaries of a patriarchal society, and they never think to question the expectations they place on women. They assume that their wives (and daughters) will diligently obey them, following their political and philosophical views for the rest of their lives. In this sense, the women have no more agency than the factory workers. The home mirrors the factory, and the women are expected to play their role in the same manner, without questioning their social “betters.” While Bounderby simply accepts this arrangement, Gradgrind tries to add a philosophical justification. In his discussion about Louisa’s imminent marriage, he justifies it by telling her to think logically about the situation. His awkward phrasing, however, suggests that he’s aware that marriage and love have an unquantifiable emotional dimension. Nevertheless, the damage of his arguments has already been done. Louisa is so emotionally alienated that she accepts her father’s reasoning, the proposal, and the role she’s expected to play in their society.

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