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52 pages 1 hour read

Sarah Pekkanen

House of Glass

Fiction | Novel | Adult | Published in 2024

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Themes

Secrecy and Dysfunctional Families

The impact of secrecy and toxic dysfunction is one of the novel’s most important and overt themes. Deception, lies, and omission are all shown to have a corrosive effect on both individual family members and familial relationships, and House of Glass illustrates how difficult it is for people to thrive and maintain healthy connections when dishonesty remains at the core of familial interactions. However, the novel also suggests that healing is ultimately possible, as each of the dysfunctional families manages to heal and move into healthier relational models of forgiveness and acceptance.

The Barclay family is the ostensible focus of the narrative, and their household is characterized by secrecy and deep dysfunction. Beth and Ian have a fractured relationship, and Ian’s serial cheating and the couple’s fundamental disconnect impact multiple areas of their marriage. They do not share common interests, beliefs, and values, and they disagree on how to raise their daughter. Against the backdrop of her parents’ fraught marriage, Rose becomes a solitary and withdrawn child. Because of her keen intellect and emotional intelligence, Rose is acutely aware of the abnormality of her household, which profoundly impacts her well-being. The Barclay family also constructs a complex web of lies to shield Rose from prosecution for Tina’s murder. The further that Stella delves into the case, the more she realizes that everyone “seems to be hiding something” (69). Ironically, however, Rose is not Tina’s murderer, and if the family had been open and honest during the police investigation, they would have been able to provide enough detail to cast proper suspicion on Harriet, the true killer. Yet, despite this secrecy and dysfunction, the Barclays do arrive at a place of emotional health and happiness at the end of the novel, committing themselves to providing Rose with the stability she needs to heal and thrive.

Stella also comes from a family marred by dysfunction. After her mother lost her husband to a tragic automotive accident, she descended into a state of acute emotional distress and addiction and neglected Stella despite her love for her daughter. On top of the trauma of having an unstable caregiver, Stella discovered her mother’s body after her mother overdosed on heroin. This set of experiences propelled her toward child-focused law, and in many ways, the dysfunction in her past provides her with a uniquely helpful perspective on the lives of the children she is trying to assist. Of her clients, she notes, “By the time I see them, any trust my clients had in adults has been shattered” (4), and the narrative thus implies that her ultimate goal is to restore their trust in adults who are worthy of it. When she adds that she has “borne witness to some of the worst things family members can do to one another” (56), it is clear that her own experiences have heavily influenced her perspective as a best interest attorney. Significantly, it is only when she fully processes her own unexamined family dysfunction that she is able to see her past in a kinder light and realize that her mother was prone to anxiety even before her father died. She therefore recognizes her mother’s heroin use as a form of self-medication rooted in extreme grief and hopelessness and forgives her mother rather than holding a grudge. This profound internal shift indicates that compassion is a key part of healing from dysfunction.

The Lasting Impact of Childhood Trauma

Both Stella and Rose have experienced childhood trauma, and as their stories unfold, the author explores the complexity of traumatic childhood experiences from multiple angles, proving that although each character is shaped by the extreme difficulty of their early years, it is possible for them to process, heal, and move beyond the pain of childhood trauma.

Deeply scarred by her mother’s neglect, addiction, and untimely death, Stella knows that her interest in child-focused law is rooted in her own trauma. For this reason, she avoids representing younger clients whose plights trigger her own emotional wounds, and it is clear that the pain of her own trauma prevents her from working with children who are as young as she was during the worst moments of her life. Thus, even within the framework of her successful career, she remains hampered by her grief and avoidance. When she does agree to take on Rose’s case, her investigation takes a great emotional toll, and her unresolved issues manifest as frequent panic attacks. By illustrating the physical effects of trauma in addition to the emotional ones, the author illustrates that unresolved emotional wounds have the capacity to erode one’s mental health years after the fact.

The novel draws many implicit and explicit parallels between Stella and Rose, as Rose also witnessed the death of a caregiver and experiences traumatic mutism as a result. Rose’s trauma is further evident in her dark, ominous art and in her unwillingness to interact with others. In many ways, Rose represents what Stella might have become if she had not had the benefit of Charles’s support. Also like Stella, who endured her aunt’s overt dislike, Rose is further traumatized by one of her family members, her grandmother Harriet. Knowing that Rose is aware of her role in Tina’s death, Harriet effectively bullies Rose and terrifies her to the point that Rose fears for her life and begins collecting weapons. Rose’s interest in weapons, her rage, and her desire to learn more about serial killers are all manifestations of the twin traumas of having discovered Tina and the mistreatment that Harriet subjects her to, although they are not immediately visible to her family as such. For Rose, healing begins with support from her parents, and at the novel’s end, she is re-enrolled in school and therapy, and her parents have been granted joint custody. The narrative therefore suggests that healing from childhood trauma is rooted in access to mental health care and in caregivers’ support.

The Nature of Evil

House of Glass conducts an ongoing exploration into the various manifestations of evil, and the author implicitly defines the concept as a particular combination of self-interest and malice that drives an individual to cause harm in order to achieve their own goals. The narrative also implies that evil is deceptive, hidden, and hard to identify, and this is illustrated in a variety of ways. For example, Rose initially appears evil to Stella, but her behavior is ultimately rooted in trauma and fear, and the ostensibly calm and caring Harriet is eventually revealed to hide a core of true malice beneath her placid façade.

As her investigation progresses, Stella is increasingly sure that something is drastically wrong in the Barclay household, and her intensifying unease is rooted in her own experiences of trauma as a child. While her initial intuitions of a malicious presence in the house might be interpreted as fanciful, her growing nervousness begins to erode her mental health and emotional well-being. Her firm belief that real evil lurks around the corner reflects her core conviction that “[e]vil isn’t merely a word, it’s a tangible dimensional thing” (95). However, her perceptions remain open to bias and error, as she initially perceives this evil to come from Rose because of the girl’s violence, apparent interest in serial killers, and secret cache of weapons. This misconception on Stella’s part implies that her understanding of evil as a “tangible thing” is deeply influenced by her own background, but her premonitions are nonetheless bolstered by the advice and musings of her peers. Ultimately, she comes to understand that the concept of evil is more complex than a random “natural force” that manifests in certain people, as Harriet’s evil stems from her active choice to harm others, even her loved ones, in the service of achieving her own goals. Exhausted from a life of difficulty and working-class toil, she does everything in her power to keep the Barclay household together so that she can continue to enjoy a lavish lifestyle, losing sight of life’s true priorities in the midst of her own self-serving and malicious desires. She hurts everyone in her immediate family and even engages in an act of cold-blooded murder, forcing Stella to realize that true evil can mask itself to avoid detection. She initially pinpoints Rose as the source of evil within the Barclay household in part because Harriet works so hard to cast blame on the girl and even nudges Stella into suspecting Rose. Harriet’s calm demeanor therefore disguises her inner nature and allows her to execute her malicious plans. Thus, Stella learns that true evil is misleading and elusive.

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