57 pages • 1 hour read
Lois DuncanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ray drives Julie to Helen’s apartment. Ray is impressed with the building and the interior. Elsa, Helen’s sister, is there with Helen. Ray immediately dislikes her. When Julie says they can’t stay long, Elsa gets up to leave, mentioning that Barry’s shooting was shocking and she wanted to check on Helen. Helen ushers Elsa out while Elsa asks if Helen wants to stay with their parents for a while to recover from the trauma of the shooting. Helen declines, and Elsa leaves.
After Elsa leaves, Helen thanks Julie and Ray for interrupting and getting Elsa out of the apartment because Elsa was asking disturbing questions and seemed to enjoy Helen’s discomfort. Helen admits she hasn’t seen Barry, and his parents think she called him. Ray tells Helen about the newspaper clipping he was mailed. After learning that Helen didn’t call Barry, Julie is convinced that the shooting is connected to the letter. However, she doesn’t believe it is someone from Daniel’s family.
Julie and Helen argue whether Barry has enemies. Ray suggests they go to the police if they agree to dissolve the pact, but Helen doesn’t want Barry to go to prison. Ray offers to call Barry’s parents to find out who called him. When he reaches Mr. Cox, Ray learns that Barry might be paralyzed but is unlikely to die. Mr. Cox says Barry has not been told about this potential paralysis and refuses to let Ray see Barry. Also, Mr. Cox says Barry told him that Helen called him the night of the shooting.
Julie and Ray talk in the car about Helen not being the one who called Barry, and Julie thinks about Megan and the picnic place. Ray suggests that someone impersonating Helen could have called Barry. Julie is unsure about this but then mentions that it could have been Elsa. She tells Ray that Elsa is terribly jealous of Helen and recalls the first time she visited Helen’s house. When Helen asked Julie to look at her prom dress, Julie was excited to spend time with her. Elsa was rude about the difference in class between their family and the families of Helen’s boyfriend and friends. As Julie admired the prom dress, Elsa declared that it came from a thrift store and went on about Helen being a princess who was too good to work for the money to buy a dress. Elsa emphasized how she works, but their mother gave Helen the money for a second-hand dress. After witnessing this resentment, Julie was uncomfortable and ready to leave.
This memory leads Julie to believe that Elsa could have called Barry and even shot him. Ray is unsure but wonders if Helen talked in her sleep about the accident. When they arrive at Julie’s house, Ray tells her to be careful and watches until she gets inside.
Once in her house, Julie notices her mother baking bread. She feels overwhelmed by the homey sensations, and her mother notices something is off. Julie asks about the recent uptick in baking, and her mother says Julie is getting too thin. Mrs. James asks where Julie was, and Julie says she was with Ray. Her mother likes Ray, saying he has become more mature but wishes he would shave his beard. Julie asks why her mother doesn’t like Bud being mature, and her mother thinks Bud is too old-fashioned.
Julie notices her mother’s hair turning gray and her hands looking older. She tells Mrs. James that she loves her and feels concerned about her mother becoming frail. Mrs. James asks Julie what’s wrong, and Julie almost tells her about the accident and the letters. However, Julie remembers the pact and does not reveal her secrets. Instead, she claims to be tired because of exams and getting into college. Bud calls and convinces Julie to see a movie with him the following night. While her mother is still concerned about her, Julie no longer feels she will let the secret slip over dinner.
Barry’s nurse brings in flowers from a girl named Crystal, who notes how many other girls have sent flowers. Barry is upset to be stuck in bed and tries to recall the events in the hospital. He remembers telling his father that Helen was the one who called and his mother condemning their relationship. The fact that he can’t feel his legs also upsets Barry.
Furthermore, Barry wishes he had already broken up with Helen. His mother told him she visited with a male friend, implying that Collie and Helen are dating. While Barry told his mother that his relationship with Helen isn’t serious, he is angry that Helen may be cheating on him, despite him dating several girls behind her back. He wanted to be the one to break up with her and tells the nurse to throw out the flowers Helen sent. Barry can’t get up to throw them out himself, which makes him even angrier.
Barry hates always having his mother around, talking about fixing up his room at home for his return from the hospital. Barry insists he still wants to go to Europe, and his mother does not argue with him about it, which makes him suspicious. However, he appreciates his mother keeping out visitors because he doesn’t want the different girls he is seeing to meet each other or have the frat boys around.
Ray comes into Barry’s room. Ray walked up the stairs, and no one stopped him, but he probably only has a few minutes before someone throws him out. Barry notices that Ray looks older and larger, dwelling on how Ray’s beard seems to age him. Ray asks Barry how he is doing, and Barry asks if Ray has heard anything about the condition of his legs. Ray lies, saying he didn’t, and Barry calls him out for lying. Ray sticks with the lie, and Barry resents that Ray can stand and walk around.
Ray mentions that he wants to dissolve the pact, and Barry refuses. Barry believes he can avoid further injury. He claims it wasn’t about the accident because he was robbed after the shooting. Ray asks about the phone call, and Barry lies, saying it was a girl who called him and that he lied to his dad when he said it was Helen. However, Barry wants Ray to tell Helen he is seeing another girl. Ray again asks if the call could have had anything to do with the accident, and Barry gets angry, saying Ray is trying to get him in trouble. He tells Ray to leave. Ray does so, and Barry thinks that Ray is a traitor.
Barry recalls the phone call, which wasn’t from another girl. A muffled voice, claiming to be a friend, told him he knew “something that happened last summer” (139). The anonymous caller claimed to have a picture of the car and the bicycle that was taken with a special film that could shoot in low light. The caller offered to sell Barry the picture, saying they should meet on the field. Barry recalls how one of the frat boys, only hearing Barry’s side of the conversation, commented that his girlfriend would shoot him for talking like that. In retrospect, it seems like a premonition. Barry continues the angry rant in his head, believing he doesn’t owe Ray—or anyone else—the truth about the phone call.
Ray leaves the hospital. He believes Barry’s assertions about the robbery and the caller’s identity and feels relief. Ray thinks if someone tries to extort him, he will go to the police, even as he regrets not going to the police the night of the accident, as Julie suggested. Ray doesn’t believe Elsa is subtle enough for the letters.
Ray runs into Bud and says he visited Barry, pretending to be less shaken up about Barry’s condition than he really is. Ray thinks Barry knows he’s paralyzed even though no one has told him. Bud says he hates hospitals and asks if Ray wants to join him for coffee. Ray agrees and studies the man, wondering what Julie sees in him.
While waiting for Ray’s latte, Ray reveals his concerns about Barry. Bud says he was hospitalized after the war but won’t say more. He also asks if Julie is dating Barry. Ray explains that Julie barely likes Barry and that Barry dates Helen. They discuss how they both want to be Julie’s long-term boyfriend. Ray acknowledges Julie’s plan to go to Smith and says he didn’t apply to Ivy League schools. He plans to go into education and attend the local university. Bud bets that Julie won’t go to Smith, which Ray interprets as Bud announcing his plan to marry Julie.
Ray leaves and tries to call Julie. She doesn’t answer, and he wonders why. After thinking about it for a minute, he realizes he never told Julie he would see Barry, and she wasn’t expecting his call. However, Ray doesn’t want Julie to end up with Bud and feels highly competitive with him for her affection. His thoughts about Julie keep him from noticing the car following him home.
This section emphasizes the setting as small-town America. Regarding Barry’s shooting, Elsa says, “You think of things like this happening in New York City and Chicago, not in peaceful towns with normal people” (109). However, the novel undermines the image that small towns are free from violence. Ray falls into the idealism about the town’s peacefulness when he thinks his concern should be his romantic rivalry. When Bud says to Ray, “I’ll bet you that Julie doesn’t go to Smith in September” (149), Ray twice replies, “You’re crazy” (149, 150). The specific phrase that Bud uses—the framing of the bet—hides how he intends to keep Julie from moving away from the small town. Ray thinks Bud intends to marry Julie, but Bud plans to torture Ray by killing Julie. In hindsight, this is one of the biggest clues that Bud/Collie is the antagonist.
Barry puts forth a red herring—a misleading clue—that the shooting was a “robbery” (136) because $50 was taken from his wallet. His motivation for this lie is steeped in Gender Roles. Barry embodies toxic masculinity, which is threatened by his potential to be paralyzed by the bullet. Ray notices that the “bitterness in [Barry’s] voice had been only a thin mask over the sound of fear” (145). The fear of not being in physical control of his body is directly related to Barry’s opinions about women. The nurse and his mother have power over him when he is “flat on his back” (128), and he despises women having control over his life.
Barry’s toxic ideas about masculinity come from his upbringing. In other words, his ideas about Gender Roles come from how his family contributed to his identity formation. Barry’s mother dislikes Helen because she thinks Barry dating Helen will lessen her control over him. Mrs. Cox says about Helen, “I knew that girl was trouble the first time I saw her” (128). At first, this attitude causes Barry to pursue Helen as a way to rebel against his mother. However, when Barry thinks Helen is seeing Collie, he quickly decides to side with his mother against her. Barry wants to be the one to break up with Helen—to be in control of that situation. When his mother tells him she saw Helen with Collie, Barry thinks, “It is another thing entirely to find the decision made for you, to discover that the girl you had supposed to be honest, clinging and all-adoring had in reality been two-timing you” (129). Barry’s views led to him having no guilt about his infidelity while hypocritically condemning Helen for her alleged indiscretion.
Barry’s adversarial relationship with his mother can be contrasted with Julie’s positive relationship with her mother, both foregrounding the theme of Family and Identity Formation. Julie and her mother are close. When Julie notices her mother in the kitchen more than usual, she asks, “What all this baking bit lately? Are you trying to turn us both into elephants?” (123). It is later revealed that Julie’s mother has premonitions, and she thinks something bad might happen to Julie. While Julie is “torn by the temptation to step forward and throw herself into her mother’s arms to weep out the whole dreadful story” (125), she keeps the secret of the accident and the letters. However, Mrs. James knew something was wrong, both on the night of the accident and after Julie received the letter. This interaction ties together the themes of Family and Identity Formation and The Effects of Guilt About Manslaughter. Julie has a guilty conscience and trusts her mother but feels bound by the pact.
Mrs. James’s premonition compares to the premonition of one of the boys in Barry’s frat. After hearing Barry on the phone call, the frat boy says, “If I talked to my girl like that, she’d shoot me!” (114). The boy and Barry’s parents believe Barry was talking to a girl, specifically Helen. However, this section reveals that Barry was talking to the antagonist, who claims to have proof of the accident and threatens to extort him. One effect of Barry’s guilt is that he goes out to meet his extortioner and is shot. Later in the novel, the reader learns the antagonist is Bud/Collie. Bud’s motivation for enacting violence on teens is revenge for his half-brother’s death and the result of his guilt about killing during the war: Bud has PTSD, quoting the famous line, “War is hell” (148).
By Lois Duncan