55 pages • 1 hour read
Joanne Greenberg (Hannah Green)A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This guide contains descriptions of self-harm, mentions of suicide, depictions of life in a psychiatric ward, and the use of outdated language to describe mental illness, as well as several references to antisemitism.
Deborah Blau is the protagonist of I Never Promised You a Rose Garden and a semi-fictionalized version of Joanne Greenberg herself. Deborah is 16 when she is admitted to a mental healthcare facility after attempting suicide. Deborah was seen as a golden child when she was born the first blonde in her Jewish family, and her grandfather in particular propped her up as an important symbol of his success as an immigrant. Contrasting with this special treatment was the total exclusion and abuse that Deborah experienced for being Jewish at the hands of her peers and camp counselors. When Deborah underwent surgeries for her tumor, she recalls being lied to about the pain and continues to harbor a phantom pain of the tumor in the present. All of these traumatic experiences, along with Deborah’s parents’ own denial of her condition for so long, result in Deborah developing a defensive imaginary world in her mind that she calls Yr. Yr is inhabited by gods that Deborah speaks to and convenes with, and accompanied by a collective of voices of all those who have hurt Deborah in her life. Deborah is diagnosed with schizophrenia for these delusions, along with inappropriate emotional responses and her tendency to take things extremely personally. She is also written to have high intelligence, which is evident in the language of Yri that she creates, in her passion for visual art, and in her later developed hunger to learn ancient languages.
Deborah’s life is a constant battle between the world of Yr, which beckons her away from the reality that she and Dr. Fried desperately want for her— demonstrating The Inner World Versus the Outer Reality. As she spends time in the facility, hope sparks in her, and she starts to change from someone who sees herself as an outsider who poisons others to a human being with things to contribute to the world. She retreats to Yr in times of panic, threat, and change, and comes back to the world slightly closer to a change every time. For the first several months in the facility, Deborah has a dramatically negative view of herself.
She is sarcastic and somewhat entitled due to her upbringing, which puts the other patients off of her at first, but she gradually learns how to connect with them, and later with others in the world outside of the facility. Deborah is hard-working, resilient, and ultimately hopeful despite the challenges she has faced.
Dr. Fried is Deborah’s main psychologist and the person most committed to helping Deborah overcome her mental health condition and its symptoms in A Fight for a Life. She is a well-known clinician who takes time out of her demanding schedule to work with Deborah because she has hope in her recovery. Dr. Fried is a dynamic character that offers Deborah the patience, understanding, and reflective humanistic approach that allows Deborah to come to terms with her mental health condition in her own time, in her own way, and to choose when to let go of the crutch that is Yr.
Dr. Shield immigrated from Germany during the WWII and is particularly enraged by the antisemitic treatment that Deborah experienced during her childhood, as well as by the way that doctors who worked on Deborah during her tumor lied to her about the pain associated with the surgery. Dr. Fried does not lie to Deborah and instead helps her to see the truths that she has been covering up within herself. She explains things to Deborah that Deborah may know somewhere deep down, but cannot call to reality without Dr. Fried’s help. Dr. Fried always leaves the choice in Deborah’s hands and acts as an emblem of support, dignity, and companionship as Deborah goes through the arduous process of confronting her past and her mental health condition.
Jacob and Esther Blau are Deborah’s parents. They are static characters who remain the people they start out as when Deborah is diagnosed with schizophrenia and admitted to a mental healthcare facility after a suicide attempt. Jacob and Esther each have their own reaction to Deborah’s mental health condition, but their combined fears and damaged pride affect their own relationship and their relationships with both of their daughters. Jacob reacts with anger, confusion, and denial, refusing to believe his daughter is ill or that he could have had any hand in making that a reality. Deborah sees her father as controlling, emotional, and driven by anger in the same way that she is. She recalls him shaming her over minimal communication with men. He insists repeatedly on seeing Deborah while she is in the hospital, and when he finally does, he barely recognizes her. Esther, on the other hand, is always putting up a front of positivity, lying about Deborah, and willing the world around her to conform to her wishes. Her denial and pressure that she puts on Deborah to improve and eventually attend college only makes it more difficult for Deborah to do so. As a child, Esther’s interference in Deborah’s social life only made her feel ashamed and inadequate. Still, much later, Deborah comes to a realization of gratitude toward her parents despite their flaws. She realizes the amount of time, money, and patience that they put into her getting well, even against the odds.
Carla is Deborah’s closest friend in the facility. They are close in age and share similar experiences of alienation in the world. Carla is a dynamic character who moves into the outpatient program and back again, and who over time reveals more and more about who she is and why she keeps needing to return to the facility. She is a symbol of friendship and of the essential Connection and Communication that is necessary for Deborah to heal and regain her place in the world. Carla shows Deborah that she can trust, and inspires Deborah to acts of courage like announcing that she will miss Carla when she leaves. Carla is also the first thing Deborah sees in color after living in a field of gray for months. Ultimately, Carla inspires Deborah to find the same resilience in herself. One night, she and Carla sneak out of the facility and run down the road, celebrating their taste of freedom together. It is a changing moment in Deborah’s life and in her confidence in herself to live it.
Helene is a patient on the D ward of the mental healthcare facility where Deborah stays. She is a flat character defined by her aggression, by the side of Deborah that she sees in Helene, and by the hidden hope that lies underneath Helene and as the source of her aggression. Helene is perhaps the most violent patient on the ward and the other patients use caution when interacting with her. She often pesters Deborah, but for the most part their encounters are innocent. Deborah witnesses Helene be beaten by Ellis one night while they are both strapped down in cold packs, and reports it to the doctors but nothing is done. Helene herself never mentions the incident, and Deborah harbors anger over the inaction after such abuse. Deborah observes a sort of secret softness inside Helene—a hope in her that she may one day improve. This is demonstrated when Helene eventually makes it down to B ward, at least for a time. Like Deborah, it may take many attempts and a great deal of resilience for her to succeed in A Fight for a Life.
Suzy Blau is Deborah’s younger sister. She is five years younger than Deborah, and is both a static and flat character in the story. Suzy grows up in the shadow of Deborah’s mental health condition and as a second thought to Deborah because of all that she has been through. Her parents lie to her about Deborah’s mental health at first, but when they tell Suzy the truth, she seems less concerned about her sister and more concerned about the fact that her parents always seem to forget that she has talents, skills, and problems, too. For most of her life, Deborah believed that she tried to kill Suzy when she was a newborn by dropping her out of a window. Dr. Fried thinks about this memory and helps Deborah come to the logical conclusion that she was far too young to have done such a thing, but may have thought about it, causing a guilt complex to form in her. Deborah always worried that her mental health condition would somehow spread to Suzy, and finding out that none of that was real is a massive relief for Deborah.