51 pages • 1 hour read
Lauren TarshisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The radio announcer states that Hurricane Katrina is now a Category Five storm, the most severe storm category. He warns that there will be 175 miles per hour winds and 20-foot-high waves. As the announcer begins another round of warnings to flee, Barry’s mother turns off the radio, stating that the announcer is getting on her nerves.
Barry asks his mother if she is worried and she tells him no, but Barry can tell that she is lying, as she has been baking all day—something she does when she is nervous. Barry’s mom asks him to find his sister, Cleo, asking Barry to use some “Barry magic” on her as she has not seemed herself lately. Barry goes to Cleo’s room and finds her crying in bed, stating that “That lady [...] Katrina!” took her princess house away (22). Barry assures his sister that her princess house is safe in the shed so that the storm cannot get it and explains that Katrina is just “a bunch of clouds” and not a real lady (22).
Barry distracts Cleo by telling her that they are going on an adventure, and Cleo perks up, asking if Akivo is going to be going with them. Barry tells her that Akivo will be waiting for them in Houston, hoping that the idea of the superhero will give Cleo the reassurance she needs. They hug, and 10 minutes later, the Tucker family is on the road out of New Orleans.
As they drive out of the Lower Nine, the family passes the bakery where Barry’s mother worked before she had Barry. Her dream is to “one day” open up a bakery of her own, a phrase she uses so frequently that it has become a motto in their family representing their hopes for the future. They drive a bit longer before stopping outside of Lightning’s, the club where Roddy’s band plays on Thursday nights. Roddy’s friend, Dave, owns the club, and Roddy wants to ensure that Dave also plans to leave.
Dave comes out and greets the family warmly but states that he does not plan to leave the club, telling Roddy that he wants to keep it open so that people have a place to go. He tells the Tuckers that if they change their mind about leaving, they should not go to the Superdome but come back to the club, as Dave has a generator and “a million” hot dogs. As they drive away, Barry asks his father if it is a bad idea for Dave to stay and Roddy tells him that this neighborhood does not usually flood, as it is a little higher than the rest of the city.
As they make their way toward Interstate 10, their car eventually slows to a stop as traffic comes to a standstill. Roddy turns on the radio and they learn that traffic has built up for hundreds of miles as everyone tries to flee the city at once. As they settle in to wait, Roddy turns off the air conditioning to save gas. Hours pass as they wait in the oppressive heat, and Barry worries that they might be still stuck on the highway when the storm hits.
Suddenly, he feels warm liquid spill onto his lap and realizes that Cleo has thrown up. She begins crying as she continues to vomit, their parents springing into action to try and soothe her and clean up the mess. His mother feels Cleo’s forehead and discovers that she has a fever, and clearly, they cannot continue out of the city with Cleo this ill. Soon, Roddy pulls the car out of the line of traffic, and they head back toward home.
Cleo continues to be sick throughout the day, and even Barry cannot help her calm down. Their parents discuss going to the Superdome but ultimately decide against it after hearing the TV newscaster report that there are already 10,000 people at the stadium with even more lined up outside waiting to get in. The news also reports that there are no pets allowed, a food and water shortage, and the temperature will become unbearable if the power goes out.
By 6 pm, the wind picks up, but Barry is surprised by the quiet of their now-deserted block, which is usually rife with noise. At 10 pm, the storm begins in earnest. While their mother and Cleo sleep in their parents’ room, Roddy and Barry watch the baseball playoffs on television, listening to the howling wind outside.
Barry snuggles in closer to his father, who remains calm. Barry remembers the flight they took to New York City, where Roddy sometimes teaches classes about jazz music. The flight experienced major turbulence after flying into a thunderstorm, and while Barry was scared, he recalls how calm his father remained the entire flight, which helped Barry’s own nerves. When Barry asked Roddy how he stayed so calm, he responded that he was singing the song “Blueberry Hill” by Fats Domino, a musician and famous resident of the Lower Nine, over and over in his head during the storm.
Barry asks Roddy if he is singing “Blueberry Hill” right now and Roddy laughs, pulling Barry close and telling him that he is listening to the wind. Roddy turns off the television and pulls out his trumpet, playing softly along with the wind, turning the scary storm into a song. Barry begins feeling safe once more even as the storm surges outside and falls asleep.
A noise wakes Barry, and he realizes that it is morning. He strains to understand what the noise that awoke him was, thinking that it does not sound like wind. He looks around the empty living room, wondering where his family is, but as he hears his father’s approaching footsteps the front door flies open, and a surge of water streams into the house. Barry begins to scream.
Roddy runs down the stairs, yelling Barry’s name and lifting his son by the arm to bring him upstairs. Items begin floating around the room as the house continues to flood, the water levels rising quickly. Mom and Cleo emerge from the bedroom and when Mom sees the flood, she says, “The levee, Roddy” (43), and Barry understands the levee has broken, flooding the Lower Nine with water from the Industrial Canal. Barry begins to panic, and Roddy tells them that they have to go up into the attic to escape the flood. Cleo begins to resist, crying that she does not want to go to the attic, and Barry calms her by telling her that Akivo might be up there.
The family sits upstairs under the low ceiling, and Barry tries not to think about the irreparable damage happening beneath them, especially the loss of his Akivo drawing. Ever since Barry began imagining and creating Akivo, he felt braver and more powerful. Now, with the drawing lost, Barry feels the “bright and powerful feeling drained away” (47). Barry huddles in closer to his family and Roddy tells them that they are going to stay together, which will help them survive. Roddy tells them that they cannot stay in the attic and need to escape to the roof, and he produces an axe when Barry cries that there is no way out. Roddy tells them that Grandpa hid an axe in the attic after the last big storm, knowing that another one would come someday. While Barry huddles with his mother and Cleo, Roddy begins hacking away at the ceiling.
Hurricane Katrina makes landfall in this section of chapters, which intensifies the conflict as its characters begin their fight for survival. The events of these chapters illustrate the challenging decisions that people had to make, highlighting the complexities of making decisions during crises. The Tucker family’s initial decision to evacuate New Orleans conflicts with the reality of Cleo’s sudden illness, forcing them to return home. Still, their decision to stay home rather than go to the Superdome, as many New Orleans residents did, proves prudent: “Looking at those crowds on television, Barry was relieved when Mom and Dad decided they were better off at home” (34). Before the storm arrived, people had to weigh their options, making the best decision with the information and resources they had at the time.
Exposing the cracks in the government’s response to Hurricane Katrina is one of Tarshis’s main goals in writing the novel, and examples appear in this section of chapters. Being a historical fiction novel, I Survived Hurricane Katrina, 2005 weaves together elements of real history with the Tuckers’ fictional story. One of the bigger points of failure in the storm response was the unpreparedness of government-organized recovery sites, such as the Superdome. As thousands of people flooded the stadium on the advice of the authorities, many of whom had no private means of transportation to evacuate the city otherwise, fissures began to appear: “We’re hearing there is not enough food or water at the Dome [...] And if the power goes off, it’s going to be like an oven in there” (34). Barry overhears this newscast before Hurricane Katrina even makes landfall. Given that resources stretched thin before the storm even arrived, the recovery efforts at the Superdome would undergo catastrophic stress as soon as Hurricane Katrina arrived, essentially trapping thousands of people seeking refuge inside an unsafe environment.
As a contrast to the government’s flagging recovery efforts, Tarshis includes examples of community-based care within the text, emphasizing the propensity of New Orleans’s residents to survive against the odds due to relying on friends and neighbors. The primary example of this is when the Tucker family visits the local jazz club, Lightning’s, and its owner, Dave, tells them, “Don’t go to the Superdome. Just come to Lightning’s. I have my generator and about a million hot dogs” (27). This advice will prove to be prophetic later on as thousands of people are stranded at the Superdome while aid is slow to arrive. This scene also supports the argument that The Impact of Natural Disasters on Communities is not always about the damage but rather how communities band together, rising up in support of one another.
One of the main messages about Survival Against the Odds in the text is that survival does not happen in a vacuum. Characters like Barry survive because of the lessons and strength they have received from others even when they are forced to approach the storm on their own. One scene in particular illustrates the way Roddy deals with his fear of the storm, showing Barry how to face one’s fears rather than avoiding them: “The wind shrieked a high note. Dad put his trumpet to his lips and played along [...] after a while the wind didn’t seem so scary, and it actually sounded like a song” (39). Roddy uses music as a tool to reframe the storm, calming Barry’s nerves and transforming the howling wind into something beautiful rather than scary. Roddy’s use of music, particularly the song “Blueberry Hill” when he feels fearful, is a powerful tool that he models for Barry. Barry will use these same strategies later on in the text when he is fighting for his survival out in the storm, carrying the memory of his father’s strength with him and informing his actions.
At this point in the text, as the storm bears down, Barry cannot yet access that well of inner strength. Instead, he feels the opposite, at a low point in his journey to self-efficacy:
For the past few weeks, thinking about Akivo had given Barry the feeling [...] that maybe he wasn’t really the scared little kid he saw in the bathroom mirror [...] Somehow, the bright colors of Barry’s drawing seemed to have gotten inside him. But now the bright and powerful feeling drained away (47).
Barry feels as if losing the drawing of Akivo, a symbol of Barry’s desire for strength and power, wipes away all his strength. Creating the superhero made Barry feel larger than life and capable of more than he perceives himself to be. It will not be until the storm truly tests Barry that he will uncover the true depths of his power and strength.
By Lauren Tarshis