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49 pages 1 hour read

Philippe Bourgois

In Search of Respect: Selling Crack in El Barrio

Nonfiction | Book | Adult | Published in 1995

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Themes

Street Culture and Oppositional Identity

Bourgois addresses "[t]he oppositional identities of street culture" (158) throughout the narrative. Street culture is a performative identity that centers around clothing, beliefs, and ways of conduct that are opposed to middle-class values often seen in workplace or mainstream culture. Factors like clothing and appearance can be borrowed from other cultures, like African-American culture, while many beliefs and modes of conduct stem from specific cultures. In the case of the crack dealers profiled, these beliefs come from Puerto Rican culture. The main tenets of this street culture are respect and independence. Bourgois provides many examples of how the respect and independence expected by street culture, especially by the males he profiles, is in direct opposition to the working-class value system of mainstream America.

Most of the examples concerning opposition between street culture and mainstream culture can be seen in the plight of Caesar and Primo when trying to enter the legal workplace. Both deal with bosses and jobs that not only don’t understand their culture but expect them to conform to the culture of the workplace. Primo, for example, faces a harsh reality when he tries to reenter the workplace but realizes that he is "too old" (121). When he does secure a job, his boss makes fun of his accent and his appearance, thus highlighting the institutionalized racism that also arises in workplace culture. Primo's boss calls him "illiterate," and he has to look up the word in the dictionary only to realize that she is calling him dumb. He must also watch how he dresses, something that irks him because clothing is integral to street culture. He is also expected to let others answer the phone so that his “inferior” (53) Puerto Rican accent doesn’t scare away business. Caesar, too, had a job and lost it because he couldn’t reconcile his street culture with what was expected of him in the legal workplace.

Another example focuses on Candy. Candy goes to a jail sentencing and shocks the female judge when she wears a tight red jumpsuit. For middle-class America, Candy’s outfit doesn’t symbolize a penitent mother who has changed her ways. For Candy, however, her outfit symbolizes her attempt at respect. She chose a special outfit for the day and was even hurt that the judge would consider her outfit as inappropriate.

Another aspect of oppositional identity focuses on gender roles. Bourgois notes how many of the bosses in the lower-level positions were women. Men like Primo and Caesar had specific views on women and power, views that stem from cultural beliefs that have been infused into street culture and their sense of respect. Being ordered around and talked down to by a woman was something that neither could abide. They were either fired from jobs or left. Given that many in the underground economy they were returning to face the same issues, they returned in "triumph" (115), having chosen autonomy and self-respect over loss of culture.

The Cycle of Violence in the Underground Economy

Violence arises in the underground economy for many reasons. One of the earliest ways mentioned by Bourgois is the use of violence to, ironically, keep the peace. Drug dealers like Ray have to look tough and in control. Vulnerability would mean bad business or a threat to their life. Ray mixes friendship with violence and cultural respect, creating an effective combination of fear so that he’s respected and his business flourishes. This use of violence is brought up again later when Bourgois discusses the history of El Barrio. Although Puerto Ricans ran the streets when he lived there, the area was once controlled by the Italian Mafia. While the Mafia has little sway now, their use of violence as an effective tool for obedience has been internalized by other cultures. Violence also creates a silent majority that lives in fear of abuse and views the violent minority with anger or apathy. Primo and Caesar often tell Bourgois that they have to be violent because if they aren’t, they will be seen as weak and subsequently preyed upon.

Also stemming from history, violence in El Barrio is a negative trait that has been and still is passed down from generation to generation. Bourgois believes that men like Primo and Ray don’t realize the full impact of growing up in homes where fathers and grandfathers were abusive to both wives and children. This violence is seen as the prerogative of a male in a male-centered household and society. Often, this violence is a physical expression of impotence and helplessness. Bourgois points out that in brief times when men do obtain legal jobs, this violence tends to disappear, thus tying it to the cycle of being pushed back into the underground economy and feeling helpless. Another important offshoot of this violence is the creation of female-headed households. Even though larger society views absentee fathers as a main reason for the failures and problems of children in the inner city, Bourgois slams this critique by stating that poverty itself is the main culprit for the problems growing kids face. In fact, women allow themselves to be abused far too much and for too long before they do something about it. The acceptance of violence from mothers stems once again from a cycle that has cast them as the abused since childhood.

Bourgois also looks at social marginalization, which he calls "apartheid" (19), in places like New York. For Bourgois, this apartheid breeds violence and "institutionalized alienation" (175). Society at large decries the violence of the inner city without realizing that its apathy and refusal to be involved with inner cities allows violence to continue and flourish. Jobs and projects that take individuals out of the inner city and attempt to change cultural values, even troubling ones, ultimately fail. Also, the infrastructure of the inner city is allowed to crumble without aid. An “us” and “them” mentality is supported, and has been, even from politicians and scientists. This all leads to internalized inferiority, which then leads to drug abuse and other facets of the underground economy, which then lead to violence in its many forms.

Shifting Gender Roles

History plays a large part in the lives of Bourgois’s friends in El Barrio. One of the greatest changes historically, and one that was still being fought when Bourgois was researching, is shifting gender roles. The traditional, old-world view of Puerto Rican households centered around a large family headed by a male who provided for his family economically. This male figure demanded respect and received it. As Bourgois has shown, however, none of the men in his narrative are able to fit this outdated mode of masculinity. Caring for and supporting a family has morphed into hypermasculinity, where men try to have as many sexual partners as possible and take out their anger on whatever female is closest to them that has lost their respect. This behavior is ultimately a sign of how impotent men have become in a society where they are supposed to be the breadwinners.

Bourgois uses the unusual case of Candy to show how women’s roles are fighting back against male-dominated ideas of gender. Candy is Felix’s wife, and she reinforces male views by allowing abuse, even to the point of losing five pregnancies through an abusive husband. When Candy finds out that Felix is cheating, however, she changes her views. She begins to sell crack like men. She also flaunts her sexuality and takes multiple lovers, with Primo being a lover while Felix is in jail. She abandons her kids occasionally to make a place for herself in the underground economy, although her actions can also be seen as necessary for supporting her five children. Candy enters the male-dominated space, and her gender shift angers the men around her. Candy’s attitude is viewed as a threat, even if others don’t explicitly vocalize this. Instead, they use terms derogatory terms to demonize her for doing the same actions they do as men. When Candy’s daughter is raped, they blame Candy’s failure as a woman and a mother. Candy’s actions, however, show how women can be just as integral to the underground economy. Her actions also show how successful women can be in this economy when given a chance and demonstrate agency on the part of women, even if this agency can be viewed as "self-destructive" (285).

Institutionalized Racism

While racism can be seen even in Bourgois’s subjects' views on Mexicans and African Americans, institutionalized racism is a concept that attacks the very nature of street culture. One of the biggest components of institutionalized racism is the refusal of the workplace to understand the ethnic cultures of its employees, which also includes street culture. Men like Caesar and Primo are expected to slough off their deeply ingrained sense of respect for jobs that barely pay minimum-wage. Society's refusal to—or inability to—see how respect and independence drive individuals is blanket racism, which many in the underground economy deal with when attempting to keep legal jobs. This cultural racism depicts concepts like clothing, beliefs, and personal pride as secondary to the concepts of following orders and getting work done according to middle-class American etiquette. Workplace racism negatively affects people like Primo and Caesar, often causing them to worry that they are not good enough. In some instances, they are told and shown pointblank that they aren’t good enough: Primo is called "illiterate" by his boss, and Caesar's supervisor accuses him of "looking like a hoodlum" (159). Unable to maintain legal work, these men return to drug dealing: "[B]y embroiling themselves in the underground economy and proudly embracing street culture, they are seeking an alternative to their social marginalization" (143). Defeated in the mainstream economy, they can then bolster themselves by reentering a culture which respects their beliefs and ways of conduct.

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