59 pages • 1 hour read
Jeff ZentnerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After nearly 24 hours, the bus finally arrives in New Canaan. An affable driver from the school meets Cash and Delaney and gives them a quick tour of the campus. When Cash makes a self-deprecating comment that he does not really belong at the school, Delaney tells him to stop, saying, “Your little act makes us both look stupid” (101).
A school administrator outlines the history of the academy for Cash and Delaney and explains that the student body represents the best and the brightest from more than 20 countries. Classes are kept small, and interactions with the teachers are encouraged. Cash’s roommate will be Patrick “Tripp” McGrath from Arizona, and Delaney will room with Viviani Xavier from Brazil.
Cash heads to his dorm room and meets Tripp, who barely looks up from his laptop. Born into a wealthy and prominent family, Tripp makes Cash feel unimportant and vaguely embarrassed to be from a small town in rural Tennessee. Feeling homesick, Cash has a video call with Papaw and cries when they sign off, prompting Tripp’s mockery of Appalachia’s distinctive country twang and the cruel assertion that Papaw “sounds like shit” (117) and should go to a doctor “before he croaks” (118). His insensitivity leaves Cash feeling lonely and sad.
That afternoon, Cash meets with an academic counselor who tells him that he will be placed in the sophomore class. Confused as to why he must repeat his sophomore year, Cash is told that such decisions tend to help students who come to the academy from public school systems. He is told that the school also requires him to join an athletic team, and he opts for crew, figuring that getting back in touch with a river will help to alleviate his homesickness. His completed class schedule will include an Introduction to Poetry class with Dr. Britney Rae Atkins, a popular teacher and published poet.
In the cafeteria, Cash tells Delaney about Tripp’s mockery and watches as other students come up to her to ask about her new penicillin discovery. Delaney makes light of her celebrity status and heads over to the ice cream machine to remind Cash of her roots back home at the Dairy Queen.
When he chats with his Papaw that night, Cash is surprised when his grandfather heartily endorses the poetry class even though Cash has never read much poetry. Papaw tells him that “[p]oetry lovers are just people who love beautiful things” (132).
It is only Friday. Classes start on Monday, and Cash fills his time visiting the gym and walking around the campus. That night, the school hosts a student meet-and-greet, where Cash meets Delaney’s roommate Viviani and is smitten by her Brazilian good looks, her outgoing personality, and her dazzling smile, as well as her “dramatic smoky pink eye makeup” (137) and her intoxicating perfume. Vi dreams of designing video games. They talk about their families, their classes, and even superheroes—Vi admires Shuri from Black Panther, while Cash prefers Bucky Barnes, Captain America’s sidekick.
As the meet-and-greet winds down, Vi and Cash take a stroll around the campus lake. Under the full moon, Cash shares with Vi how much he misses Pigeon River, and Vi admits how much she misses the ocean, claiming to be “mermaid” (145). After the mixer, as Cash tries to fall asleep, he thinks about how different his life would be if he had never met Delaney at the Narateen meeting all those years ago.
On Saturday, Cash, Delaney, and Vi take a school-arranged field trip into the town of New Canaan and stroll around the quaint, high-priced shops. Cash notices that Delaney is calmer and more buoyant and that she does not chew at her thumbs with such urgency. After dinner and a long chat with Papaw, Cash joins the other residents for to watch a vintage vampire movie. That night, he has a dream of being trapped behind sealed doors sealed: a memory of pushing against the bathroom door the day he found his mother dead.
On the first day of classes, both Cash and Delaney mock the school uniform. After orientation in the auditorium, Cash heads to his first class, Introduction to Poetry, and finds Dr. Atkins to be a riveting presence. In his perception, her eyes are the “luminous gray” (160) of lightning. He admires her raven black hair that is streaked by blue and notices that she sports a silver nose ring and several tattoos on her forearm: one of a wolf head, the other of a hawk. When the students each sharing their favorite poet, Cash sheepishly admits that he does not know any poets, but Dr. Atkins reassures him.
That afternoon, Cash attends his first crew practice, and the coach startles him with the upbeat message that the team must work together. Before they are ready to head to the river, however, they must start conditioning, and although the pace is grueling, Cash perseveres. He meets a teammate named Alex Pak, a student of Korean descent who was raised in Houston. The two trade barbs about the virtues of Korean versus Tennessee barbecue, and when they head to dinner together after practice, Alex shares his plans to go to Yale Law, work for social justice, and ultimately run for Congress. Cash is impressed by his new friend’s ambition and certainty. Cash introduces Alex to both Vi and Delaney. They all get along well and officially declare themselves to be a “squad” (174).
After dinner when Cash chats with Papaw, Alex joins in, and the three have a friendly chat despite Papaw’s coughing. Cash notices that his grandfather’s cough sounds “weak and tired and thin” (178). After Alex departs, Cash tries to focus on his homework but cannot stop worrying about his grandfather.
Cash visits Delaney in the school science lab. With her lab coat and goggles, Delaney seems in her element, although she tells Cash that some students make fun of her Tennessee roots and her chance discovery of the “magic mushrooms” (181). Cash tries to cheer up, saying, “I guess being a genius has a downside” (183).
The first week passes, and Cash struggles to keep up with the pace of his classes—except for poetry, which is his favorite. His friendship with Vi grows tighter, and the two chat together whenever they can take a break from classwork. His roommate, Tripp, remains distant and surrounds himself with a cohort of fellow student-athletes, all of whom are lacrosse players, who, in Cash’s estimation, “smell like money” (187).
Workouts with the crew team are welcome breaks for Cash, particularly when practices move to the river, which is flooded by the splendid colors of early fall. As they row, Cash feels part of a rhythm, part of team, which he expresses poetically by stating, “My body is a cog in a larger gearwork” (188). Despite the good things in his life at school, he cannot help but wonder whether this might be Papaw’s last autumn.
These chapters focus on the many adjustments that Cash makes to the entirely new world of Middleford Academy. The long bus ride, more than 24 hours, creates a division, a separation geographically from Sawyer but emotionally and psychologically as well, and when Cash steps off the bus, everything feels different. Adding to his difficulties is the fact that Delaney already holds a celebrity status amongst the other students, for her scientific discovery has been promoted in national magazines, scientific journals, and on NPR, making her something of a “rock star” in the eyes of her peers and making Cash feel somewhat insignificant by comparison. Compounding this issue, some of the boys in the dorm openly mock him because he is a scholarship student, which implies that he is from a low-income background and therefore worthy of derision in their eyes. The insignificance and diminishment that he feels is further emphasized by his telling choice of Bucky Barnes as a favorite superhero, for this particular superhero is not a primary character, but is instead Captain America’s affable and unassuming sidekick.
Indirectly, then, these chapters reveal to Cash The Importance of Home, exploring the anxieties and internal trauma that intense homesickness can cause. In the midst of creating all his new connections and friendships at the academy, Cash realizes the same lesson that every adolescent who leaves home must come to terms with: that whether for good or bad, there’s no place like home. Tripp’s insensitive remarks immediately make Cash feel longing for the positive parts of Sawyer and deflate his initial enthusiasm for his new life at the academy, reinforcing his deepest fears that he does not belong in this new world. By contrast, Vi’s energy, beauty, and charm make Cash immediately uncomfortable, for he is uncertain how to handle his amorous feelings for her. And Dr. Atkins, for all her encouragement of Cash when he admits his complete ignorance of poetry, represents with her very eccentricity the kind of forward-thinking instructor that he never would have met in Sawyer, once again highlighting his disorienting sense of being a fish out of water.
Home thus becomes a nostalgic blend of every familiar and known entity that Cash initially misses, and accordingly, everything in Connecticut—the students, the teachers, the weather, even the food in the cafeteria—only reminds Cash of how far he is from everything he has known and loved. Adding to his ongoing social challenges are the emotionally difficult Zoom chats he has with his grandfather, all of which leave him with the growing fear that Papaw is living through his last autumn. Thus, these chapters represent the nadir of Cash’s experience at the academy, causing him to feel bereft and left behind as he watches Delaney fit into the school’s social structure with ease and confidence. As he muses, “Solitary in my small room in a building full of boys is the most lonely and afraid for the future I’ve felt since I sat trembling on the front porch of my trailer, listening through the jagged wailing in my head to the distant crescendo of sirens as they came to collect what was left of my mama” (118).
That memory suggests that Cash’s reluctance to bond with the boys stems from his chronically low self-esteem, for although it is now two years since he lived through the traumatic experience of discovering his mother’s corpse, Cash is still struggling to handle The Dynamics of Grief. He remembers finding his mother in their trailer and sitting on the bathroom floor with her body for hours, too afraid to call the police, too terrified to yell for help. Because of the harsh intensity of this experience, Cash is haunted by a dream: a shadowy hallway of doors sealed shut. Memory, he says, is a “tether” (156), and no matter what he does, he cannot seem to escape that past moment, which compounds his ongoing anxiety and isolation.
Yet despite Cash’s social difficulties, this section of the novel also introduces three possible avenues for him to overcome the pull of his past: the camaraderie of the crew team, his friendship with Alex, and his budding relationship with Vi. His comfort level with Alex, who even chats amiably and respectfully with Papaw, provides Cash with a bridge between his current life and his home life. Similarly, his relationship with Vi who offers Cash a new way to reconnect with The Impact of Nature, for their walks around the lake and her enthusiasm about her beloved oceans inspire him to both cherish his memories of the Pigeon while looking forward to someday seeing the ocean with his new friend. Indeed, Vi seems to share a similar interest in their growing connection, for she says excitedly, “I want to see your face when you see [the ocean] for the first time” (145). With this encouragement, she implicitly tells him to stop looking back and start anticipating the future. In this tantalizing offer, Cash stands poised between the comfortable river back home and the vastness and newness of the ocean, symbolic of his own maturation at the school as he begins to transition from the safety of the known and into a terrifyingly wonderful world of new opportunities.
By Jeff Zentner