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50 pages 1 hour read

Emma Törzs

Ink Blood Sister Scribe

Fiction | Novel | Adult | Published in 2023

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Part 1, Chapters 9-17Chapter Summaries & Analyses

Part 1: “Mirror Magic”

Part 1, Chapter 9 Summary

As Nicholas reviews his old notes in preparation for writing the truth spell the next morning, Maram enters and tells him about her and Richard’s plans. She requests that they be undisturbed for the evening, with “a firmness to her words as if she were relaying something more important than mere logistics” (125). When she leaves, he finds that she has left him a note with the location of a book in the Library’s collection.

Part 1, Chapter 10 Summary

Going to the Library as instructed, Nicholas remembers his kidnapping, at the age of 13 in San Francisco, when he’d been interrogated about “how the books were being written and by whom” (133). He later woke up in a hospital bed. He remembers learning he’d been found because of a tracking spell the Library includes in all their books, and he recalls his uncle’s promise that he would never be in danger like that again. He finds the book in Maram’s note, which contains a spell for turning chemical propellants (like gunpowder) into bees. The book contains another note from Maram with another call number, and its book “causes solid unliving objects to become translucent and breachable” (138). Nicholas is surprised to find the book had its last page rewritten to be rechargeable. He notes that the bookshelf is marked with an X and that something must be hidden behind the shelf. Because his immunity to magic makes it inaccessible to him, Nicholas asks Collins to read the spell. When Collins hesitates, Nicholas offers to write him a spell to reverse his NDA. Collins reads the spell, and the bookshelf reveals a door with a staircase behind it.

Part 1, Chapter 11 Summary

Trapped by Cecily’s spell but exhausted from her initial display of “furious emotion,” Joanna guesses at the reasons for her mother’s actions, but doesn’t receive a reply. Cecily says she just needs to get inside the house. Joanna attempts a bargain, telling Cecily that she’ll take her to the house if she’ll answer three questions under a truth spell. Cecily replies that she can’t but seems interested in making a deal. They decide that Joanna will take Cecily to the house blindfolded and can do what she needs to do, provided she doesn’t go to the basement or interfere with the wards. If she doesn’t abide by these terms, Joanna will never speak to her again.

Part 1, Chapter 12 Summary

Pearl confronts Esther, having heard from one of the front office staff about Esther’s plans to leave. Esther accuses Pearl of stealing the book. Pearl acts confused and tells Esther that she’s going skiing which Trev, one of the new arrivals, and that they can talk when she’s back. Esther interprets Pearl’s information about her plans as an invitation to search Pearl’s room for the book. Esther wonders if it’s a trap but can’t resist searching. She notices dried blood on the mirror but doesn’t find the book. Trev returns from skiing to announce that Pearl has fallen and broken her wrist, and when Esther arrives in the infirmary, Trev locks the door from the inside and pulls out a gun.

Part 1, Chapter 13 Summary

Nicholas and Collins proceed into the passage and up the staircase to find a room with 10 mirrors, with labels like “bathroom,” “gym,” and “clinic,” each displaying its respective room. They realize there’s another room and enter Richard’s study. Nicholas finds a leather binder with a drafted spell, as well as a cloth-bound book with the spell Richard uses once a year in an attempt to locate other Scribes. Collins tells Nicholas he needs to see something: an eye in a jar, which Nicholas recognizes as his own. He realizes his kidnapping must have been staged by the library. Looking closer at the spell draft, he realizes that it’s an immortality spell that would require two Scribes to complete it. It would also require a body, sinew, bones, and blood.

Part 1, Chapter 14 Summary

Nicholas remembers an interaction with Richard years earlier, after Nicholas had written a magic carpet spell but was unable to find anyone to read it for him. Richard had taken him to the grounds and allowed him to try the spell, which was a sublimely happy experience, then told him that “secrets are bad news” (175). Present-day Nicholas feels resentful at the one-sided nature of Richard’s view on secrets. Collins calls Nicholas back into the room with mirrors. He has seen Tretheway—a bodyguard they thought was fired—in the clinic in the Antarctic station with Pearl and Esther, though they do not know who the women are. They watch Esther and Tretheway/Trev fight but are unable to hear the scene, which is “all the more horrifying for being completely silent” (178). When Trev begins to strangle Esther, Pearl hits him with a flower vase, grabs his gun, and shoots him. She and Esther converse, then begin to push Trev through the mirror, which mangles his body.

Part 1, Chapter 15 Summary

Esther takes a spell book from Trev’s pocket, which Nicholas recognizes through the mirror as one he had written himself; the spell erases the past 24 hours of memory. Esther decides that Pearl deserves an explanation and tells her about her family’s collection of magical books, her mother’s murder, and her decision to leave home to protect her family. After, Esther gives Pearl a choice about erasing the memory, and Pearl says yes, because she “can’t handle knowing right now. Alone” (188). She makes Esther promise to find her and tell her again when she’s safe. Esther searches Trev’s room and is disappointed not to find the Gil novel. She destroys both the mirror spell and the memory erasing spell.

Part 1, Chapter 16 Summary

Joanna lets Cecily into the house. Cecily proceeds to Esther’s room, asking to see the mirror that was left in the corner. She writes a note, asking the recipient to find a way to let her know things are under control or if help is needed, adding that “it’s time to break my side of our agreement […] please end it” (197). Cecily folds Esther’s latest Antarctic postcard into the mirror. Cecily tells Joanna she needs three days, and then she will come back and suspend the spell.

Part 1, Chapter 17 Summary

While Nicholas is hesitant to produce the blood ink required to write magic now that he no longer trusts Richard, Collins reminds him not to tell his uncle about the previous night. The bloodletting ritual proceeds. When he’s back in his room, Maram arrives and asks to have a word with him and Collins in Nicholas’s study. She confirms that it was in fact Nicholas’s eye in the jar, though she immediately devolves into a coughing fit, proof that she too is under a silencing spell. She gives Collins an envelope and reminds him to “drop them” when they get where they’re going. He seems to understand, though he’s surprised that it’s happening now, while Maram and Richard are out for the day. When Maram and Richard leave, Collins tells Nicholas to pack and admits that Nicholas was never safe at the Library. Nicholas realizes the “attack” in the car had been a ruse to scare him, with Collins’s gun charmed to emit bees instead of bullets.

Part 1, Chapters 9-17 Analysis

The narrative structure in this section features shifts between the characters’ perspectives as each story line moves toward a climactic moment: Cecily comes to Joanna’s house to pass a message through the mirror; Nicholas and Collins enter Richard’s study then leave the library; and Esther confronts Pearl, fights with Trev, then leaves Antarctica. The use of mirror magic is prevalent throughout this section and intertwines three formerly disparate narratives. It provides a gradual transition from three separate narratives to one, foreshadowing an eventual union between Esther, Nicholas, and Joanna while building suspense in the meantime.

The focus on mirrors serves to characterize magic as both facilitating communication and causing destruction. Törzs provides a vivid description as Cecily presses the note into the mirror—“The glass shivered and parted like water for a stone, and like a stone, the note and postcard sank in and were swallowed” (198)—which emphasizes the uncanny but natural nature of the magic that enables communication through mirrors. The fact that communication does pass through, but Joanna doesn’t understand its nature or know who its intended recipient, indicates a paradoxical intersection between knowledge and secrecy. In contrast, the destructive capability of magic is evident in the vivid and gruesome description of Trev/Tretheway’s passage through the mirror: His “hair prickled through like spikes of growing grass, and then came his bruised forehead, and his face, which was now horribly misshapen” (180).

Employing the magical realism genre to advance societal critique, Törzs also emphasizes the destructive nature of humans who use their power to exploit others, building thematically upon The Relationship Between Responsibility and Power. Törzs suggests that the intention to exert power over others supersedes magical power, evidenced by the power Richard exerts over Nicholas. Ironically, those with magical power—the Scribes, Nicholas and Esther—are exploited by those without—namely, Richard. The primary examples of Richard’s exploitation are his disregard for Scribes’ blood, evidenced by both the bloodline spell and the books Nicholas and Collins find in his study. These books require more blood than one person can give or are literally made from human materials. Nicholas notes that he is from “one of the magical legacy families created when Nicholas’s several-times-great-grandfather had founded the Library in the late 1700s and commissioned the spell that confined all magic to bloodlines” (122). This spell is eventually revealed to have been perpetrated by Richard himself. The idea of limiting power to bloodlines is particularly significant in connection to the reference to Abe’s grandparents in 1939 Budapest. While Abe suggests that the limitation shows the danger of using magic openly, Cecily vehemently disagrees and argues that the problem was actually fascism: “hatred and fear, that’s all it was. That’s all it ever is. Think of the lies told about the Jewish people, lies about blood ritual and human sacrifice…Hatred, fear, and the desire for control” (10). Thus, in keeping with the conventions of magical realism, Törzs uses the representation of Richard’s bloodline-limiting spell to critique real-world examples of blood libel antisemitism and systemic racism.

Törzs also emphasizes themes of secrecy and truth in this section of the novel. Nicholas and Collins discuss the notion of NDAs—magical gag orders—and Collins, Maram, and Cecily are unable to speak about certain matters in this section. In addition to these inadvertent secrets, Richard’s study reveals several purposefully held secrets, particularly his possession of Nicholas’s eye. Törzs uses parallelism between the scene during which Esther and Pearl discuss the memory-erasing spell, wherein Pearl opts for delayed truth, and that in which Cecily asks Joanna to trust her, expressing that “someday I hope I will tell you everything” (199). In this way, the author suggests that truth can be elusive and delayed, despite its importance.

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