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Margaret WalkerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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By June, Vyry still isn’t ready to build a new house. She goes to town to sell her goods on Saturdays. While approaching a house with a picket fence, a young man, not much more than a teenager, emerges in a fright and asks Vyry to help him with his wife, who is having a baby. When Vyry sees the young woman in bed, she’s thrashing around. Vyry calms her, warning her that she could kill her baby before it’s born. Thirty minutes later, the baby is born. Vyry cleans the baby, a boy, and dresses him. The young white couple, the Fletchers, are grateful for Vyry’s service, but they admit that they probably can’t pay her what she’s worth. Vyry doesn’t charge them anything and offers to stay until the young woman, whose name is Betty-Alice, has her mother come by to look after her. The young parents name the baby Henry Fletcher, Jr.
One day, while looking after Betty-Alice, Vyry compliments Betty-Alice on her home, which Betty-Alice says Henry fixed up. She admires her husband greatly, crediting him with knowing plenty of things and being courageous. Betty-Alice isn’t afraid of much either, except for “big old black ears and other wild animals and niggers” (478). Vyry questions her fear of “niggers” and Betty-Alice tells her how Henry has told her that “all black nigger mens wants white women” (478). She also tells Vyry that black people have tails. Vyry then lets Betty-Alice know that she is a black woman, which Betty-Alice doesn’t initially believe, given that Vyry is whiter than she is. Vyry tells Betty-Alice that her father was her white master, but her mother was a black woman. When Betty-Alice shares this information with Henry, he’s embarrassed and reminds his wife that she wasn’t to share his ideas with others.
Betty-Alice’s parents arrive and thank Vyry for helping their daughter. Betty-Alice’s mother also registers surprise about Vyry’s true racial identity but notes that her daughter was very lucky to have “a colored granny” (481), whom she deems the best midwives. Vyry confesses that it hurts her to hear white people in the town say unkind and completely false things about black people. When she goes home to Innis Brown, her husband can see that she’s in low spirits. At nightfall, two men arrive at their house. Vyry sees that one of them is Betty-Alice’s father. He asks for Vyry’s services in town as a midwife, given that there are so many young married couples, some of them already expecting. In exchange, the town will help to build the Browns a house—Betty-Alice’s father, Mr. Shackelford, is a contractor—and will ensure that they are safe in town. Vyry and her husband are grateful for their help and accept the offer.
On Monday morning, Innis Brown gathers the materials that he stored to build a house, which will be at the edge of a hill that looks out onto the major road. On Thursday morning, as promised, the townspeople arrive to help build the house. Every man comes with tools and each family has “a quilt ready for the frames” (487). Vyry prepares breakfast. The women sew quilts until dinnertime, but everyone pauses at noon for a lunch of fried chicken, biscuits, corn, blackberry pie, and more coffee. At the end of the day, when the house is built, everyone is satisfied with their efforts.
By the summer of 1870, Innis Brown feels that his dreams have been fulfilled. He has a farm and his family has a house. In the first weeks of the season, the townspeople call upon Vyry often to deliver babies. Every morning, Innis Brown and Jim go the fields, which the boy hates. Brown complains to Vyry about Jim’s laziness. She knows how anxious her husband is to produce a good crop, but also wants Brown to see her son’s side. Meanwhile, she’s saving all her money from midwifery to send Jim and Minna to school. August is a dry month with occasional showers. Innis Brown looks after his livestock day and night, sometimes with Jim’s help. Jim becomes increasingly hostile toward his stepfather, who criticizes his table manners and hounds him about chores. Brown, meanwhile, has difficulty sleeping.
Late one morning, Jim enters the house sobbing and says that he’s leaving. Vyry looks at the back of her son’s shirt and sees that it’s been torn into shreds. Brown beat Jim with a stick. Minna and Harry stare at Jim and cry. Innis Brown comes into the house, threatening Jim further, but Vyry steps between them and threatens to “brain [Innis] with [a] skillet” (497). Brown tells Vyry that Jim killed the sow, while Jim insists that it wasn’t his fault. He tried to keep the animal out of the mud, but the more he tried the deeper she sank. Minna begs Brown not to hit Jim, then Innis Brown turns on her, too. Vyry has had enough and threatens to leave her husband, too. Brown is offended and tells Vyry that he knows that she’s always looked down on field hands like him and doesn’t want her son to be one. He also knows that she makes her own money now and will likely do as she pleases.
The day wears on and everyone is in a bad mood. Vyry and Brown sleep separately. Brown does the farm chores without Jim. Vyry is tired of all the violence and her inability to escape it, even after having been freed. She drops to her knees at a rock and prays for peace. When she goes back to the house, she bids Jim good morning and asks how he’s feeling. She also explains how overworked his stepfather is. Jim insists, however, that he can’t stay at the house and is now old enough to work for himself. He also refuses to acknowledge Innis Brown as his father, despite the man being the only father he’s ever known. Vyry tells him that he can’t carry hatred in his heart. He must learn to forgive because only love will help him grow.
When Innis Brown comes home from the fields, he finds his favorite dishes on the table. Vyry smiles at him. The next morning, Jim comes to breakfast. Around noon, Mr. Porter visits and announces that Bob’s going off to military school. Mr. Porter sees the welts on Jim’s back and asks Vyry about them, but she doesn’t tell him much. He then says that he’s going to Dawson, Georgia to settle some business with Grimes over the Dutton property, which the former overseer is trying to take over. He then hands Vyry her property deed and tells her that, as long as the Browns pay their taxes, the land will be theirs within five years.
On the first Monday of September Vyry is sitting on her porch when she sees a black man approaching the house. She sees that it’s Randall Ware. He greets Vyry and asks where Jim is. Jim, Vyry says, is in the field. Ware announces that he’s come to get his son. He then takes Minna up in his arms and asks her if she’d also like to go with him and attend school. The prospect excites the little girl. After Jim arrives, carrying a hoe over his shoulder, Ware asks Vyry to set a bath for him and to get him clean clothes so that he’ll be prepared for departure. He plans on taking the afternoon train to Montgomery, then a second train to Selma, where Jim will attend a black Baptist school that trains future teachers and preachers.
When the boy undresses for his bath, Ware sees the welts on Jim’s back. Ware threatens to have Innis Brown arrested for beating Jim. Vyry says that the white people of the town wouldn’t stand for it, which makes Ware think that maybe Vyry is as loyal to white people as Old Doc once suggested. Still, Ware insists that Jim is his son, then asks Vyry why she didn’t wait for him at the plantation. Vyry insists that she did, but could only wait for so long.
Innis Brown arrives back home for lunch and meets Ware. He’s shocked both by how dark-skinned Ware is and how refined he is. Vyry brings out her finest things and feeds Ware well. She does this to show off how well the Browns are doing. Harry awakens and emerges. Ware greets the little boy and then takes him on his knee. Harry plays with Ware’s gold watch. Ware then admits to Brown that he was mad about Jim’s back, but he’s calmed after hearing Vyry explain how difficult Jim has been. Still, he’s taking Jim away. Brown is irritated to hear Ware describe Vyry as his wife. Ware insists that she still is, given that they’ve never divorced.
While they eat, Ware talks about matters in Dawson and Vyry tells him how the Browns “[have] been from pillar to post” (519). They swap their own stories about the Ku Klux Klan. Ware talks about how he’s been forced to sell half of his land. Innis Brown then offers that Ware spend the night and take the morning train. Ware accepts the offer, saying that he’d like to look at the Brown family’s land.
This section begins by revealing the tensions within the family that have resulted both from political and economic pressures, but also because each family member has different goals. These tensions become a microcosm for what is occurring within the African American community at this time. The differences between Innis and Jim reveal how younger generations would become less inclined to embrace agrarianism as a way of life. Meanwhile, due to her ability to pass as white, Vyry overhears local white people speaking their minds freely about how they believe black people’s freedom compromises their existences. She becomes a sort of spy, observing the mean gossip and resentments that culminate in the kind of Klan-sponsored terrorism that destroyed her home.
The meeting with the Fletchers creates opportunities, however. It gives Vyry the opportunity to reveal the foolishness of the young couple’s prejudices and the harm caused by their racism. For the Fletchers, the meeting becomes an opportunity to use the economic and social privileges to assist the Browns in gratitude for Vyry’s generous help. Mrs. Shackelford’s comment about black women being the best midwives is likely due to many black women learning how to give birth without the benefit of doctors. The experience of Vyry’s mother, Hetta, at the beginning of the novel describes how black women’s pain was routinely disregarded by the existing medical establishment.
The building of the Brown family’s house is the sole instance in the novel in which blacks and whites work together to create something under the auspices of friendship, rather than abuse and intimidation. The incident with Innis, however reveals an unraveling within the black family due to the trauma of slavery and Innis’ sexism. Vyry expresses her unwillingness to allow her husband to rule over the household when she steps between him and her son. By doing this, she establishes a limitation to what she will tolerate. Innis feels threatened by Vyry’s willfulness, her financial independence, and her choice of her son over Innis, which subtly implies a preference for Randall Ware.
Vyry, however, understands both her son’s urge to define his own urge to define his own life and Innis’ need to care for his family. This diplomacy carries over to her ability to unite Brown and Ware. They both compete for her affections but share a love for her in common, as well as some mutual admiration for each other, despite being very different men.
By Margaret Walker