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62 pages 2 hours read

Lee Child

Killing Floor

Fiction | Novel | Adult | Published in 1997

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Symbols & Motifs

Blind Blake

The deceased blues guitarist is the reason Reacher came to Margrave in the first place. Joe wrote to Reacher about a rumor he heard regarding Blind Blake’s possible murder in the quiet Georgian town many decades ago. Reacher’s love of blues music prompts him to make the trip, and he coincidentally arrives the morning after Joe is murdered for investigating Kliner’s counterfeiting operation. As Reacher investigates Joe’s murder, he never forgets about the rumor of Blind Blake’s murder, and his curiosity becomes a secondary investigation in the novel. Blues music features prominently in Killing Floor, for its themes of wandering, yearning, and occasional “vicious” anger. Reacher sings to himself a song whose true author is unknown, and he imagines Blind Blake singing it at one of the old bars in Margrave. When Reacher finally learns the true story of Blind Blake’s death from the barbershop owner’s sister, the musician’s murder transforms from a casual interest to a representation of a long history of violence which Margrave’s authorities worked hard to keep quiet. Blind Blake was killed by Caspar Teale, to whom a statue is now dedicated in the town square. The barber’s sister recalls how Caspar beat Blind Blake to death with his cane, all because young Grover Teale (the current mayor) pretended to be more injured than he actually was when Blind Blake ran into him by accident. The sister’s story shows the reader that Teale was a liar long before becoming involved with Kliner, and he would take any advantage to secure the outcome he wanted. Teale took Kiner’s money more for his personal gain than to rebuild the town, and he exaggerated his injury as a child to make his father kill Blind Blake.

Counterfeit Money

Philosopher Jean Baudrillard’s 1981 text, Simulacra and Simulation, defines simulacra as copies of something that no longer have (or never had) an original meaning, and simulation as the imitation of a real-world process. Kliner’s counterfeit ring operates along the lines of Baudrillard’s theory: money is already an abstracted form of wealth, and the counterfeit money is a simulacra that is fully divorced from economic systems of power but still functions in the same way; Kliner has essentially overwritten capitalism with his own power by making a false image of a real thing and then distributing it as widely as possible. His effect is complete when Reacher tips a waitress with a $100 bill, not knowing (and not caring) if the bill is real or not. Kliner’s counterfeit bills are so close to perfect that they are indistinguishable from legitimate currency, and he funnels counterfeit money into Margrave through his Foundation. The town runs on the false image of the American dollar and the American Dream; as the townspeople no longer need customers or revenue to keep their businesses open, Margrave becomes a kind of simulation of an idyllic Southern town. The simulation is flawed, though, as Reacher quickly finds that the town’s appearance is deceptive, part of a deep-rooted lie to protect Kliner’s counterfeiting operation.

Wandering

Reacher’s wandering lifestyle calls to him many times during his stay in Margrave. After leaving military service, Reacher was “a lonely wanderer for six months,” and he learned that “a wander depends on the kindness of strangers. Not for anything specific or material. For morale” (48). He appreciates Roscoe’s kindness and finds momentary peace in their brief relationship. Their connection, and his friendship with Finlay, gives Reacher the emotional support he may not realize he needs while investigating his brother’s murder. Reacher’s love for blues music also reflects his status as a wanderer, as he identifies with the “traveling blues” after being “caged” by his former career (29-30). Reacher relishes his newfound freedom, and despite his every effort to distance himself from a permanent job or home, he repeats the same patterns from his childhood in a military family: “Life was all about moving on at random and unpredictable intervals. It got so that it felt weird to do more than a semester and a half in any one place” (142). His youth prepared him to feel perpetually restless, to the point where he cannot bring himself to stick around “Even though maybe there’s a good reason to…I had to wander…I had to ramble” (353). Reacher ultimately ends his relationship with Roscoe because he does not want to stay in Margrave. Staying with her not only leads him into a life of board meetings and property taxes, which he firmly does not want, but he also risks imprisonment for his involvement in taking down Kliner Industries. More than that, Reacher longs for the open road, for “miles of travel and absolutely no idea where [he] was going” (522).

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