54 pages • 1 hour read
M. T. AndersonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Chloe and Adam record an episode of their show while shopping for food at the “vuvvmart.” They perform as if they’re still in love, although their remarks include biting comments, such as Chloe’s remark about drilling dimples into Adam’s face with an awl. Seeing the rich teens from the apartment complex approaching, Chloe grabs Adam and pulls him into an alley. Adam falsely argues that their love should be public, but Chloe counters that the alley is more intimate. She kisses Adam to keep him from shouting that he loves her, and the act makes Adam’s stomach turn. He pushes Chloe back and defecates in his pants, unable to control a sudden wave of diarrhea. Pulling Adam out of the alley, Chloe admits that she’s dating Buddy Gui. Adam argues that Buddy is a “meathead,” but Chloe says he’s a chainsaw artist. The rich kids see them arguing, and Adam explains that he has a medical condition and that he’s saving for a treatment.
Adam walks home, realizing that he’ll no longer bring in an income for his family. He goes to Buddy’s house the next day. Buddy’s driveway is filled with crucified Buddhas carved into logs. Adam asks if Buddy is making a statement, and Buddy explains that the vuvv enjoy human religion because they see it as “primitive.’ Adam mocks Buddy’s attempt at selling art, and Buddy realizes that he’s Adam Costello, Chloe’s ex. Buddy tells him to leave, mildly threatening him with a chainsaw. At home, Adam paints a landscape of Buddy’s house and his sculptures. As he paints, Adam takes the time to capture Buddy’s unique motions and even feels sympathetic toward Buddy, understanding that, like himself, Buddy is just trying to get by in life.
Adam and Chloe must report to a vuvv compound, where the vuvv confront them for lying about their relationship. Adam tries to reason with the vuvv, first arguing that they’re still in love and then switching to the idea that loss is part of love. The vuvv disagree and say human love is forever, adding that the teens can either prove their love or pay back all the money they’ve earned through their show; otherwise, the vuvv will sue them for fraud. The vuvv recite a poem intended to teach the teens what romance looks like. Adam leaves, while Chloe begs for the chance to start a new show with herself and Buddy.
The Costellos don’t decorate for Christmas because they can’t afford the extra electricity, and Mrs. Costello suggests selling the car. Hunter makes low part-time wages from his job at the vuvv rendering plant, but the Marshes refuse to pay their rent because they know that the Costellos can’t afford to evict them. Hunter studies the vuvv language, which annoys Adam, and he catches Hunter crab-walking, which is similar to how the vuvv move around.
Mr. Reilly invites Adam to bring his portfolio to the art room after school, where he finds Mr. Reilly and a vuvv named Shirley. Adam compliments the vuvv’s fertility, and Shirley brags about budding six spawn. Shirley is impressed that Adam uses real paints, and notes that the vuvv praise the spirituality among humans. Adam learns that he has passed the first round of the competition and that Shirley has come to collect a sampling of his recent work. Two people from each state will attend the art gala, where the vuvv will announce the winner. Shirley asks to take Adam’s fantasy landscapes rather than his paintings that show Earth as it is. Begrudgingly, Adam agrees, and Shirley directs Mr. Reilly to collect the original works from Adam and submit them to the competition judges.
Adam gets home as Chloe is taking Buddy into her bedroom. Nattie and Mrs. Costello come home. Mrs. Costello has applied for another job, although she’s not optimistic about landing the position. Adam tells his family that he has passed the first round of the contest. Nattie announces that she has a boyfriend, Michael, and that they’re going to sign up to date for the vuvv reality show, which both Adam and Mrs. Costello forbid. Nattie wants to help bring in money for the family, but they say she’s too young. Adam threatens to restrain her if necessary and feels heartbroken by the situation.
After gathering his artwork for the competition, Adam takes a shuttle to the complex where Mr. Reilly works. Some teens come by the desk, and one recognizes Adam as the kid with the virtual castle and as the kid who defecated himself in an alley. More tenants come into the lobby—Mrs. Gregson and her young daughter, Kennedy—and Mr. Reilly introduces Mrs. Gregson to Adam. Mrs. Gregson uses the cliché that those who can’t do, teach, and Adam defends Mr. Reilly as a life-changing teacher. Kennedy is throwing a tantrum and tosses her leftover steak. Mrs. Gregson demands that Kennedy give Mr. Reilly the steak so that it doesn’t go to waste and then orders Mr. Reilly to thank Kennedy. The mother and child go to their apartment, and Mr. Reilly tries the steak, which is “incredible.” Angry, Adam says he won’t turn in the fantasy paintings and that he’ll return with the realistic images. Mr. Reilly says Adam is throwing away the competition but that he’s proud of Adam.
Stress exacerbates Adam’s symptoms of Merrick’s Disease. He has ulcers that rupture in his intestines, causing an infection, and develops an intense fever, which his mother treats by keeping him hydrated and sedated. Adam is frequently in the bathroom with severe diarrhea, and he notices that Hunter has “Alopeesh-Sure” to make his hair fall out so that he can be more vuvv-like. A doctor prescribes antibiotics but can’t offer the cure to Adam because his family’s insurance doesn’t cover it.
When he awakens in the middle of the night, Adam opens the front door to cool down in the winter air outside. He hallucinates that his father is outside wearing a t-shirt and shorts. Adam talks to him, and his father apologizes and says he came to tell Adam and Nattie that he misses and loves them. Adam asks Mr. Costello why he left but can’t decipher the answer. Then, Mr. Costello mentions that the Georgia logo is changing to include multiple peaches instead of just one. He asks Adam to tell Mrs. Costello that he has a plan to start a rug cleaning business. Adam scolds his father for hurting Nattie and is angry that he has to hallucinate an apology from his father, but he admits that he loves his dad. Mr. Costello sends Adam inside, and the hallucination vanishes. The next day, Adam tells Mrs. Costello that he hallucinated Mr. Costello. However, she says that it wasn’t a hallucination. Mr. Costello came to steal her car and collect his stuff, and he left a note for her that he’s using the profits to open a business. Nattie is hurt that her father didn’t come in to speak to her, and Adam tells her that their dad said he misses and loves her. Adam draws the empty driveway with his father’s footprints in the snow.
Although he’s no longer attracted to Chloe, Adam is upset by the final dissolution of their relationship. Despite his lack of desire for her, he feels rejected by her and jealous of Buddy. This reaction is relatable because people tend to feel rejection strongly. By incorporating relatable emotional reactions, the author enhances the story’s realism and incites sympathy toward Adam. Adam’s negative feelings also include anxiety and guilt over losing his family’s sole source of income.
One of Adam’s primary characteristics is his love for his family. Although he has moments of self-centered anger, such as in his initial reaction to Buddy, Adam is generally understanding and altruistic. He worries about his mother and sister, and he proves that he’s unlike his father by staying at home and looking for ways to benefit his entire family rather than just himself. In this way, Mr. Costello becomes a foil for Adam’s character. The novel further develops Mr. Costello as narcissistic through his decision to steal Mrs. Costello’s vehicle. He argues that he’s doing the right thing for them all but doesn’t ask his family how they’re getting along without him. His propensity for making universal decisions that impact his entire family demonstrates the author’s intention to portray Mr. Costello as stereotypically patriarchal and sexist, thus criticizing the popularly termed concept of “toxic masculinity.” Adam, conversely, puts his family first without tying his worth to his financial prospects. Deeply emotional, he empathizes and processes his emotions through his art. His morals and strong sense of self develop through his desire to paint the truth and to share that truth with others by sending his honest paintings rather than his fantasy landscapes to the judges.
Adam’s altruistic and kind nature even lead him to sympathize with Buddy. Although Adam sets out to paint a cruel and sarcastic portrait of Buddy and his sculptures, as he works, the painting becomes a sincere portrayal: “As it turns out, my landscape of Gui’s Human Idol Emporium is not sarcastic at all, I don’t think. Instead, it looks like a human trying to hew a life and a belief out of nothing but dead wood—which is, in its own way, heroic” (74). The sympathy Adam feels for Buddy not only characterizes Adam as empathetic but also develops the theme of Capitalism and the Wealth Gap. He and Buddy both live in poverty because of the vuvv invasion, and both are desperate to find ways to support themselves and their families in a ruined human economy. Nattie, too, contributes to this theme when she announces that she wants to sign up for the dating show with her new boyfriend. Adam describes Nattie’s desire to support the family as “heartbreaking.” The author’s intention is to generate sympathy for the Costello family and to point out that many children living in real-world poverty miss out on childhood in order to help financially support their families.
The differences between species is a subtheme that contributes to the capitalism theme. The vuvv biologically differ from humans and view themselves as superior because of their advanced technology, interplanetary presence, and financial domination. This superiority leads to their misunderstanding and devaluing human culture. The author demonstrates their condescending ignorance when the vuvv threaten to sue Chloe and Adam. The vuvv explain to the teens that human love is eternal. This explanation exemplifies dramatic irony because the vuvv don’t realize that this statement is untrue, but the human characters do. In addition, the vuvv recite a poem to explain human love to the humans, which adds absurd humor, enhancing the novel’s satirical mood:
Now, my darling, comes the glorious spring,
And I find true beauty in your everything:
Your arms, so slender, and your meaty shanks,
Your long head-bristles that hang down in hanks;
The discolored skin around the hole with which you bite,
The wet face-patches, so sensitive to light… (78).
The vuvv appear to have honorable intentions, which they express in their particular interest to learn about, preserve, and promote elements of human culture. Despite their intentions, however, the vuvv become patronizing, and their presence is harmful. This stems from their sense of superiority because of their financial position, again reflecting the devastating effects of capitalism and the wealth gap. The misunderstanding intentionally represents the social discord that often divides the rich and the poor in the real world.
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