47 pages • 1 hour read
Mary KubicaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One Thursday evening, Meredith takes Josh out for dinner, planning to tell him about Marty and the malpractice suit. As they drink, dance, and flirt, Meredith recalls meeting Josh years ago; he was the first person on the scene after she was in a car accident.
Kate and Bea appear at a nearby table, celebrating Bea's 30th birthday. Joining together, the four of them eat and dance. When Kate and Josh suggest it’s time to leave, Meredith offers to stay with Bea, who is enjoying herself. A while later, both of them drunk, Meredith and Bea leave in Bea’s car.
A paternity test reveals Jason is not the father of Shelby’s baby.
A few days later, Meredith’s car is found at a hotel in a nearby town. Kate and Bea drive Josh to the hotel, where they learn that Meredith checked in on the day of her disappearance. An officer emerges from the hotel and tells Josh that Meredith was found dead inside. Josh screams, “Noooooo!” and “Why?”
Meredith and Bea laugh and sing on their way home. Bea, who is driving, runs over a woman, and Meredith is horrified to recognize Shelby. Desperate not to be sent to jail, Bea stops Meredith from calling the police and insists that Shelby is already dead. Against her better judgment, Meredith helps Bea hide Shelby's body in the muddy, wooded area near the river. Back at Meredith’s house, they clean themselves off. Bea tells Meredith never to mention what happened.
To unlock Carly's memories, Josh takes her to a hypnotist. At home after school that night, Leo learns that the hypnosis session revealed Gus’s imaginary nature. Leo calls Carly a “liar” and a “schizo” (288).
The night after the hit and run, Josh flirts with Meredith. She becomes physically ill remembering what happened. That night, when Shelby’s disappearance appears on the news, Meredith doesn't tell Josh that she knew Shelby. The next day, Bea visits Meredith and reminds her to “act normal” (293).
Feeling guilty, Meredith distances herself from Josh and struggles to fulfill her daily responsibilities. To ease her mind, she places a blanket over Shelby’s body.
Josh visits Leo in his room and explains that Carly did not intentionally create Gus; her hallucination was a survival mechanism. Leo apologizes to Carly.
Josh sees Meredith’s distress and becomes frustrated at her refusal to open up to him. Bea continues to visit Meredith. Meredith suggests they should turn themselves in, but Bea disagrees.
One day at school, Piper shows Leo a photograph of her and Delilah together as children. In the photograph, Delilah has a cleft chin. The photograph of Carly in the newspaper shows no cleft chin, suggesting they are not the same person.
One day, Charlotte calls Meredith. She explains her discovery that a fifth-grade boy at the daycare bullies Leo and locked him in a chest for almost an hour that day. She promises not to allow the other boy to return.
Two days after Piper showed him the photo of her and Delilah, Leo points out the difference between Carly and Delilah’s chins to Josh. Josh returns to the police station to ask about the DNA test. At first, Rowlings dismisses his concerns, but then she admits that she lied about the DNA test to protect Josh’s feelings.
The police wonder why Carly believed herself to be Delilah.
One night, Meredith tends to Delilah, who has a fever. Lying awake, she feels strongly that she needs to tell the police the truth.
The next morning, she takes Leo to Charlotte’s after assuring him that the bully will not be there. Back at home, she returns to the garage to get her phone, which she left in the car. Bea appears and Meredith learns that she is using Shelby’s bloody clothes to frame Jason. When Meredith tries to call the police, Bea stops her. They fight, and Bea’s arm is cut by an exposed nail. As Bea knocks Meredith out with a hammer, Meredith spots Delilah watching them from the doorway.
The police question Carly and speculate about Eddie and Martha, who are copycat criminals. Eddie and Martha kidnapped Carly from St. Louis, Missouri, shortly after Delilah’s disappearance and showed her newspaper clippings to convince her she was Delilah Dickey. The DNA test reveals the child’s true identity as Carly Byrd. The police accompany Carly to the Dickey home to collect her things. After a while, Josh realizes that Carly is gone and left through her bedroom window.
Driving Meredith’s car, Bea takes Meredith, who regains consciousness on the way, to a motel. Using Delilah, who is not present, as leverage, Bea forces Meredith to rent a room in the motel and write a suicide note, which explains that Delilah is safe but unreachable. Explaining that she “never wanted it to come to this” (336), Bea slits Meredith’s wrists, then stabs her in the stomach.
Kate and Bea are eating dinner when Josh, accompanied by the police, asks them to help look for Carly. When the police request permission to search Bea’s studio, Bea hesitates. She goes to get the key, but never returns. Kate looks for her, but instead of finding her she receives a text from Bea asking for forgiveness.
With Kate’s permission, the officers batter down the door to Bea’s studio. In the attic, they find Delilah. Bea has kept her in captivity for 11 years to prevent her from revealing Bea’s role in Meredith’s death. Delilah was relatively comfortable and could watch her home from a small gap in the boarded-up window.
Carly is found and returned to her family.
Bea is soon arrested and convicted, and Jason is released. Devastated, Kate accepts a single call from Bea. Bea apologizes but continues to justify her actions; Kate hangs up.
Kate notices that Josh, Delilah, and Leo are beginning to heal and wonders when she will do the same.
As is typical of thrillers, these final chapters contain several major plot twists. These include the revelation that Carly is not Delilah, that Bea and Meredith killed Shelby, and that Bea killed Meredith and concealed Delilah in her studio for 11 years. Kubica uses the device of plot twists, while having planted seeds to foreshadow her ending. Kubica has prepared readers to accept Shelby’s death from the beginning, with the prologue offering Shelby’s perspective on a scene that is only, and finally, contextualized here. Shelby’s death suggests how bad decisions, like driving while intoxicated, can have a wide and terrible impact. Bea and Meredith’s decision to drive home drunk creates a ripple effect, casting a wide radius of damage and trauma.
Kubica continues to add depth and nuance to her characters. Meredith’s core goodness is manifest in her resistance to Bea’s suggestion that they hide Shelby’s body, and in her willingness to stay longer with Bea to allow Josh and Kate to go home early. She stays despite not being a party animal, as Josh will point out. Bea foils Meredith, as the two of them respond in strikingly different ways to Shelby’s death. Whereas Meredith is riddled with guilt, Bea soon becomes “chillingly composed” (275). Over time, Meredith finds that her grief and remorse accumulate, while Bea exults in the possibility of getting away with such a serious crime.
Kubica keeps Carly at arm’s length. After Part 1, Kubica never returns to her perspective. Readers have a glimpse into who Carly is, but see her later, erratic behavior from the perspective of other characters like Leo and Josh. Carly’s decision to run away from the Dickey home appears irrational, as it is unclear what she is running to or from. By not being able to see inside her head, Kubica maintains the mystery of her identity.
Through Carly, we see Leo grow. Carly seems to become less important to Josh, who is devastated by the revelation that she is not Delilah. At the same time, Leo advocates for Carly’s personhood and dignity, using her name when others fail to do so. He also comes to terms with Carly’s invention of Gus as a coping mechanism. Within Kubica’s exploration of The Lingering Effects of Trauma, this suggests that abuse survivors deserve patience and compassion, not criticism.
Stylistically, Kubica employs dramatic irony, where readers know more than the characters do. This heightens suspense when Bea and Meredith run over Shelby. From the start, readers are likely to recognize Shelby as the victim, based on the prologue and other clues. But Meredith is much slower to catch on. At first, she wonders if whatever they hit could be an object or an animal. Even when she does accept that they hit a person, she assumes that the person is still alive, and does not consider the possibility that the victim is someone she knows. By spacing out Meredith’s dawning awareness, Kubica draws out the climactic reveal.
This section explores the theme of Freedom Versus Captivity. Bea prizes her own personal freedom above all else; her rampant individualism mirrors her work as an expressive musical artist. Her studio aptly reflects her self-preservation when it becomes Delilah’s new home. As Bea works to secure her own freedom at any price, it becomes clear that she can never be truly free of guilt or the risk of discovery. True freedom, Kubica suggests, can’t coexist with secrets.
By Mary Kubica