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61 pages 2 hours read

Thomas Wolfe

Look Homeward, Angel

Fiction | Novel | Adult | Published in 1929

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Part 1, Chapters 6-13Chapter Summaries & Analyses

Part 1, Chapter 6 Summary

Eliza suffers under the guilt of her decision to move to St. Louis. Over the winter, the family slowly recovers and returns to the daily routine of their lives. Eugene, hungry for knowledge, devours picture books. As Eugene grows and reaches the age of five, he observes the strained relationship between his parents firsthand and how “they were so used to the curse, the clamor, and the roughness, that any variation into tenderness came as a cruel affectation” (54).

Eliza and Gant reignite their battle over Eliza’s ambitious desire to own property. Gant’s dislike the idea of owning property because he prefers “ready and unencumbered affluence—the possession of huge sums of money in the bank and in his pocket, the freedom to travel grandly, to go before the world spaciously” (55). Helen, now around 15 or 16, has grown even closer to her father and calms him during his drunken outbursts. This closeness causes tension between Helen and Eliza.

Part 1, Chapter 7 Summary

At the age of 56, Gant takes “his last great voyage” to California, feeding “the final flare of the old hunger that had once darkened in the small gray eyes, leading a boy into new lands and toward the soft stone smile of an angel” (57-58). As he returns home by train, he ruminates on his aging, the presence of death all around him, and his own mortality. Images flit in and out of his mind as he recalls the memories of his past adventures and realizes how small Altamont, his home of 20 years, feels to him after just two months in California. The Square at the center of Altamont serves as a striking representation of this changed perception:

“He felt suddenly the cramped mean fixity of the Square: this was the one fixed spot in a world that writhed, evolved, and changed constantly in his vision, and he felt a sick green fear, a frozen constriction about his heart because the centre of his life now looked so shrunken” (62).

He returns to the family home and, finding Eliza struggling to reignite a dying fire, he brings the fire back to life by rashly pouring kerosene on it. As Eliza babbles and chats, Gant recalls the images of past adventures that haunted him on the train back home. He recommences his morning routine and goes to wake the children.

Part 1, Chapter 8 Summary

Eugene, now six, begins attending school, much to the chagrin of his resistant mother Eliza, who weeps at his newfound independence; “she knew that in her dark and sorrowful womb a stranger had come to life, fed by the lost communications of eternity, his own ghost, haunter of his own house, lonely to himself and to the world” (67). Eugene’s older siblings do not understand him. He only finds solace and connection in his brother Ben, who comforts and defends him, and in the many books he absorbs and learns to read.

Part 1, Chapter 9 Summary

Eugene and his companions, Max and Harry, terrorize the neighborhood by pranking the black and Jewish people who reside in Altamont. They also target the residents of Pigtail Alley, who are of a lower socioeconomic status. Eugene grows disillusioned with these cruel actions. He spends more time at his father’s shop and admires his father’s work and its ability to withstand time compared to the more ephemeral work of his companions’ fathers.

Eugene spends most of his time reading in the town library; he particularly enjoys reading books of romance and adventure. Imagining himself as his favorite fictional heroes, he becomes fixated on material success and on his desire “to marry himself to none but a Pure Woman” (85). Eugene revels in romantic escapades, such as the story of a heroic clergyman who maintains his strong moral values despite the passionate love he feels for an innocent, beautiful woman. Another is the story of a warrior facing death at the hands of a wild groups of “natives” who confesses his love in their seemingly final hours of life, only to be saved at the very last moment. Eugene sees himself in these heroic figures and, “lifted by his fantasy into a high interior world, he scored off briefly and entirely all the grimy smudges of life: he existed nobly in a heroic world with lovely and virtuous creatures” (88). These imaginary journeys rooted in strong virtue and morality sustain Eugene, although he also imagines himself engaging in a torrid affair with his schoolteacher.

Part 1, Chapter 10 Summary

Eliza and Gant both believe that it is necessary to teach the Gant boys economic independence by making them earn money from an early age. Ben works as a delivery boy for a local newspaper. He stopped attending school after the eighth grade and withdraws into his work; “in the brawling house he came and went, and was remembered, like a phantom” (92). Eugene’s first job is selling his father’s fruits and vegetables throughout their neighborhood; he later follows in his brothers’ footsteps and works for a newspaper, selling copies of the The Saturday Evening Post. Eugene hates the work, but his brother Luke thrives on the attention and recognition he receives.

Eugene eventually finds his own success and demonstrates his prowess as a salesman, venturing into the outskirts of Altamont to sell newspapers at sanitariums. In one such sanitarium, two patients attack Eugene, but he escapes them by overpowering them. Eugene continues to find comfort and understanding in his brother Ben, who, like Eugene, is aware of the social divide that separates the Gant family from Altamont’s upper class. Ben chastises their mother Eliza for not investing in Eugene’s potential.

Part 1, Chapter 11 Summary

Eliza maintains her obsession to own property and eventually focuses her ambition on a large boardinghouse named Dixieland. Eliza believes in the potential of Dixieland and proclaims, “They’ll put a street behind there someday” (103). Much to Eliza’s surprise, Gant approves of her purchase, and she purchases Dixieland for $7,500, which she will pay in installments earned through the boarders she hopes to attract. Gant and Eliza separate without much discussion or issue; Eliza feels her life “moving by a half blind but inevitable gravitation toward the centre of its desire” (105), a desire that was previously fixated on their move to St. Louis. Eugene reluctantly moves to Dixieland with his mother while Helen stays and cares for her father, which solidifies the tension between Helen and Eliza. Daisy is engaged to a young grocer from South Carolina, Ben and Luke come and go as they please, and Steve continues to live a transient life, forging checks in his father’s name and returning home when ill or desperate.

Eugene struggles with the change in the family dynamic and often finds himself back home with Gant and Helen; Gant, previously supportive of Eliza’s dream, now condescends her choice and nicknames Dixieland “The Barn.” Eliza struggles to keep on staff at Dixieland, as she distrusts staff and finds it difficult to delegate tasks. She comes to rely on Helen, who finds the boardinghouse a source of entertainment. Eliza becomes litigious and thrives in brandishing her power as a boss and businessowner. Ashamed of Dixieland, Eugene swallows his frustration with his mother and the family’s lack of social respectability. Eugene attends a Presbyterian church regularly and feels a connection to religion; “he gathered something of the pain, the mystery, the sensuous beauty of religion, something deeper and greater than this austere decency” (114).

Part 1, Chapter 12 Summary

Eugene continues to float between the two Gant family residences. Helen cares for him continuously while sometimes attacking Eugene for his brooding, intense ways and provoking him to uncontrollable displays of passion and rage. Though Helen is “at heart a severely conventional person,” she has a restlessness that impels her to seek excitement by relishing the attention of various suitors, drinking small portions of whiskey, and befriending “young fast women” (117). She strikes up a friendship with a young prostitute named Mary Thomas, a boarder at Dixieland, while simultaneously condemning her mother for allowing such women to stay at the boardinghouse.

Steve returns to Altamont and begins an affair with a desirable and adulterous married woman named Mrs. Selborne, a summer boarder at Dixieland. Their affair ends after Mrs. Selborne’s first summer in Altamont, but she maintains a close friendship with Helen, who even travels to South Carolina to visit her.

Daisy marries Joe Gambell, the young South Carolinian grocer who leaves his hometown and finds a new job in Augusta, Georgia, where he and Daisy begin their new life together. Gant and Eugene visit Daisy in Augusta soon after her marriage; the two-week trip opens Eugene’s eyes “as one bursts a window into the faery pageant of the world, as one who has lived in prison, and finds life and the earth in rosy dawn” (124). Daisy and Joe’s life in Augusta only lasts three months, and they soon move to Joe’s hometown.

Part 1, Chapter 13 Summary

In the ensuing years, Eugene and Eliza travel throughout the South, primarily in the winter, to find relief for Eliza’s rheumatism. Eliza rents out Dixieland during these periods without fully relinquishing her power and control. Gant, drinking heavily and suffering from rheumatism himself, escapes to Hot Springs for six weeks under Helen’s care. There he recovers much of his health, although his right hand remains permanently disabled. Eliza, in reaction to Helen and Gant’s solidified bond, ventures to Hot Springs with Eugene in tow. At Eliza’s insistence, Eugene resumes selling The Saturday Evening Post and hands out business cards advertising Dixieland, a task he deplores. By the end of Eugene and Eliza’s extensive journey throughout the South, Eugene is 11 years old.

Part 1, Chapters 6-13 Analysis

The divisions within the Gant family become more apparent in Chapter 6, when tensions mount between Helen and Eliza as Helen assumes the role of caretaker for Gant. Eliza and Gant’s relationship is increasingly strained by their competing desires.

As Eugene grows more literate, his father shares with him his love of the dramatic, reciting passages from William Shakespeare’s plays and poetry that he has memorized and cherished. Gant passes on to Eugene a love of drama and poetry, fulfilling the Gantian patriarchal affinity for performance. Gant embraces this performative spirit especially in the rituals he creates with his children, his eager audience, who await his entrance onto the stage of their home.

In Chapter 7 Gant takes his last great solo voyage to California. An homage to his past exploratory ways, this trip highlights the change Gant has undergone over his decades in Altamont. Chapter 7 focuses on Gant’s return to Altamont; he comes home aware that “he was at length caught in the trap of life and fixity, that he was being borne under in this struggle against the terrible will that wanted to own the earth more than to explore it” (57). Wolfe illustrates Gant’s internal conflict between stability and exploration through Gant’s description of Altamont, whose once impressive square now appears “so small, so small, so small” (58). Before he slips back into his routine of calling his children for their morning ritual, Gant, observing Eliza struggling to build a fire, reignites the fire quickly and deftly; he is aware of how the fire, warm like his once uncontrollable passion to explore and escape, must be maintained. However, Gant, aware of his increased age and inevitable demise, chooses to return home; he chooses stability.

As Eugene officially begins school, he stands out from the other students, a fact that Eliza has recognized “in her dark and sorrowful womb a stranger had come to life...lonely to himself and to the world” (67). Repeatedly, Wolfe employs the word “brood” to describe Eugene as he escapes into his treasured books. Within Eugene there is a rich internal landscape mysterious to all around him. Wolfe also classifies Eugene as a “stranger” who is never at home in Altamont despite his residence in the town since birth.

In Chapter 9 Eugene lives vicariously through the heroes he reads about in his favorite romantic novels. Within his rich imagination, Eugene takes on the role of hero and, after observing his classmates’ cruelty to those different than them, Eugene aligns himself as one outside of the norm. Eugene’s romantic fantasies range from virtuous to indecorous, a conflict that represents his budding struggle between devotion to a moral and pure life and a desire to experience life sensually.

Although Eugene feels a kinship to Ben, who also struggles to reconcile his strong internal desires with limited realities, Eugene finds a foil in his brother Luke. Wolfe juxtaposes the two brothers most clearly in their relation to labor as, in Chapter 10, Eugene begins working the same job as Luke. While Eugene struggles to rise above the disdain and burden he feels for the work, Luke relishes in the opportunities for recognition. Unlike Luke, who is content with his current position, Eugene and Ben remain unsatisfied and in search of something more. Wolfe describes Ben as a “phantom” and a “shadow” who is haunted by an unrealized fantasy.

In Chapter 11 the Gant family now owns two homes and divides officially into two opposing sides. Eliza purchases Dixieland, a boardinghouse that embodies her never-ending search for wealth and inability to live life separate from her pursuit of financial stability. Helen and Luke stay with Gant in his home, one built by his own hands and whose best feature is the garden Gant planted on his own. Eugene stays with his mother at Dixieland. Ben shuttles between the homes, a nomad in his own hometown. Dixieland is cold and devoid of personal touches; it is a place of business where comfort is not valued and where the family has no space to unwind. Gant’s home, meanwhile, is characterized by its overabundance of food and rich natural environment.

In Chapter 12 Daisy and Joe Gambell’s short attempt to begin a new life in a new city connects to the motif of returning home. Various characters, both minor and major, attempt to escape the familiar and run toward the unknown, and almost every character returns to a place of familiarity. Even Gant, renowned traveler and “Far Wanderer,” returns to Altamont from his last solo journey. Joe returns to his hometown of Henderson. Eliza and Eugene, after a brief adventure in the South, return to Altamont.

By Chapter 13, Eliza and Gant have definitively separated as a married couple; they now rely on the new emotional support found within their children. Helen continues to serve as a surrogate wife and caretaker for Gant, while Eugene, still a minor subjected to the full and utter control of his mother, journeys with Eliza throughout the South and to Hot Springs. Both pairs separately venture to the same restorative location in a competitive search for comfort.

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By Thomas Wolfe