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Claude BrownA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After two and a half years, Claude is released from Wiltwyck. He plans to do the same things he was doing before being sent away but knows he will do them better because he is “older and bigger and hipper” (93). He returns home to find that Butch, Danny, and Kid have heroin addictions, so he decides to spend time with his Wiltwyck friends. He meets Johnny D., a 21-year-old Wiltwyck alum, who buys stolen goods from Claude and works as a “pimp” and gun dealer. Johnny soon offers Claude and two friends, Dunny and Tito, heroin in exchange for stolen cigarettes. Claude takes some of the drug but becomes incredibly sick and is convinced he is dying. Danny revives him, and Claude swears never to use heroin again.
Claude continues spending time with Johnny, who teaches him about life as a “pimp.” Claude starts thinking of and referring to women as “bitches” (99). He describes an instance in which he and some other boys sexually assault a sex worker named Clara, which he ultimately found to be a disappointing experience. Johnny also teaches Claude how to box by hitting him repeatedly, claiming, after Claude gets angry, that the trick to effective fighting is to stay calm. He and the other boys eventually stop selling stolen goods to Johnny, preferring to just listen to his stories. Claude soon meets Jackie, also 13 years old, and they begin a sexual and romantic relationship. Sugar becomes jealous and mocks Jackie’s family’s poverty; Claude, who also loves Sugar, does not stop her.
Claude, Danny, Butch, and Kid are caught robbing a grocery store. After being arrested, Claude learns that Mac, Bucky, Turk, Tito, Dunny, and a boy named Alley Bush—essentially all of his friends—have also been arrested. Claude’s father beats him, and Claude feels like nothing has changed since he was sent to Wiltwyck. A seemingly sympathetic judge lets the boys off without charges. Knowing his peers will expect him to commit increasingly violent crimes to maintain his reputation, Claude wants to leave Harlem and go back to Wiltwyck.
Claude’s mother has a premonition that something bad is going to happen, but the family ignores her. Claude goes to Bucky’s house, and the novel arrives at the place where it began: Claude, Bucky, and Turk try to steal bed sheets in order to sell them, and an unseen assailant shoots Claude. Lying on the floor of the fish-and-chips shop, Claude thinks that death is the only way he can get out of Harlem and prays he will survive one more year so he can help his younger brother get ready for the street.
After Claude is released from the hospital, he is sent to Warwick, a much tougher reform school than Wiltwyck. Upon arriving, Claude learns that he already has a reputation there and that many of the boys want to fight him. Feeling like nothing can hurt him after all he’s been through, he resigns himself to eventually being attacked. He becomes friends with an Italian boy named Minetti, whom he soon protects from a group of bullies. After this, no one tries to hurt him. He realizes that race is not important in friendships.
Claude considers Warwick “a jail in disguise” but also appreciates its idyllic location (123). He describes the strict security procedures and work gangs, emphasizing the place’s brutality, but when one of his Wiltwyck friends arrives, Claude immediately feels more at home. After Minetti steals a car and gets caught, Claude saves him—again—from a group of older boys who attack him, knowing they are now his enemies.
While Claude learns more about drugs from the older boys at Warwick, many of whom are “real criminals” (128), he still does not use drugs. Even so, he still has a reputation for toughness, given the scar from his gunshot wound. Claude decides that Warwick makes everyone a better criminal.
Warwick has a special cottage just for queer men, including a boy named Baxter, with whom Claude becomes friends. Claude expresses anxiety about other boys thinking he is also gay, but Baxter maintains that he has no interest in Claude beyond friendship. Claude admits that Warwick stokes insecurities about masculinity among all the boys there.
Some older boys at Warwick introduce Claude to jazz, which has a profound effect on him, particularly the work of Charlie Parker. After his friend Gus is sent to another reform school, Claude inherits all his jazz albums.
Claude returns to Harlem after nine months and three weeks at Warwick. He does not want to go to school because he does not have enough money to buy decent clothes. He cannot keep up in class and becomes tired of everything, even his friends. Finally, he goes back to the Youth House and boards the bus to Warwick, checking himself back in. He describes his return as “a great reunion” (136). He stays for three months and is sent home because of overcrowding. K.B. is released and returns to Brooklyn, where he begins dealing and using heroin. Claude begins avoiding him and stays in Harlem.
A few months later, Claude is arrested for selling stolen goods and is sent back to Warwick for the third and last time. He builds on his reputation for toughness, running an extortion racket and charging other boys protection fees. During this stay, he meets Mr. Cohen, the superintendent of Warwick, and Mrs. Cohen, his wife. They are both very kind to him, especially Mrs. Cohen, who tells him he could have a great future ahead of him and starts giving him books. Claude reads voraciously and starts to wonder what could happen if he does not go back to Harlem.
He returns home for good on July 12, 1953, and discovers that most of his Harlem friends are in jail. Butch, Danny, and Kid have developed heroin addictions. Claude feels like he will inevitably be arrested again and be sent to a real prison. He meets Reno, Bucky’s 21-year-old brother, who starts teaching him how to be a hustler. He begins working in the garment district as a requirement of his parole while also selling marijuana. He eventually quits the garment district job and becomes a full-time drug dealer and hustler.
Reno teaches Claude how to “play the Murphy,” or run a scam in which he pretends to be a “pimp” and tricks tourists or soldiers into paying for sex workers (143-44). However, Claude continues to make most of his money from selling marijuana, which is an easier and more dependable trade. One night, Reno and two sex workers introduce Claude to cocaine, which he enjoys: He says it makes the world look beautiful and removes all his inhibitions. He continues using cocaine and eventually starts dealing it along with marijuana.
Claude continues fighting with his parents and eventually moves out. He finds a place in a Harlem neighborhood called Hamilton Terrace, where other young hustlers live. He reconnects with Tony Albee, a boy whose family had moved near his and who is trying to establish himself as a hustler. They become close friends, but Reno sees Tony as “backward” and sheltered and distances himself from Claude. Claude reflects on the differences between “good boys” like Tony and “bad boys” like him and Reno, concluding that the good boys’ parents had damaged them by being overprotective (151).
A marijuana shortage in Harlem forces Claude to look for a job, and he starts working at a restaurant called Hamburger Heaven. He does not like waiting on white customers, who are rude and condescending, but stays at the job for about a year. He thinks about how Black people’s awareness of their race is changing; for example, the word “baby” has become popular among Black men and exemplifies their shared racial background and cultural values (154). He also notices the beginning of the Black Muslim era, the rise of soul music in churches and nightclubs, and a new appreciation among Black people for their own strength and beauty.
In November 1953, Claude goes to Wiltwyck to visit Dr. Papanek. He feels homesick for Wiltwyck and knows he will probably go to jail soon. His former counselor, Nick, tells him that Papanek believes Claude can turn his life around and be successful. Claude wonders why he would want to be successful in such a hostile world and still feels like he is not smart enough to go to school.
One night, a man named Limpy robs Claude, who realizes that he will have to kill Limpy in order to maintain his reputation on the street. He tries to buy a gun from Danny, who has had a heroin addiction for about four years, but Danny refuses to sell him one, telling Claude he still has something to live for. He buys one from a dealer but cannot find Limpy. He realizes that killing Limpy would not be right, as people with addictions are not inherently bad people.
Claude stops dealing drugs and starts going to night school to finish his high school diploma. While his peers tease him at first, he does not care, as most of the boys he grew up with are either in jail or have substance use disorders. Some of them even start night school themselves, although they all drop out quickly. Claude struggles with homework, particularly math, but repeats his classes until he passes them. He also tries to resume his relationship with Sugar, but her feelings for him have dissipated, and she is in love with a man who works at a grocery store. This angers Claude at first, but he realizes that he has brought about his own heartbreak by mistreating her. He has a brief relationship with a fellow night school student, a 19-year-old married mother who quickly becomes attached to him. She has a voracious sexual appetite, and Claude, exhausted, finally ends the relationship. She becomes angry and tries to call him, but he ignores her.
Claude focuses harder on school, feeling torn between his education and his street life. He feels disconnected from his neighborhood, realizing he is no longer interested in the Harlem scene, and decides to move. He reflects on all the changes he has made since leaving Warwick: He no longer deals drugs and no longer works in the garment district or at Hamburger Heaven. He moves to Greenwich Village and gets a job at a watch repair shop, where he notices how happy and kind his coworkers are. For the first time, he feels as though he can do anything he wants and is making a fresh start.
Claude has a number of new experiences in these chapters that change his dynamics with his family, his peers, and Harlem itself. As he moves through a number of different jobs and social positions, he continually recalibrates himself in relation to the people, places, and ideas around him. By the end of Chapter 6, he has almost completely reinvented himself.
Trying heroin for the first (and only) time is an especially formative experience for Claude. Like many things in the adult world, it is not what he expected it to be, and in this case, it is a terrifying nightmare. His initial bad reaction to the drug proves to be the reason he never tries it again and thus avoids developing the same kind of addiction as his brother and so many of his friends.
Claude’s happiness at Warwick, and the fact that he voluntarily returns there after finding himself miserable at home, indicates that his relationship with authority figures and structures might be changing. He simultaneously wants freedom from restraints and the kind of safety and simplicity that restraints often provide. In places like Warwick, obligations are clear, social identities are well-defined, and expectations are low; moreover, in such a small pond, Claude is a very big fish.
Warwick is the place where Claude discovers jazz and books, both of which will be very important for his personal development later in the novel. It is also the first place he encounters openly queer boys and young men around his own age. While he is straight, his meditations on queerness in this section of the text provide an insight into his personality and the ways he approaches sexual orientation and gender. Ultimately, in a paradoxical turn, Warwick turns out to be a place where Claude’s worldview expands.
After meeting Reno, Claude takes on another new identity: He becomes a hustler. The hustler was an important figure in African American culture in the mid-20th century. Scholars typically define the hustler as a response to white supremacy and the failure of post-Civil War America to improve the lives of Black people. Hustlers like Reno formed an alternate economy in which they could operate outside the oppressive boundaries imposed by white supremacy. Although Claude does not work as a hustler for long, his brief adoption of this pose speaks to its ubiquity among young, urban Black men during this period as well as to the theme of The Importance of Communal Knowledge.
Finally, these are the chapters in which readers see Claude’s search for happiness and meaning most fully articulated. After a number of unsatisfying experiences—working as a hustler, having an affair with a married woman, dealing marijuana, working service jobs in the garment district and Hamburger Heaven—he starts wondering for the first time if what will actually bring him satisfaction is something he has never imagined. In other words, he has realized that a gap exists between what he has been taught to want and what he might actually want. This realization leads him to finally move out of Harlem, perhaps the biggest life change he has made thus far.