36 pages • 1 hour read
Lauren GroffA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Book 2 has no divisions but is one long chapter that takes place over almost 30 years. Marie is 21 when the chapter begins and is almost 50 and entering menopause by the time the chapter ends.
In her new role as prioress, Marie must navigate the patriarchal hierarchy of the church. Her “diocesan superiors” make constant demands on her time (54). She gradually learns to manipulate them through a combination of attention and avoidance: “She must train her superiors in the community like dogs or falcons, with rewards, and slowly, so they don’t know they’re being trained” (56).
She also must manage the lands around the abbey. When some peasants on the abbey’s land are sickened by bad winter barley, Emme and Marie decide to burn and sanctify the barley field. They do this to save their reputations, knowing that as a group of women they are viewed with constant suspicion. Marie is impressed by Emme’s fierce demeanor during the sanctification, which lasts an entire night. Emme later tells her that she made up the ritual chant herself: “Ritual creates its own catharsis, Marie. Mystical acts create mystical beliefs” (59).
As a prioress, Marie resolves to emulate Eleanor’s machinations at her court: “She [like Eleanor] will build around herself walls of wealth and friends and good clear reputation, she will make her frail sisters safe within” (60). She takes the veil, going from novice to nun. When a nun in the abbey dies of scrofula, a disease of glandular swellings, Marie remembers the deaths of her aunts Euphémie and Honorine during the crusades; both died not through fighting, but from accidental infections. When she receives a letter that Empress Matilde is ill, she recalls being sent to her in Rouen after her mother’s death, before being sent on to Eleanor. She remembers Matilde as vain and shallow but also strong-willed.
Marie decides to give the nuns daily chores that are more appropriate for their talents and learns how to attract more gifted oblates (child monks or nuns) and novices to the abbey. She also begins a sexual life at the abbey. She has regular encounters with Nest, an infirmatrix (nurse) at the abbey. These encounters are detached and friendly, as is another encounter that she has with a nun named Elgiva. Despite her new erotic life, she continues to love Eleanor from a distance: “For Marie’s rigid heart, there can be no entanglements but those she has entered into long ago with Eleanor, impossible and distant” (91). She hears that Eleanor, having left the King of England, was kidnapped in revenge and is being dragged by her captors to different secret houses.
The chapter ends with Marie experiencing hot flashes during a church service. Although hot flashes are normally painful for her, this time she experiences them as revelatory. She sees the girls and women around her in different colors: a pale gold for the child oblates, a “red flame” for the novices, and a deeper gold for the older nuns (92). She also sees Emme, who is now on her deathbed, as “a tallow candle that shines against the dark” (93).
This long chapter sees Marie growing into her role as abbey prioress. Although this seems like a cloistered and isolated role, it is also a worldly one. Because Marie is in a position of power, she must contend with the more powerful men who control the church. She must learn to be strategic and manipulative and to surround herself with allies and spies. In this way, her role is as public and political as that of Queen Eleanor, with whom she remains in sporadic contact.
The world surrounding the abbey, and within the abbey as well, is a harsh and dangerous one. There is religious and political warfare, both in the distant crusades and in the conflicts closer to home that result in Queen Eleanor’s kidnapping. There is also a constant threat of infections and illnesses, which are poorly understood and make death a quotidian reality. Marie must cope with sudden deaths at the abbey and is already accustomed to such deaths from seeing two of her beloved aunts die as a child. She must learn to make the abbey more of a shelter while also learning how to engage the world outside the abbey.
She does so by being fierce and warrior-like, but also nurturing and gentle. It is possibly her gentle side that is more radical and heretical than her warrior side. She opposes the church’s dictates that life in an abbey must be spartan and punishing by feeding the nuns well and giving them jobs that suit their individual talents. She also begins a sexual life at the abbey, thereby rebelling against the church’s dictate of celibacy. Her sexual encounters are detached, even from love, and are instead purely joyous and pleasurable. She draws a distinction between these encounters and her ongoing love for Eleanor, having absorbed the medieval convention of courtly love, in which love is rooted in unconsummated desire for an unattainable beloved.
Her evolving spirituality in this chapter is also unconventional in that it comes not from church rituals and dictates but from her own experience and being. It is an organic, feminine spirituality rather than a distant, patriarchal one. This is seen when she and Emme perform a “sanctification” of some blighted fields near the abbey, and Emme later confesses to her that she made the entire ritual up: “Mystical acts create mystical beliefs” (59). Marie is inspired, rather than disillusioned, by this confession, which shows an inventiveness and a practicality that appeal to her. She later has a vision that takes place while she is in church but is inspired as much by her menopausal hot flashes as it is by her surroundings. Her hot flashes serve to light up the nuns around her and to give her a sense of their essence and specialness.
By Lauren Groff
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