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Philip K. DickA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Philip K. Dick was a prolific and highly influential American science fiction author primarily active in the mid-20th century. His work is often philosophical in nature (“Philip K. Dick”), tending to explore hypothetical “what-ifs” rather than fantastical adventures to other worlds. Many of his life experiences feature, if obliquely, in his work; the more obviously autobiographical and/or self-insert characters tend to appear in his later writings (Satifka 54).
Common themes in Dick’s writing include travel through time/space (possibly with associated colonization motifs), war or postwar societies, technological and scientific advances (especially with automation and/or psychological influences), paranoia/suspicion, and the idea of precognition—prediction or anticipation of future events. Dick also tends to choose “everyman” protagonists (often literally men) who are more focused on the minutiae of their daily lives than dramatic, world-altering drama. Finally, although his mother was a “proto-feminist,” most of his female characters do not reflect her influence, possibly due to his strained familial relationships. Instead, Dick tends to rely on the 1950s stereotype of women—domestically oriented, supportive of their husbands, and very much side characters. To that end, his depictions of both Donna and Lisa in “The Minority Report” are unusual extremes: Donna is a precog, likened more to a machine or an animal than a human, and Lisa is an independent, intelligent career woman who returns to the domestic sphere at the end of the story. In short, while many characteristics of Dick’s writing may be considered dated from a contemporary viewpoint, some of his themes and motifs remain universal and anticipatory.
In the mid-20th century, especially 1938 to 1954, the United States government was preoccupied with the Cold War and feared the spread of socialism both abroad and at home. From 1950 until 1954, Senator Joseph R. McCarthy from Wisconsin “claimed to possess a list of 205 card-carrying Communists employed” within the government of the United States (“McCarthyism/The ‘Red Scare.’” Dwight D. Eisenhower Presidential Library, Museum, & Boyhood Home, National Archives). McCarthy’s “fear-mongering created a climate of fear and suspicion across the country” (“McCarthyism and the Red Scare.” Miller Center, University of Virginia, 2022). Today, McCarthyism is defined by the American Heritage Dictionary as:
1. The political practice of publicizing accusations of disloyalty or subversion with insufficient regard to evidence; and 2. The use of methods of investigation and accusation regarded as unfair, in order to suppress opposition (“McCarthyism/The ‘Red Scare’”).
These definitions are particularly relevant to “The Minority Report.” Although the story’s first printing (in 1956) occurred after McCarthy’s condemnation in 1954 and close to his death, its original manuscript, dated 1954, contains many references to the Red Scare and McCarthyist attitudes. Anderton himself exemplifies this, with his tendency to jump to conclusions based on very little—if any—evidence. While he does end up being correct that the whole case was a setup, his early, vocal accusations against Witwer and his own wife are mostly baseless and stem from his own insecurities about being unwillingly replaced by a younger man (Witwer). Kaplan, whose machinations could allude to President Eisenhower’s “indirect approach” to opposing McCarthy (“McCarthyism and the Red Scare”), simultaneously supports McCarthyist principles when he seems to validate Anderton’s suspicions of Witwer and Lisa (80).
In fact, the entire Precrime system reflects the Red Scare, as perceived criminals are arrested and punished based on crimes they have not yet committed (72). As Anderton concedes, “We’re taking in individuals who have broken no law. [...] We claim they’re culpable. They, on the other hand, eternally claim they’re innocent. And, in a sense, they are innocent” (72). The whole system, as Anderton is forced to acknowledge, is a catch-22 scenario: the precogs’ predictions imply that the criminals are guilty, but the accused have no way to prove their innocence, as they are arrested and punished before any crime can actually take place (72). It is the very definition of “unfair investigation,” and the evidence leveled against them is itself flawed, as precogs function on “the theory of multiple-futures” and therefore imply the possibility of at least one alternate choice (85).
The entire premise and setting of “The Minority Report” therefore parallel the Red Scare, although Dick differs from history in that he chooses to support the Precrime system, arguing that a smoothly operating—if flawed—justice system is more beneficial than an evidence-based, “post-crime punitive system of jails and fines” (72). As Witwer says, “punishment was never much of a deterrent, and could scarcely have afforded comfort to a victim already dead” (72). Whether this is true is left up to the reader’s interpretation.
By Philip K. Dick