74 pages • 2 hours read
E. L. KonigsburgA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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The novel’s protagonist, 12-year-old Claudia Kincaid is the eldest of four children in her family. A meticulous planner, Claudia is rules oriented to a fault. As the novel opens, she dutifully fulfills her domestic and academic responsibilities but feels that something is missing; she suspects that something is increased recognition from her parents and siblings. Putting her excellent planning skills to work, she carefully plots to run away from home. As she puts her plans into action, however, she realizes that she wants to change herself, not just teach her parents to value her more. With “ambitions […] as enormous and as multi-directional as the museum herself” (47), Claudia struggles to know what form or direction such change should take.
Through her adventures in the museum and with Mrs. Frankweiler, Claudia learns about herself and manages to focus her efforts. The mystery surrounding Angel provides a focal point for her efforts, but to some extent, Angel is irrelevant to Claudia’s maturation. As Mrs. Frankweiler explains, “She would solve its mystery; and it, in turn, would do something to her, though what this was, she didn’t quite know” (65). Prone as Claudia is to worry and seek explanations for everything, she never fully articulates how she hopes to change, but she sees Angel’s mystery as a chance to become a “heroine” by making a “discovery” (118). Along the way, she becomes less critical and controlling of Jamie and more resilient in the face of challenges and disappointments. As she returns home, the secret knowledge about Angel she carries with her is not the change but rather a sign or symbol of her growth; she now knows she is capable of accomplishing great things.
Three years younger than his sister Claudia, Jamie Kincaid accompanies her as she runs away from home. Jamie is a foil character to Claudia in many ways. For instance, he expresses a preference for difficulties and complications (though his tolerance for actual difficulties is never really tested during the narrative), whereas Claudia prefers to live in comfort. Jamie is also much stingier than Claudia when it comes to spending money, and he takes the lead in managing their funds. In public and social situations, Jamie is prone to take risks and even has something of a theatrical streak, as he is tempted to dramatically reveal himself to his classmates when they visit the museum. His penchant for playing and cheating at War for money reveals that he can be sly and crafty when he needs to be, but he is also prone to blurt out secrets, as when he accidentally tells Mrs. Frankweiler where he and Claudia stayed. Compared to Claudia, Jamie is more focused on present, practical matters, and he takes a dry rather than personal interest in Angel. As Claudia tells him, “You could go clear around the world and still come home wondering if the tuna fish sandwiches at Chock Full O’Nuts still cost thirty-five cents” (114).
As Claudia’s friend and sidekick, Jamie does not undergo as dramatic a transformation as Claudia; he has not yet reached the stage of self-reflection that she has. Instead of having an epiphany related to his own identity, Jamie simply backs away from some of the unhealthy extremes of his character, such as his obsession with money. He strengthens his relationship with Claudia, learning to be tolerant of her shortcomings, and even, it is hinted, keeps a secret or two of his own, as he admits that he didn’t say everything into Mrs. Frankweiler’s tape recorder.
Mrs. Frankweiler is the novel’s narrator. A wealthy, 82-year-old widow with a love for collecting art and information, Mrs. Frankweiler’s commentary throughout the novel proves both insightful and provocative. Comparing herself to Claudia, Mrs. Frankweiler reflects, “Her concern for delicate details is as well developed as mine” (19). Elsewhere, on the subject of high heels, she suggests, “I always say that those who wear ‘em deserve ‘em” (32), showing that she enjoys being unconventional. Blunt in her communication, Mrs. Frankweiler detests anything boring, as she describes a recent visit from Saxonberg as “boring” and later promises to let Jamie and Claudia spend time with her as long as they don’t bore her.
Mrs. Frankweiler doesn’t necessarily change throughout the novel, but it takes a while for her true qualities to become apparent. At first appearing harsh and cool, as the children get to know her she allows herself to become vulnerable in expressing her sadness that she never had any children. Naturally, they step forward to fill a role as grandchildren, and her decision to leave them Michelangelo’s sketch in her will even legitimizes their connection legally. To each of them, Mrs. Frankweiler provides a meaningful example. To Claudia, she demonstrates how to distinguish oneself and live authentically. To Jamie, she shows that money is not the most important thing, such as when she sells Angel cheaply and when she tells him she knows never to cheat “when the stakes are high” (156).
Saxonberg is Mrs. Frankweiler’s lawyer to whom the book is addressed; he is also Claudia and Jamie’s grandfather. Though he never appears directly, Saxonberg’s character takes shape indirectly through Mrs. Frankweiler’s comments directed at him. She describes him as being preoccupied with “law, taxes, and [his] grandchildren” (3); she also mentions that he has an ulcer, which may be a sign of stress. Through her communications with Saxonberg, Mrs. Frankweiler tries not only to explain what happened to his grandchildren but also to invite him to broaden his horizons and take time to appreciate art. She does this through passionate speech extolling the museum’s virtues while calling him out for never having gone, as when she states, “It makes me furious to think that I must explain that restaurant to you, Saxonberg” (81), referring to the museum’s fountained restaurant where Claudia and Jamie bathe. Though readers may form a somewhat negative impression of Saxonberg from Mrs. Frankweiler’s comments, her tone toward him remains playful, and she recognizes his core characteristics: “soft heart and hard head” (155). Indeed, when Mrs. Frankweiler calls him to announce the arrival of his grandchildren, she recalls that he “sounded like anything but a lawyer […]. Disgusting!” (127). Overall, Saxonberg serves as an example of Claudia and Jamie’s loving, concerned relatives, as well as someone who could benefit from an increased appreciation of art.
By E. L. Konigsburg
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