63 pages • 2 hours read
Sui Sin Far (Edith Maude Eaton)A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Story Summaries & Analyses
“Mrs. Spring Fragrance”
“The Inferior Woman”
“The Wisdom of the New”
“Its Wavering Image”
“The Gift of Little Me”
“The Story of One White Woman Who Married a Chinese”
“Her Chinese Husband”
“The Americanizing of Pau Tsu”
“In the Land of the Free”
“The Chinese Lily”
“The Smuggling of Tie Co”
“The God of Restoration”
“The Three Souls of Ah So Nan”
“The Prize China Baby”
“Lin John”
“Tian Shan’s Kindred Spirit”
“The Sing Song Woman”
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Pan had a white mother, who has passed away, and a Chinese father, whom she lives with in Chinatown. Mark Carson, a reporter, comes to Chinatown to report on a boycott. The first time he sees Pan he does not have the chance to speak to her, so he comes back to her father’s shop and inquires about the girl. Mark Carson is charming and easily wins over people’s trust. In the newsroom, he is known as “a man who would sell his soul for a story” (49). Pan and Mark eventually start spending time together. Mark is Pan’s first white friend, and through her Mark is welcomed into parts of Chinatown that no American man had ever been welcomed. On one of the many occasions that Pan remarks that she “would rather have a Chinese for a father than a white man,” (51) Mark asks is she would prefer a Chinese man or a white man for a husband, for which she gives no answer.
One evening, Mark disparages Chinatown, saying that it is not beautiful. Pan answers how regardless, "it is [her] home" (51). Mark insists Pan is white: “[T]hey do not understand you […] Your real self is alien to them. What interest have they in the books you read—the thoughts you think?” (51). Mark asserts that Pan has to decide what she will be: “Chinese or white? You cannot be both” (51). Mark then sings to her, and kisses Pan, who is happy and in love. The next morning Mark starts working on the feature article he has promised his paper.
One day, Pan’s father comes in and says, “Cursed be his ancestors” (52).He then throws the newspaper at Pan’s feet. Mark has used his access to the Chinese-American community via Pan to write an exposé of the Chinese community, including secret religious rites. As a result, Pan's community feels betrayed.
Mark has been out of the city for two months, working on assignment. He sent Pan a note when he left that included his new address, but he has not heard from her. As excited as he is to see Pan again, he is worried that there is a slight chance she is angry at him over the article he wrote.
When he goes to her, he finds her dressed in a Chinese dress. When he asks why she is dressed this way, she answers that it is because she is a Chinese woman. Mark protests: “You are not […] You cannot say that now, Pan. You are a white woman—white. Did your kiss not promise me that?” (54). Pan answers: “I would not be a white woman for all the world. You are a white man. And what is a promise to a white man!” (54).
After Mark leaves, a mother and child visit Pan. The mother tells Pan, “Thou wilt bear a child thyself some day, and all the bitterness of this will pass away” (54).
While the Chinese community accepts Pan as she is, Mark is uncomfortable with the idea that Pan is both Chinese and white. Mark only values the part of her that is white. In order to be with him, she would have to deny not only half of her lineage, but the culture in which she was raised.
Mark does not realize that part of what he loves about Pan comes from her Chinese heritage. He thinks he can extract everything good her Chinese heritage has given her, while denying the heritage itself. Mark is exploitative in his relationship toward Pan, just like he is exploitative in his relationship with the Chinese community itself. He uses what he finds beneficial and turns his back on the rest.
Even though Mark does not get Pan to turn her back on her Chinese identity, his actions do precipitate her decision to marry a Chinese man. After the betrayal of the article, Pan chooses to identify solely as Chinese. It is not until this interaction with Mark, “her first white friend” (50), that she is forced to reconcile her self-identity.