79 pages • 2 hours read
Neil GaimanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Richard Mayhew is the protagonist of Neverwhere. Written in third person, the novel generally filters the story through his point of view. Richard is a mild-mannered man who finds himself unexpectedly thrust into the dangerous, confusing underworld of London Below when he decides to save the injured Door. As he helplessly follows her on her journey, hoping that it will end with his return to London Above, Richard must embrace a transformative journey and gain the confidence to become a true hero.
Alongside Door’s quest, Richard embarks on a personal journey to find his courage. There are many times he wants to give up as things get increasingly dangerous, but he never does―not even when the Ordeal of the Key tries to convince him to end his life. One of the personality traits that makes this transformation possible is his propensity for kindness, sensitivity, and, especially, selflessness (this final trait is key to the novel’s exploration of The Transformative Nature of Sacrifice). It was kindness that caused him to help Door in the first place, and though he acted as if his only motivation for tagging along on her was a chance to get back to London Above, it’s clear he is dedicated to keeping her safe. His sensitivity to Anaesthesia’s disappearance helps him survive the ordeal because the necklace bead that he kept reminds him not to let her sacrifice be in vain. In the end, Richard realizes that the life he thought he wanted in London Above is empty and unsatisfying. London Below has changed him for the better, and he knows that in order to honor this inner transformation, he must return to the world of magic that exists beneath the cobblestones.
Jessica is Richard’s fiancée at the beginning of the story. For Jessica, prestige and style are important, and she proves herself to be cold and calculating when she tells Richard how to live his life. She even goes so far as to break off her engagement to Richard when he chooses to help Door instead of attending a dinner with her boss. This dramatic shift shows Richard that she never genuinely loved him; she only loved her notions of what he could be.
Door is the catalyst of the novel’s primary plot. She is the oldest daughter of the House of Arch, a family with a unique skill: the ability to open and create passages where others can’t. She introduces Richard to London Below, acting as a guide through the unfamiliar terrain and becoming a friend.
Door is a static character because her motivations and desires remain the same for most of the novel: She wants to know who murdered her family. Even after she learns that Islington was behind everything, Door’s family motivates her actions at the end of the novel. She decides to continue her father’s work to unite London Below and plans to find her sister, who may be alive.
These two characters are assassins hired by Islington to kill Door’s family and capture her. Both are exceedingly violent and dishonest, but they also act as comedic foils for one another, and their deadpan interactions add a tinge of dark humor to the novel. Mr. Croup is intelligent and talkative, while the quiet yet grim Mr. Vandemar is often slow to understand events happening around them and lacks the vocabulary to fully appreciate Mr. Croup’s loquacious musings. They are flat characters because they lack dimension; their only defining characteristics are their greed and their mutual love of violence.
The Marquis de Carabas is a mysterious character who initially embodies The Threat of Treachery. Though Door looks to him for help, he is clearly a trickster figure. Richard distrusts him for much of the novel, and not without reason. The Marquis approaches every interaction in a transactional way and only helps others when he knows he’ll get something out of the arrangement. He is also very vocal about not wanting Richard along for the journey, which adds to Richard’s suspicion that the Marquis is the one who betrays Door. Not even the Marquis sees himself as a good man. However, he proves himself to be far nobler than either himself or others expect when he risks everything―even losing his life―to help Door get the answers she seeks.
Hunter, referred to initially as “the leather woman,” is a bodyguard who is famous for killing every mythic beast in London Below―though little else is known about her. Door and the Marquis hire her to keep Door safe on her journey. However, Mr. Croup and Mr. Vandemar convince her to betray Door by bribing her with a spear that can supposedly help her to slay the Great Beast of London. In The Pursuit of Redemption, she sacrifices her life so that Richard can kill the beast and save Door.
As the covert villain of the story, Islington is a disgraced angel who was imprisoned for destroying the city of Atlantis, which it was meant to protect. Having spent thousands of years waiting to be allowed back into Heaven, it now wants to take over all of existence. This desire is the true catalyst of the story. The angel needs someone to open the door to its prison with a special key, and when Door’s father refuses to do so, Islington has Door’s family killed. However, the angel later reveals that it kept Door’s sister alive to see if she might free it from its prison.
By Neil Gaiman