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49 pages 1 hour read

William Morris

News from Nowhere

Fiction | Novel | Adult | Published in 1890

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Chapters 9-16Chapter Summaries & Analyses

Chapter 9 Summary: “Concerning Love”

They arrive at Dick’s great-grandfather’s house and find that a woman named Clara is there as well. Clara and Dick blush at each other while his great-grandfather, “old” Hammond, receives their visitor. Guest asks about Dick, and Hammond explains that Dick and Clara had once been married and share two children, but she left him because she thought he loved someone else. She was wrong, so they will likely get back together.

The situation leads to a discussion of love and divorce. Because this society does not have private property, divorce is not a messy process. Hammond explains that in matters of love and sentiment, people tend not to exaggerate because they believe all men are equal and the world does not stop because one is heartbroken. He explains that there is no one set of rules by which people are judged, whether in a court of law or only in public opinion. Unfair judgments can arise between individuals, but people are not forced to follow any one set of rules or morals. When Guest asks about women’s role in society, Hammond responds that it is so obvious that he is embarrassed to have to state that women and men are completely equal. When asked about the conflicting narratives of the women’s rights movement of the 19th century that encouraged women out of the homes and the smarter ones not to give birth, Hammond affirms that domesticity and motherhood are valued greatly in their society, but with all the “artificial burdens” of motherhood eliminated, women can have children with much less worry. Guest and his host agree that the people in this society are more beautiful than past ones. Hammond notes that people believe that a healthy free union between a man and a woman, even if it does not last forever, always turns out better in every way including beauty. He sums up his own philosophy and that of his contemporaries in seemingly simple terms: “Pleasure begets pleasure” (75).

Chapter 10 Summary: “Questions and Answers”

The visitor asks about education, and Hammond explains that without poverty, they have the chance to acquire knowledge as they desire it rather than impose it on children. The belief that education is a means to escape poverty results from, as he puts it, “the systematized robbery on which [the previous society] was founded” (76). He goes on to explain that people live wherever and with whomever they want. When problems arise, they simply go to live somewhere else.

Hammond reviews what remains of famous cities of the past, like London, Oxford, and Cambridge. The slums of London no longer exist, and they even celebrate a holiday called “The Clearing of Misery.” Smaller towns have been rebuilt. Oxford is now a place for real learning, whereas before, Hammond says, it was a pretentious place for cynicism. To explain what has happened to villages, Hammond recounts the horror of the end of the 19th century, during which trees were cut down, no one had work, and food was scarce. He explains that eventually, people gave up doing work they weren’t fit for, and their world is a result of the effects of that one. It took them time to recover from the oppression of poverty and adjust to ordinary life, but it slowly happened, and now they are happy. He says the population has stayed the same since the 19th century, but they have spread out more. He compares their society to a garden where nothing is wasted and nothing gets rotten. When asked why they keep things like forests and “wastes” in their garden, he says that Guest should go see them and enjoy their beauty. What would be wasteful would be to cover this nature with factories that make things no one wants.

Chapter 11 Summary: “Concerning Government”

Hammond and the visitor discuss the form of government in this society. Hammond says they have no government that his visitor would recognize because all people make up the parliament. They review the government systems of the past—the Parliament, the courts of law, the police and military—and their efficacy. The Parliament, says Hammond, protected the interests of the upper class, and the courts were not trusted by anyone. However, without private property, this type of government is unnecessary. When asked about defending their country from foreign invaders, the visitor notes that if the French had invaded the English, they could take no more from the working man than the English already took. Regardless of their state of war or peace, the rich went on as usual and used the poor for labor. The state destroyed most of the wealth to maintain this system, but some insisted on being rich anyway, therefore stealing even more from the already poor majority. The government did not cause this, Hammond says, but it was the machine used for the tyranny. Now the tyranny has come to an end.

Chapter 12 Summary: “Concerning the Arrangement of Life”

Guest asks how their lives are arranged. Hammond says he must experience it to understand, but he can tell him what they don’t do. He says it is easier for them to live without robbing each other than it would be to rob each other. All crime is viewed as “errors of friends” (95), rather than acts that define a person’s character. Without private property, says Hammond, there is no need to commit violence because most people can accomplish what they desire without extreme measures. Sexual violence, born from the idea that women were property of men, is nearly nonexistent. Domestic violence has also ended because families are held together only by mutual affection, not legal or social norms. Hammond admits that there is occasional violence, but it is isolated between two people, not made worse by their neighbors. Moreover, recidivism is rare. With no punishment to evade or law to outsmart, “remorse will certainly follow transgression” (98). When someone does something wrong, their society makes it clear that they must acknowledge and grieve it, but if they punish the person, they turn it into a cycle of wrongdoing. Markets require no laws because people generally agree on the norms. People love their work because they create with their hands and do what they love.

Chapter 13 Summary: “Concerning Politics”

Hammond, when asked, says they have no politics. He tells Guest that if he makes a book out of this conversation, he should put this in a chapter by itself.

Chapter 14 Summary: “How Matters Are Managed”

Competition between nations has disappeared with the end of property and inequality. Guest asks if it makes life boring, but Hammond says there is plenty of variety in the people of the world. The difference is that disagreements do not spiral into further divide and competing theories.

He explains their protocol regarding communal decisions. If someone wants a bridge to be built, they propose it in the town meeting. If anyone objects, they postpone the vote until the next week so that both sides may make a case. Then they vote, and if the difference in votes is large, then the minority usually backs down; if they do not, the question is debated again, and if the minority has not grown, they let it go. Even if they are not convinced they are wrong, they are convinced that they cannot change the opinion of others, and therefore it is not worth their continued efforts.

Guest says that this sounds like democracy, and Hammond admits it does, but they have no other options. If a man who didn’t want the bridge built refuses to build the bridge, the bridge will still either benefit or hurt him along with everyone else. The only difference is that he can brag that he was right from the start if they are all hurt by it.

Chapter 15 Summary: “On the Lack of Incentive to Labour in a Communist Society”

When asked about men’s incentive to work without a material reward, Hammond says the reward is life itself. They are so far from the belief that all work is suffering that it is hard for them to comprehend the belief that men are inclined not to work. They are afraid of losing work, not doing it. Work is pleasurable either because of the gain that might come afterward, because the habit is pleasurable, or because the work itself is pleasurable.

People cannot reach peace and stability without happiness, and they cannot reach happiness without daily work. Hammond explains that they found this happiness in work when they gained freedom to do the work they wanted, but this truth was discovered through pain.

Hammond goes on to explain that, after the creation of the World-Market that controlled life in centuries prior—essentially, a globalized form of 19th-century industrialized capitalism—workers were forced to make “artificial necessities,” and they began to lose sight of what was actually necessary. The economy worked only toward the goal of cheapening the production of all goods. Machines were used to free up man’s labor for other useless tasks. This fruitless attempt at endless growth resulted in brutal colonization.

Then came “the overturn.” Once there was no buying or selling, people only made goods that would certainly serve a purpose. They do not fear that work will entirely run out because art and science are both inexhaustible. Some places in the world, especially what used to be the United States, are still actively recovering from the ravages of earlier times.

Chapter 16 Summary: “Dinner in the Hall of the Bloomsbury Market”

Clara and Dick reappear, with clear signs of having made love, just as the dinner bell tolls. Guest comments on paintings that depict the Seven Swans and Faithful Henry, saying he is shocked that they still remember those childish fables. Dinner is simple but delicious. Clara returns to the idea of the paintings to ask why people tend to make realistic art of the past or abstract art of the present, but never realistic art of the present. Hammond says that people never make art about the present; it is always somehow obscured to seem like something else. Hammond and Dick theorize that the childlike part of humans wants to make art using imagination rather than create a reflection or the truth. They toast to this, and Hammond says they are too happy to worry about the future. Clara wishes their lives were interesting enough to paint about.

Chapters 9-16 Analysis

Chapters 9-15 are predominantly expository, as Guest and Hammond converse about the structure and norms of 21st-century society. Guest, a keen observer of his surroundings, poses questions that help bridge the conceptual gap between the 19th and 21st centuries. Not everything has changed; Hammond and Guest speak the same language, even if the resonances and meanings of certain words have been transformed, and enough of the underlying structure of society remains to establish a baseline of common experience. Guest, for instance, correctly surmises that Dick has romantic feelings for Clara. In an exemplary moment of The Familiar Made Strange, Hammond both confirms Guest’s perception—Dick and Clara were once married and have children together—before situating that familiar relationship in the context of a society where divorce is not only legal but also normalized as part of the broader turn away from private property. Significantly, Dick and Clara’s divorce has heightened, rather than diminished, their love for each other. Without the possessiveness associated with 19th-century marriage, their divorce was largely non-traumatic and leads to their eventual reconciliation on the trip to Oxfordshire. Thus, Dick and Clara emblematize the theme of Pleasure Without Property.

In Hammond’s account, the lack of private property is the fundamental premise on which the present society is founded. When Guest worries that no one will work without a reward—a stereotypically “Victorian” objection, Hammond explains that life itself is the reward. “Pleasure,” he says, “begets pleasure” (75). As a result, even activities traditionally associated with laboriousness and difficulty become easy when undertaken voluntarily. Elaborating upon their education system, Hammond criticizes their old system in that it “[ignores] the fact of growth, bodily and mental” (77). Providing people the space to learn when they please allows them to grow independently of others. They allow their own desires to lead them to knowledge. A similar principle applies to jurisprudence—or, more accurately, the lack thereof. Because there is no civil law, Hammond explains, there is no need to punish transgressions: “[I]n a society where there is no punishment to evade, no law to triumph over, remorse will certainly follow transgression” (98). By removing the institutional mediation of laws, courts, and prisons, 21st-century society forces the wrongdoer to confront his transgression head on; remorse, Hammond claims, is sure to be the result. Hammond argues that intervening with punishment distracts from the transgression itself and leaves no room for real remorse. Morality arises, as it were, naturally once artificial barriers associated with industrial capitalism are removed.

Chapter 13 is less than one page long because Guest asks about politics and Hammond says they have none. Morris creates dramatic irony when Hammond says that if Guest writes this in a book one day, he should make this topic a separate chapter. The dramatic irony breaks the fourth wall that emphasizes the point to the reader. This structural decision also has aspects of humor and juxtaposition; the complications of politics are so nonexistent that they do not even fill a page of the book. It also reflects some of the characters’ surprised reactions to Guest’s customs, like money and education; things that were so complicated and time-consuming in Guest’s time are simply obsolete in their lives.

As Hammond explains how they conduct their local politics, he uses an example of the decision to build a bridge. The bridge is both easy for a stranger to understand and acts as a symbol for the connection being built between the two men and their differing time periods. Hammond explains that no matter one man’s opinion on the bridge, they decide based on the “tyranny of a majority” because “all work that is done is either beneficial or hurtful to every member of society” (107). He uses the word “tyranny” ironically, referencing a common critique of communism. The bridge once again symbolizes a structure that connects people rather than separates them. Even if a man disagrees with a decision, he is connected to the rest of his society and therefore respects them.

The conversations between Hammond and Guest convey a large amount of information about the utopian “nowhere” of the novel’s title. The theme of the familiar made strange runs throughout these conversations. What Guest understands as “normal” and even intractable strictures on life are, to his 21st-century interlocutor, objects of curiosity and derision. The conceit of time travel allows Morris to thus challenge the assumptions of his contemporaries and challenge them to imagine ways of living that appear impossible.

The conversation breaks for dinner at the Hall of Bloomsbury Market; all meals are communal occasions. During the meal, Guest notices that their paintings on the wall depict characters from Jacob Grimm’s old fairy tales and comments on how strange it is to have such childish subjects. The reference to this collection of children’s horror stories hints at Guest’s building fear that something bad is going to happen that will end his journey in their happy society. Yet it also leads to a discussion about the nature of childhood. Free from the cares of the industrial world, Clara, Dick, and even Hammond are able to remain happy, beautiful, unworried about the future, and unburdened by the past. They are free to make art and do work they enjoy. All in all, they live lives that appear to be more “natural,” a nod toward the theme of The Return to Nature After Industrialization.

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