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49 pages 1 hour read

Katherine Applegate

Odder

Fiction | Novel/Book in Verse | Middle Grade | Published in 2022

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Part 3Chapter Summaries & Analyses

Part 3: “otter #209”

Part 3, Poems 117-123 Summary

This section summarizes Poem 117: “recovery,” Poem 118: “regret,” Poem 119: “looking,” Poem 120: “visits,” Poem 121: “mistake,” Poem 122: “rehab,” and Poem 123: “stronger.”

Odder awakes back at Highwater in the present day, where the humans tend to her wounds. Regretting her present situation and fearing that she has gotten Kairi killed, Odder promises herself that she’ll no longer be “Odder”: Instead of being adventurous and playful, she’ll become careful and prudent. Odder recalls her days in the wild and how, no matter the warnings of danger ringing in the back of her mind, she had looked for the humans she’d left behind once she was released. As she looked out for them, Odder swam and played because play was her purpose. Whenever she got too curious about human activity in the area, the humans trapped and relocated her farther away. Each time, she was delighted to see her old friends again.

Now Odder misses her days of freedom in the wild, and she knows that they’d still be hers if she’d been more cautious about the shark: One mistake is all it takes to end an otter’s life out in the ocean. The aquarists move her to the outside pool. While Odder feels unable to make her body move as gracefully as she’s used to doing, she’s still grateful to be back in the water. Once she has recovered some of her strength, the humans move her to the otter tank, where she recognizes a familiar scent: Kairi’s.

Part 3, Poems 124-127 Summary

This section summarizes Poem 124: “catching up,” Poem 125: “Twyla,” Poem 126: “back in the tank,” and Poem 127: “wrong.”

The humans have renamed Kairi as “Twyla.” They initially brought her to Highwater to cure her “shaking sickness” (seizures). Shortly afterward, she delivered a stillborn pup. Odder’s guilt lessens now that she knows she isn’t responsible for Kairi’s captivity here, but she still mourns her friend’s loss of the pup. While days pass with no sign of Kairi, Odder despairs, knowing that Kairi likely won’t leave Highwater.

Part 3, Poems 128-131 Summary

This section summarizes Poem 128: “exam,” Poem 129: “human noise,” Poem 130: “never,” and Poem 131: “Jazz.”

Odder remains listless. The humans decide that she’ll be a permanent resident at the aquarium because of her extensive injuries and history of human interaction. Although they know it’s for the best, they can’t help feeling that they’ve let Odder down. Thanks to years of listening to humans, Gracie can decipher their speech and realizes that they’ve given Odder a name: Jazz. Knowing what this means, Gracie can’t summon the heart to tell Odder. However, Odder has already surmised her fate and is resigned to it.

Part 3, Poems 132-139 Summary

This section summarizes Poem 132: “spared,” Poem 133: “no sign,” Poem 134: “absurd,” Poem 135: “up to something,” Poem 136: “knowing,” Poem 137: “back to the pup pool,” Poem 138: “bribes,” and Poem 139: “ball of fluff.”

Odder’s feelings toward her situation change: She feels safe and cared for by the humans and is grateful to be spared from the dangers of ocean life. Odder thinks she still catches Kairi’s scent every now and then, but no sign of her appears. Meanwhile, the aquarists don peculiar disguises that include large pieces of fabric that cover their bodies and boxlike objects that encase their heads. When they trap Odder in a cage, she knows something is up. They take her to her old pup pool, where she recognizes Kairi’s scent. When she reunites with her friend, Odder realizes that Kairi is holding a pup to her chest.

Part 3, Poems 140-146 Summary

This section summarizes Poem 140: “maybe,” Poem 141: “small,” Poem 142: “echoes,” Poem 143: “sorry,” Poem 144: “boxheads,” Poem 145: “bye, Jazz,” and Poem 146: “why.”

Kairi explains that after her pup died, the humans brought her this one. She isn’t sure why, but she thinks that this pup may have been abandoned. Odder is mystified that Kairi instinctively knows how to care for it. Kairi wonders if she and Odder could ever have been as small and vulnerable as this pup is. The sight of the pup triggers old feelings of abandonment in Odder, as she wonders again where her mother went. Odder apologizes for putting Kairi in danger, but Kairi easily forgives her.

Odder and Kairi acknowledge what it means that the humans have named them. Kairi hasn’t named the pup, and she hopes that the humans haven’t named him either because that means he’ll be free one day. Odder asks Kairi why she wants the pup to be free, in light of all the dangers they both faced in ocean life. At least here at Highwater, the pup is guaranteed safety. When Kairi points out that this is very unlike Odder, she responds that she’s no longer Odder; she’s Jazz.

Part 3, Poems 147-151 Summary

This section summarizes Poem 147: “the answer,” Poem 148: “day 1 with pup,” Poem 149: “the new addition,” Poem 150: “all day long,” and Poem 151: “reprieve.”

Odder finally receives an answer to the question of why the aquarists brought her back to her pup pool when, one day, they bring Odder a pup of her own. She feels that they expect her to do something with it, but the pup hides and Odder avoids her. She doesn’t think that she has the qualities necessary to be a good mother like Kairi does. The humans watch and wait all day long, but Odder continues to ignore the pup. She finally gets a reprieve when the humans take the pup away for the evening. Odder wonders what she was supposed to do with it; Kairi helps her realize that she must teach it to be an otter, the same way the humans did with Odder when she was first brought to Highwater as a pup.

Part 3, Poems 152-156 Summary

This section summarizes Poem 152: “day 2 with pup,” Poem 153: “day 3 with pup,” Poem 154: “day 4 with pup,” Poem 155: “meeting,” and Poem 156: “Darth Vader.”

The humans return the pup to Odder’s pool and hover again, but Odder continues to ignore her; she repeats this behavior on day 3. On day 4, Odder displays slight interest when the pup stops making noises, but only long enough to check that she’s still alive (she is). The aquarists hold a meeting to decide if they should continue trying to get Jazz to bond with Otter #209. After all, Twyla is the first success they’ve had with this; maybe she was a special case since she had just given birth. Perhaps they’re asking too much of Jazz, given all that she has been through.

Although it’s a long shot, the implications are immense if this works: It means that the aquarists can use otters who can no longer survive in the ocean to raise abandoned pups, who can then be returned to the wild. To facilitate this process, the aquarists wear special disguises to obscure their features so that the pups won’t bond with them. They don long ponchos, gloves, and welder’s helmets, a look they call their “Darth Vader” outfits.

Part 3, Poems 157-159 Summary

This section summarizes Poem 157: “another dream,” Poem 158: “talking,” and Poem 159: “day 5 with pup.”

Odder has another dream about a pup. In this one, the pup is drowning, and Odder does nothing to save it. Odder and Kairi talk: Odder doesn’t feel that she’s capable of raising the pup, given her personality. She doesn’t think she knows how to care for it. Kairi gently reminds her that she knows how to play. On day 5, Pup #209 remains silent, and the humans remain anxiously hovering nearby. This time, however, Odder ventures over to give the pup a little nose tap.

Part 3, Poems 160-163 Summary

This section summarizes Poem 160: “pathetic,” Poem 161: “purpose,” Poem 162: “calming,” and Poem 163: “whispers.”

Odder reflects on how pathetic Otter #209 seems: She clearly doesn’t know how to dive. Odder wonders, aghast, if she was ever that small and helpless—and remembers that she was and it was the humans who helped her learn how to swim. However, while the humans understand the mechanics of diving, they don’t understand the significance of it the way an otter does—for the joy of it. Odder watches Otter #209, baffled and afraid, try to get the water off her face as the humans approach to rescue her. Watching the pup struggle, Odder remembers their purpose as otters: to play. Feeling that no otter should be this afraid of water, Odder makes a decision. She places Otter #209 on her chest as she floats around the pool, soothing her and whispering to her. She tells Otter #209 all she’ll teach her: all the skills she’ll need to be an otter and, most, importantly, how to play. Suddenly, Odder can’t wait for the days ahead of her; she has so much she needs to teach this little pup.

Part 3 Analysis

This section focalizes Odder’s distinct conflicts and development. Her character arc is the driving force of Part 3, as she attempts to cast off her former identity as the curious, playful Odder out of guilt and regret, sinking into despair and cynicism as the newly captive Jazz. Part 3 depicts Odder at these low moments before pushing her into transformation at the novel’s climax, when she accepts Otter #209 as her surrogate pup, a moment that concludes Odder’s character arc and resolves the narrative’s conflicts and thematic arcs.

The theme of Bravery and Healing After Trauma takes center stage in Part 3. Odder must grapple with not only her guilt and regret over the shark attack but also a new fear of the ocean and past feelings of abandonment. In the poem “spared,” Odder feels grateful for being safe from the ocean’s dangers: “Most importantly, / she’ll be forever spared / the dark, determined threats / of ocean life” (207). When she voices similar sentiments to Kairi, her friend responds that this doesn’t sound like Odder at all. Odder leans into her new identity as Jazz to escape from her feelings of guilt and loss; her healing arc in Part 3 depends as much on emotional healing as on physical recovery from her injuries.

Her acceptance of Otter #209 as her surrogate pup symbolizes Odder’s healing. The novel depicts this conflict from the human perspective as well: The aquarists muse on the possibilities that open up to them if they can get Odder to accept the pup. Odder’s acceptance of the pup resolves both conflicts but symbolizes different things for each character: For Odder, it shows that she has healed and is ready to move forward into a new role, while for the aquarists, it represents progress in their conservation efforts, reinforcing the theme of The Role of Human-Animal Relationships in Conservation.

To demonstrate Odder’s changing understanding of her identity and the new juncture at which she finds herself between ocean and human life, the figurative language in the text shifts from centering on a human frame of reference to using comparisons to elements of nature. For example, despite her recovery, Odder feels the lasting emotional scars of her traumatic experience: “The shark attack / shadows her the way a stubborn cloud / can steal the sun” (199). This feeling reflects her yearning to be back in the wild and the disconnection she feels from her former home at Highwater. Whereas human-centered similes previously encouraged readers to connect to the characters through their own experiences, the shift in frames of reference here prompts readers to use the empathy they’ve developed for Odder to understand her longing for her home.

The author uses repetition in the sequence of poems depicting the attempted bonding with the pup to suggest Odder’s entrenchment in her own fears. The repetition of two-line stanzas—for example, “The pup returns. / She hides in the strands of kelp” and “All day long, / the humans hover”—within Poems 150-154 conveys a subtly despairing tone; the frustration of watching Odder remain ensconced in her fear emphasizes her inner crisis during this stage of her character arc. The repetition and mostly undeviating structure of this sequence of poems communicates a sense of rigidity and immobility, supporting Odder’s characterization of being frozen by fear, grief, and a deep sense of inadequacy.

However, Odder’s arc and the theme on healing reach resolution at the novel’s climax in the poems “purpose,” “calming,” and “whispers.” In this sequence of poems, Odder finally accepts Otter #209 and her new role as teacher and surrogate mother. Integral to the resolution of her inner conflicts are the motifs of play and water. Just as in previous parts where they called Odder back to her identity, here they remind her of what an otter’s purpose is and help her come back to herself. Kairi’s reminder to Odder that “[she] know[s] how to play” is the catalyst for the realization that motivates Odder to accept the pup (247). During this crucial moment, Applegate uses the water and play motifs in the poem “purpose,” in which Odder reconnects with her identity as an otter: “No otter should be this / terrified of the water. / Water means play, / and play is their purpose” (252). Seeing Otter #209 struggle to swim motivates Odder to teach the pup the joys of play, and thus she progresses into a new role as surrogate mother. Water and play work in tandem here to suggest revival for Odder through the wonders and joys inherent in her natural instincts as an otter.

The final poems of Part 3, “calming” and “whispers,” demonstrate Odder’s transformed perspective and the resolution of her conflicts, along with some of the novel’s core themes. As she soothes the pup and tells it all she’s going to teach it, she adds that she must also teach it what things to fear “because […] / [she] must” (255). The word “must” indicates that Odder has accepted her duty in transmitting those important lessons to the pup for her own safety. However, Odder follows this statement by saying that, most of all, she’ll teach the pup how to play. Acknowledgment of the importance of both these duties references the dualities of life in the wild and indicates that Odder has moved past her fear to once more embrace both the wonders and dangers of life in the ocean, resolving the theme of The Rewards and Risks of Life in the Wild. Along with it, the healing theme concludes as Odder likewise re-embraces her purpose, reconnecting with her most essential character trait: to play.

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